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- Creators:
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Moffett, Ross
- Dates:
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circa 1870-1992
- Size:
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7.7 Linear feet
- Collection ID:
- AAA.moffross
- Repository:
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Archives of American Art
This collection measures 7.7 linear feet, dates from circa 1870 to 1992, and documents the life and career of painter Ross Moffett and, to a lesser extent, the life and career of his wife, painter, lithographer, etcher, and illustrator, Dorothy Lake Gregory Moffett. The collection includes correspondence, photographs, artwork including sketchbooks, and printed material including published writings, newspaper clippings, press releases, and exhibition catalogs.
Found In
Sally L. Steinberg Collection of Doughnut Ephemera
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- Creators:
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Steinberg, Sally L. (Sally Levitt)
- Dates:
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1920s-1987
- Size:
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3.5 Cubic feet (7 boxes)
- Collection ID:
- NMAH.AC.0439
- Repository:
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Archives Center, National Museum of American History
This collection consists of ephemeral materials gathered by Sally L. Steinberg while she was researching her 1987 publication, The Donut Book: The origins, history, literature, lore, taste, etiquette, traditions, techniques, varieties, mathematics, mythology, commerce, philosophy, cuisine, and glory of the donut.
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- Creators:
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Smithsonian Institution. National Armed Forces Museum Advisory Board
- Dates:
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circa 1960-1975
- Size:
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13.58 cu. ft. (13 record storage boxes) (1 tall document box)
- Collection ID:
- Record Unit 581
- Repository:
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Smithsonian Institution Archives
These records document the activities of NAFMAB, including collecting and accessioning, planning for a site, exhibits design, and carrying out various projects. Also included is a multi-volume chronology of events, 1946-1973, in addition to copies of files of NMHT curator Mendel L. Peterson, who represented the Smithsonian on a preliminary ...
Found In
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- Creators:
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Bryan, Percival
- Dates:
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1932-1993
bulk 1942-1980
- Size:
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5.94 Linear feet (20 boxes)
- Collection ID:
- ACMA.06-001
- Repository:
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Anacostia Community Museum Archives
The collection, which dates from 1932 to 1993 and measures 5.94 linear feet, documents the career and personal life of Washington, DC cabdriver Percival Bryan. The collection is comprised of an autobiography, autograph books, citations, correspondence, memorabilia, photographic prints, and printed materials.
Found In
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- Creators:
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Institute of Contemporary Arts (Washington, D.C.)
- Dates:
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1927-circa 1985
bulk 1947-1967
- Size:
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36 Linear feet
- Collection ID:
- AAA.instcona
- Repository:
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Archives of American Art
The records of the Washington, D.C. arts and educational organization, Institute of Contemporary Arts, measure 36 linear feet and date from 1927-circa 1985, with the bulk of the material spanning the organization's active years, 1947-1967. The collection documents the arts and cultural programming organized by the ICA through correspondence, artists' files, program and exhibition files, administrative and financial records, printed materials and photographs. Also found are administrative, student, and teacher records of the ICA school; records of the Fine Arts Committee of the People-to-People Project; and some personal papers of the ICA's founder, Robert Richman.
Found In
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- Creators:
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National Portrait Gallery. Administrative Office
- Dates:
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FY 1983-FY 1987
- Size:
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1 cu. ft. (1 record storage box)
- Collection ID:
- Accession 92-140
- Repository:
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Smithsonian Institution Archives
This accession consists largely of purchase orders for works of art and other artifacts acquired by the National Portrait Gallery from FY 1983 through FY 1987. It also includes records of other large transactions and purchases of items such as furniture and conservation equipment.
Found In
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- Creators:
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National Portrait Gallery. Office of Exhibitions
- Dates:
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circa 1968-1976
- Size:
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14.5 cu. ft. (29 document boxes)
- Collection ID:
- Record Unit 361
- Repository:
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Smithsonian Institution Archives
Records in this record unit document the exhibition research and activities of the National Portrait Gallery and its Office of Exhibitions. Particularly well represented are exhibitions mounted between 1974 and 1976, with materials documenting research and publications on numerous artists, paintings, prints, broadsides, books, documents and ...
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- Creators:
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W. Atlee Burpee Company
W. Atlee Burpee Co.
Burpee, W. Atlee (Washington Atlee), 1858-1915
Burpee, David, 1893-1980
More … - Dates:
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circa 1873-1980
- Size:
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200 Cubic feet
- Collection ID:
- AAG.BUR2
- Repository:
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Archives of American Gardens
The W. Atlee Burpee & Company records, dated circa 1873-1986, document the firm's business activities developing plant varieties, working with contract seedsmen, and marketing and selling seeds. They include seed trial records, seed contracts, sales and acccounting records, inventories, office correspondence, seed catalogs, promotional and instructional materials, advertisements and advertising reports, contest letters, daybooks, photographs, reference materials, and other items relating to the company and some of its competitors. The collection also includes Burpee family papers.
Found In
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- Creators:
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Scurlock, Robert S. (Saunders), 1917-1994
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock, George H. (Hardison), 1919-2005
More … - Dates:
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1929-1989
- Size:
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87 Boxes
The subseries consists of black and white silver gelatin negatives.
- Collection ID:
- NMAH.AC.0618.S04.06
- Repository:
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Archives Center, National Museum of American History
The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.6 consists of black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records
Found In
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- Creators:
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Custom Craft
Scurlock Studio (Washington, D.C.)
Scurlock, Addison N., 1883-1964
Scurlock, George H. (Hardison), 1919-2005
More … - Dates:
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1928-1994
- Size:
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320 Boxes
- Collection ID:
- NMAH.AC.0618.S04.05
- Repository:
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Archives Center, National Museum of American History
The materials document the orders placed by the clients of the Scurlock Studio. The photographs primarily depict individual portrait sittings but there are also portraits of children, groups, and other subjects.
