Stock arrangements of musical compositions by Duke Ellington.
Nine hundred twenty-eight recordings by Duke Ellington's orchestra, of which seven hundred ninety-six were commercially issued, and one hundred thirty-two unissued, which are studio test pressings, concert recordings and recordings done from radio and television broadcasts.
Two transcriptions by Roberta Mandel of Billy Strayhorn's composition, "Blood Count"; five transcriptions by David Berger: "Harlem Airshaft", "Ko-Ko", "Subtle Lament", "Flaming Sword", "Mainstem", and "Jack the Bear", all composed by Duke Ellington; and two G. Schirmer transcriptions of Ellington's "Come Sunday".
Eight commercial 33-1/3 r.p.m. recordings of music produced by Duke Ellington, with album covers autographed by Ellington to Judge Quealy; and a Christmas card from Ellington addressed to Judge Quealy.
The bulk of this collection consists of materials pertaining to QUEENIE PIE, a comic opera in seven scenes. Also included are publicity, correspondence for the opera, Ellington's autobiography MUSIC IS MY MISTRESS, and a script for the Ellington work, MY PEOPLE.
Five cassette audiotapes, master's degree thesis, and Billy Strayhorn music transcription to Duke Ellington's "Lotus Blossom.",Material documents the career and compositional techniques of Duke Ellington, and interviews with Duke Ellington and Cat Anderson.
A collection of 78 r.p.m. recordings of jazz artists, including many by Duke Ellington, many of them test pressings.
William Russo Transcription and Arrangement of Duke Ellington's First Concert of Sacred Music consists of the full conductor score, orchestral parts, and choral parts to "In the Beginning God," "Tell Me It's the Truth," "Come Sunday," "The Lord's Prayer," "Will You Be There?" "Ain't But the One," and "David Danced." The transcription and arrangemen...
Papers relating to Duke Ellington, once owned by Ellington's publicist Joe Morgen: Morgen's correspondence, much of it relating to appearances by Ellington; photographs; some financial records; some music manuscripts of Ellington's; concert and theater programs; a film of Ellington at the White House in 1969 when he was awarded the Presidential Medal of Freedom by President Nixon; and press releases and newspaper and magazine articles.
Bulletins, programs, broadsides, newsletters, newsclippings, periodicals, photographs, published sheet music and audio and videotapes documenting the life and career of Duke Ellington and the activities of the Ellington Jazz and Music societies.