Russell E. Train Africana collection
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- Creators:
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Train, Russell E., 1920-2012
Russell E. Train Africana Collection (Smithsonian. Libraries)
- Dates:
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1663-2004
- Size:
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6,500 items (estimated)
- Collection ID:
- SIL-CL.XXXX-0014
- Repository:
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Smithsonian Libraries
Manuscript and printed textual material, photographic prints and negatives, slides, audio tapes, film, original and reproduction artwork, maps, scrapbooks, and historical and natural artifacts related to the history of African exploration and natural history, dating primarily from the nineteenth and twentieth centuries. Includes correspondence, drafts of publications, diaries, account books, ephemera, posters, newsclippings, biographies, memoirs, portraits, and the former personal property of selected explorers, big game hunters, missionaries, pioneers, and naturalists in Africa.
Found In
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- Creators:
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National Museum of African Art (U.S.)
- Dates:
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1898-[ongoing]
- Size:
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61 Volumes
- Collection ID:
- EEPA.1985-014
- Repository:
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Eliot Elisofon Photographic Archives, National Museum of African Art
Photographs collected by the Staff of the Eliot Elisofon Photographic Archives of the National Museum of African Art, Smithsonian Institution.
Found In
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- Creators:
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Elisofon, Eliot
- Dates:
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1942-1972
- Size:
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photographic negatives (b&w, 35mm)
30000 slides (photographs) (color)
80,000 Photographic Prints (b&w, 25 x 20 cm. or smaller.)
- Collection ID:
- EEPA.1973-001
- Repository:
-
Eliot Elisofon Photographic Archives, National Museum of African Art
The photographs document many aspects of African life and culture including agriculture, animals, archeology, architecture, art and artisans, children, cityscapes, dance and music, domestic scenes, education, flora, hunting and fishing, industry, landscapes, leaders, markets, medicine, recreation, rituals and celebrations, and transportation. Photographs taken by Eliot Elisofon to document his travels and work. The images portray many aspects of African life and culture including agriculture, wildlife, archaeology, architecture, art and artisans, children, cityscapes and landscapes, leaders, markets, medicine, recreation, ritual and celebration, and transportation. Artisans shown include an Asante weaver making kente cloth in Ghana; a Dogon carver in Mali making a kanaga mask; an Ebrie goldsmith in Cote d'Ivoire; Hausa dyers in Kano, Nigeria; and Nupe beadmakers in Nigeria; as well as artists at the Ecole des Beaux Arts in Kinshasa, Congo. Portraits of leaders include the Asante court at Kumase in Ghana; Ebrie chiefs and notables in Cote d'Ivoire; the timi (king) of Ede, a Yourba town, Nigeria; the emir of Katsina, Nigeria; and the Kuba king and his court in the Congo. There are informal portraits showing children of the Kuba royal court dancing, Fulbe women with gold earrings in Mali, Mangbetu women in the Congo, and Maasai elders in Kenya. Masked dances documented include a Dogon dama festival celebration in Mali, an Igbo festival in Nigeria, and Kuba and Pende masked dancers in the Congo. There are also images of Yoruba gelede (men's association) masks in Nigeria. Non-masked dancers shown include Dan professional acrobatic dancers in Cote d'Ivoire, Irigwe dancers in Nigeria, Mangbetu dancers in the Congo, Mbuti dancers in the Democratic Republic of the Congo, and Wodaabe men dancing in Nigeria. Events shown include Hausa riders in chain mail during the Independence Day celebration in Katsina, Nigeria. Images of art in situ include ancestral altars in the King of Benin's palace in Nigeria; Dogon rock paintings in Mali; and Yoruba Shango shrine sculptures in the palace courtyard of timi (king) of Ede in Nigeria. Landscapes include views of mount Kilimanjaro, Tanzania. Animals shown include birds, buffalos, elephants and giraffes. Traditional architecture shown includes Asante shrine houses with raised wall decorations in Ghana, Dogon villages in Mali and mosques in Mopti.