An Evening with the Los Angeles Modernists
A recording on two audio cassettes of "An Evening with the Los Angeles Modernists," November 7, 1990, held in conjunction with the exhibit "Turning the Tide: Early Los Angeles Moderns 1920-1950," organized by the Santa Barbara Museum of Art, Santa Barbara, California. Speakers include Susan Ehrlich, Paul Karlstrom, and artists Karl Benjamin, Jules …
Los Angeles Art Association records
The Los Angeles Art Association records measure 12.6 linear feet and date from 1922-1990. Almost a third of the collection consists of artists' files containing a wide variety of materials documenting the association's relationship with numerous California and international artists. Also found are ten scrapbooks documenting exhibitions and events over the course of 50 years, administrative files, correspondence, subject files, exhibition files, financial and legal records, printed material, and photographic material depicting artists, events, and artwork. Scattered files of Executive Director Helen Wurdemann's are also found throughout the collection.
Ruth White Gallery records
The Ruth White Gallery records measure 7.1 linear feet and date from 1933 to 1974, with the bulk of the records dating from 1956 to 1970. Administrative records document the running of the gallery, and artist files shed light on the gallery's dealings with artists including Sylvia Bernstein, Jules Engel, Ida Kohlmeyer, Kurt Seligmann, Audrey Skaling, and many others.
Oral history interview with Bettina Brendel
Karlstrom, Paul J.
An interview of Bettina Brendel conducted August 23, 2001, by Paul Karlstrom, for the Archives of American Art, in Brendel's home/studio.
Los Angeles Independent Film Oasis records
The scattered records of the Los Angeles Independent Film Oasis date from 1976 to 1981 and measure 1.1 linear feet. Founded in 1975, the organization offered a venue for avant-garde and experimental film as well as special merit documentaries. The records consist of scattered business and administrative records, including member information, the constitution, and by-laws; one folder of correspondence; various notes; printed materials; and a large number of files on filmmakers.
André Emmerich Gallery records
The André Emmerich Gallery records and André Emmerich papers measure 311.4 linear feet and date from 1929 to 2009. The collection documents the business of the André Emmerich Gallery as well as André Emmerich's life and activities related to the business of selling art. Gallery records include correspondence; appointment books; administrative and subject files; exhibition files; artist files and accounts; inventory, sales, purchase, and consignment records; chronological files; financial and legal records; printed materials; original artwork; photographic and audiovisual materials. Also found are personal papers and records relating to André Emmerich. A small addition received in 2014 includes general correspondence, administrative files, exhibition files, artists' files, inventory records, consignment records, printed material, photographic materials, and André Emmerich personal papers and records.
These records consist of administrative files of the Program, including a large volume dealing with loans to the White House. Other records relating to the Lending Program can be found in Record Unit 453, the Office of the Registrar.
Heritage Gallery records
The records of Los Angeles Heritage Gallery measure 13.8 linear feet and date from 1944-2000 with the bulk of the materials dating from 1960-1998. The majority of the collection consists of artists' files containing a wide variety of materials documenting the gallery's representation of its contemporary artists and gallery exhibitions, including biographical information, correspondence, and printed materials. About half of the artists' files are related to artist Charles White. Gallery records also include business correspondence, business records and additional printed materials.
This accession consists of audiovisual materials recorded or collected by the Office of Public Programs to be used in programs at the National Museum of American Art (NMAA). Some of the materials come from when the office was known as the Department of Education and from when the museum was …
Dore Ashton papers
The papers of Dore Ashton measure 35.6 linear feet and date from circa 1928-2014, with one letter in the Joseph Cornell subject file dating from 1849. The records document Dore Ashton's career as an art critic, historian and educator, with particular depth for the period of 1952 through 1990. The collection contains a small amount of biographical material, as well as correspondence, writings, subject files, printed materials, artwork, and reference photographs of artworks. An addition to the Dore Ashton papers includes biographical material, correspondence, writings, writing project and subject files, teaching files, printed material, artwork and sketchbooks, and photographic material.