Photographs from books and magazines depicting meetings, a battle, and other events relating to American Indians. Each image is captioned; examples include "Indian Council," "Captain Heald in Council with the Pottawatamies," "De Soto's Great Battle with the Mobilians," "Squaws ducking Col. Smith," and "Mrs. Merrill Killing the Indians."
The etching is accompanied by a Xerox copy of a portion of Alberta Hannum, Paint the Wind, that describes the work.
Miscellaneous documents and pictorial items related to music, and a set of documents associated with Gibson banjoes.
The papers of painter, etcher, printer, muralist, and art teacher Gabrielle de Veaux Clements measure 1 linear foot and date from 1860 to 1948. Found within the papers are biographical material; personal and professional correspondence, including extensive correspondence from Clements to her mother; writings, including notes and essays on art history and etching techniques; printed material; artwork; eight sketchbooks; and photographs of Clements, her family and friends, and her work.
The papers of American Impressionist painter Edmund Greacen measure 1.2 linear feet and date from 1897-1972, bulk 1905-1949. The collection consists of biographical information and correspondence both personal and professional in nature, pertaining to his career as well as Greacen's various affiliations including the National Academy of Design, the National Arts Club, the Manhattan School of Art, and the Grand Central School of Art. Writings by Greacen, including an essay, "The Origins of Landscape Painting," and an unpublished book titled "Logic in Drawing" elucidate his perspective on art traditions and art education. There are works of art including pencil drawings and drypoint etchings, as well as photographs depicting portraits of the artist, group portraits documenting Greacen's various academic and professional affiliations, and reproductions of works of art. Also included exhibition catalogs, brochures, and other printed material.
The papers of printmaker and landscape painter Benson Bond Moore date from 1902 to 1995 and measure 5.7 linear feet. Found within the papers are biographical material, letters, scattered personal business records, notes and writings, twelve scrapbooks, printed material, and photographs. The papers also contain extensive artwork in the form of drawings and sketches, etchings, lithographs, and a few oil paintings.
The James D. Smillie and Smillie family papers measure 5.6 linear feet and date from 1853 to 1957. The collection consists of the papers of four members of the Smillie family including James Smillie, his sons James David and George Henry Smillie, and George's wife, Helen 'Nellie' Jacobs Smillie. The majority of the papers are those of James D. Smillie, comprised of correspondence, forty-five daily diaries, a scrapbook, printed materials, and one etching. The papers of James Smillie consist of biographical materials and writings. The George Smillie papers include biographical materials, scattered correspondence, a scrapbook, printed materials, and photographs. The Helen Jacobs Smillie papers include corrrespondence and photographs. Also found are scattered materials relating to other family members, mostly the children of Helen Jacobs and George Smillie.
Art historian Mary Margaret Sittig's research material on Louis Prang dates from 1860 to 1978 and measures 3.5 linear feet. Found within the papers are biographical material for Louis Prang and for Mary Margaret Sittig, collected letters from various members of the Prang family, and scattered letters to Sittig from friends. Additional collected research materials include scattered personal business records for Louis Prang and his wife, notes and writings, art work, printed material, and photographs.
The papers of African American painter, printmaker, and educator Marvin Harden measure 2.2 linear feet and date from circa 1936 to 2005. Found within the papers are biographical materials, correspondence, teaching files, exhibition files, printed material, artwork, and photographs. Correspondents include Joyce Tremain, Judy Chicago, Marion Lerner Levine, Jud Fine, Houston Conwill, Sandy Ballatore-Nelson, Nancy Lee Riegelmen, Eugene Anderson, Connor Everts, Pleter Plagens, Jan Stussy, Caroll Toon, William Wilson, and others. Artwork includes a book of etchings Natural Selections (1991).
The papers of Aaron Draper Shattuck measure 0.8 linear feet and date from 1810 to 1983. The papers document the activities of Aaron Draper Shattuck and his son, Walter, and include biographical material, writings, correspondence, notes, financial material, artwork, printed material, photographs, and a sample canvas stretcher.