Museum of the American Indian/Heye Foundation ethnographic film collection
Coffin, Edwin F. (Edwin Francis), b. 1883
Ford, James B., 1844-1928
25 Videocassettes (Digital Betacam)
58 Electronic discs (DVD)
This collection of films produced and acquired by the Museum of the American Indian (MAI) contains materials created by and for the MAI as ethnographic studies and as documentation of its own activities (including archaeological expeditions and cultural exchanges) between 1917 and 1938. Tribes represented include: Arikara, Crow, Navajo, Pilaga, Pueblo, Shoshone …
Penn State educational film collection
Collection consists of at least 79 film prints retired from Penn State's Audio-Visual Services Library. Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with …
Video of Imaginero Film Screening Introduction and Panel Discussion
Full video record of John Homiak's introduction to and panel discussion following HSFA's screening of Jorge Preloran's newly preserved film, Imaginero, at National Museum of Natural History, Baird auditorium, June 10, 2010. John Homiak (Human Studies Film Archives) also moderated the panel with Joshua Bell (National Museum of Natural History, Department of …
Jorge Prelorán films
22 Linear feet (Papers and photographs)
Documentary filmmaker Jorge Prelorán was best known for his intimate approach to ethnographic film, a style known as "ethnobiography." The majority of Prelorán's films were shot in rural areas of Argentina, particularly the Andean highlands and the Pampas (plains), often in communities of mixed Indian and Spanish heritage. Prelorán documented a wide range of subjects, including art, folk crafts, agriculture, ranching, markets, religious rituals and festivals, and social and cultural change. This collection contains edited films and videos, film outtakes, audio tapes, photographic prints and transparencies, digital books, correspondence, production files, scripts, project files, and press clippings spanning 1954-2008.
Siberia Through Siberian Eyes
Edited video documents participation of 13 students from various Siberian locales in an ethnographic film seminar given by anthropologist Asen Balikci, from University of Montreal, and filmmaker Mark Badger, from Alaska, in the Siberian town of Kazim. The Khanty inhabitants of this town are attempting to re-establish their ethnic identity which …
Timothy Asch papers
Timothy Asch was an anthropologist and ethnographic film maker who devoted his professional life to using film as a recording and teaching medium. His papers cover the period from 1966 until his premature death in 1994 and reflect his active career in the field. A large portion of the files relates to his work among the Yanomami people of Venezuela and to his concern with bias in film making.
Institut Für Den Wissenschaftlichen Filmen (IWF) Encyclopaedia Cinematographica film collection
Titles from IWF's Encyclopaedia Cinematographica of ethographic films ranging in dates from 1926 to 1973. Collection includes German language study guides for each film. Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical …
Society for Visual Anthropology records
These records document the history and activities of the Society for Visual Anthropology. The collection consists of the files of past presidents, most of whom served in various capacities on the organization's board. Consequently, the files of each individual may cover periods outside his or her presidency, and duplication of …
John Marshall Ju/'hoan Bushman film and video collection
Bishop, John Melville
3 Video recordings (published videos or video series)
99 Linear feet (714,405 feet (332 hours) 16mm film, 435 hours video tape, 309 hours audio tape, 21 published film and video titles, 29 unpublished film and video titles, 14 linear feet paper records)
The John Marshall Ju/'hoan Bushman Film and Video Collection contains full film and video projects (outtake material), film production elements and edited films and videos, audio tapes, still photographs, negatives, transparencies, slides, published and unpublished writing by John Marshall and others, study guides for edited films, Nyae Nyae Development Foundation and Advocacy files, maps, and production files that include letters, shot logs, translations, transcriptions, editing logs, treatments, and proposals spanning from 1950-2000. This material comprises Marshall's long-term documentary record of the Ju/'hoansi of the Nyae Nyae region of the Kalahari Desert in northeastern Namibia. A great deal of the film and video footage focuses on one particular extended family, that of Toma Tsamko, whose ancestral home is at /Gautcha, an area with a large salt pan and a permanent waterhole. The life stories of some family members are captured in the footage; appearing as children in the 1950's, middle-aged parents in the 1980's, and pensioners in the final years of visual documentation. The Marshall Collection also documents other Ju/'hoansi living in Nyae Nyae and elsewhere, their relationships with neighboring ethnic groups, and national politics that affected Ju/'hoansi. Marshall also documented the local political body (the Nyae Nyae Farmers' Cooperative, or NNFC), the foundation he started (the Nyae Nyae Development Foundation of Namibia, or NNDFN), and the ways in which both groups worked with and were affected by international development organizations and foreign aid during the 1990's.
Edmund Snow Carpenter papers
Edmund Snow Carpenter (1922-2011) was an archaeologist and visual anthropologist who worked extensively with the indigenous peoples of the Canadian Arctic as well as Papua New Guinea. With his colleague and close collaborator Marshall McLuhan (1911-1980), he laid the groundwork for modern media theory. Carpenter is also known for his work as an ethnographic filmmaker and as a collector of Paleo-Eskimo art. The Papers of Edmund Carpenter, circa 1938-2011, document the research interests and projects undertaken by Carpenter in the fields of cultural anthropology, ethnographic filmmaking, media theory, archaeology, and indigenous art.