Five letters from Joseph J. Hittinger, Eugene, Oregon to a friend named Belote indicate that Belote was a staff member of the National Museum in Washington, D.C. and that the two men have mutual professional and personal friends. The letters, to which no replies are available, include professional gossip, numerous references to Mr. Hittinger's inte...
Begun in 1920, the National Air Races were an annual, week-long event including formation flying, parachute drops, aerobatic displays, and races. The event included two privately sponsored, closed-circuit speed races: the Pulitzer Trophy race held from 1920 to 1925 and the Thompson Trophy race held from 1930 to 1939. Along with other competitions, the National Air Races fostered the development of aircraft in the 1920s and 1930s but ended during World War II. This collection consists of three unbound scrapbooks with newspaper clippings related to races in Chicago, Cleveland, and Los Angeles between 1928 and 1933.
The John Hiller Lantern Slide Collection contains 216 glass autochromes dated circa 1920-1930 documenting homes and gardens, house interiors, scenes from domestic and foreign travel, flower arrangements, and people in Europe and unidentified locations.
The papers of Charles Culver measure 3.5 linear feet and date from 1920-1997. This material documents his personal life and career as a watercolorist and art critic for The Detriot Free Press from the late 1930s-1967. The collection includes biographical material, correspondence, writings, business files, artwork, photographs, printed material and artifacts.
The papers of painter Grigory Gluckmann measure 2.4 linear feet and date from 1888-2003, with the bulk of the material dating from 1920-1973. The collection documents his career as a painter in Paris, France, and Los Angeles, California. Included are biographical materials, such as identification and immigration papers, awards, and exhibition lists; a few letters from friends, family, and art galleries; three notebooks; exhibition announcements, catalogs, and one poster; photographs of Gluckmann, his wife Anna, and artwork; drawings, prints, and other original artwork; and four scrapbooks containing news clippings and exhibition printed material.
The Frank Perls papers and Frank Perls Gallery records measure 23.8 linear feet and date from 1920-1983, with the bulk dating from 1949-1975. Personal papers include writings, military records, appointment calendars, and photographs. Gallery records date from its opening in 1939 until its closure in 1981 and consist of financial, sales, and legal records; exhibition files; exhibition catalogs and announcements; subject files that contain a variety of correspondence with artists, dealers, galleries, museums, and friends and family, as well as reference materials and photographs; and scrapbooks.
The records of Vose Galleries of Boston measure 25.6 linear feet and date from circa 1876, 1890s-1996 with the bulk of materials dating from 1920s-1930s. Nearly 90 percent of the collection documents the gallery's handling of American paintings and portraits through incoming and outgoing business correspondence with artists, clients, galleries, and museums, including considerable correspondence with portrait artist Alfred Jonniaux and clients regarding commissioned portraits. Other materials include client files; artists' biographies; records of sales, consignments, framing, restoration, and banking, mostly from the 1940s-1960s; and scattered exhibition catalogs, newspaper clippings, and postcards. Also found is a handwritten manuscript regarding the 1876 Centennial Exhibition in Philadelphia, PA and a 1991 videotape about the Vose Galleries and its founding family.
The papers of Chaim and Dorothy Koppelman measure 4.0 linear feet and date from circa 1930s-2006, bulk 1942-2005. The collection documents the activities of Chaim Koppelman and his wife, Dorothy Koppelman, as artists and educators, and their affiliation with the Terrain Gallery and the Aesthetic Realism Foundation. Materials include biographical material, correspondence, writings and notes, subject files, teaching files, exhibition files, personal business records, scrapbooks, printed material, sketches, sketchbooks, and photographs.
The papers of New York art historian Francis O'Connor measure 23.4 linear feet and date from 1920-2009. Found within the papers are artist and exhibition files, questionnaires, transcripts, writings, project files, and printed material that pertain to O'Connor's research and publications on the New Deal and the Federal Arts Project of the Works Progress Administration.
The papers of sculptor, author, and poet, William Ordway Partridge, who was active in New York City and Washington, D.C., measure 0.2 linear feet and date from 1879-1920, and 1957. This small collection consists primarily of letters to Partridge from artists, political figures, art historians, and authors; drafts and typescripts of Partridge's poems; and two clippings about Partridge's sculpture.