This accession consists of records documenting the planning of exhibitions in the Museum of History and Technology, Hall of Philately and Postal History and, beginning in 1969, the National Museum of History and Technology, Hall of Philately and Postal History. Records also document collections management by National Museum of American History...

Collection contains product literature, newsletters, and other hand-outs collected from exhibitors by Ernie Jones, a faire attendee. The First West Coast Computer Faire was held in San Francisco, California on April 15-17, 1977, and the Fifth West Coast Computer Faire was held on March 14-16, 1980.

The collection primarily documents through press releases, news bulletins, guidebooks, souvenirs, maps, ephemera and related publications world's fairs occurring after 1960.

The papers of multi-media artist Elaine Sturtevant date from circa 1960-2014, with the bulk of material dating from the period of the artist's resurgence, 1990-2014. The collection measures 5.2 linear feet and 0.003 GB. The papers document Sturtevant's career and artistic process through correspondence with artists and curators, writings and illustrated notes, exhibition and catalog files, project files, and printed material. Sturtevant's voice and artistic mission emerge through the many items of correspondence, essays, and project notes in the collection. The collection also contains a few born-digital files of scans of exhibition photographs dating from the 1960s.

The papers of New York and New Mexico writer, art critic, and curator, Lucy R. Lippard, measure 56.5 linear feet and 0.454 GB and date from the 1930s to 2007, with the bulk of the material dating from the 1960s to the 1990s. Over half of the collection consists of correspondence files documenting Lippard's professional relationships with artists, writers, galleries, art institutions, and political organizations, and her interest in conceptual and minimalist art, feminism and political activism. Also found are Lippard's notes and writings including sound recordings and interviews, teaching and exhibition files, printed and digital material, several works of art, and photographs of artwork and artists. Scattered throughout the collection are a small number of records concerning Lippard's personal life. An addition of 3.0 linear feet donated 2015 includes subject files on feminist and conceptual art as well as land use, development, and local politics and history in New Mexico.

This accession consists of records that document the planning, curation, and execution of temporary exhibitions at the Hirshhorn Museum and Sculpture Garden, including EXPRESSIV, and the WORKS and DIRECTIONS series sponsored by the Museum. The records were created and maintained by Neal David Benezra, Assistant Director for Art and Public...

Files on artists, American and European galleries, museums, universities, individuals, and other institutions; biographical sketches, photographs, exhibition catalogs; and printed material.

This record unit contains a variety of records documenting the planning, design, and production of permanent and temporary exhibitions at the NMNH. It also contains smaller amounts of records concerning exhibitions held at the National Museum of History and Technology, National Air and Space Museum, National Collection of Fine Arts, Anacostia ...

Biographical material, undated and 1980; correspondence with galleries, museums, publishers, artists, and critics, 1951-1990, including Leonard Baskin, Richard Diebenkorn, Grant Holcomb, Bella Fishko, Theodore Wolff, Ernest Fiene, and others; business and financial records, 1955-1979; writings and notes, including personal journals and illustrated ...

The Ankrum Gallery records measure 41.5 linear feet and date from circa 1900 to circa 1990s, with the bulk of the records dating from 1960 to 1990. The papers include over 395 artists files, general gallery correspondence, project files, administrative records, exhibition files, collector and client files, financial material, printed material, 1 unbound scrapbook, and photographs. Also included are personal papers of gallery founder Joan Ankrum and her nephew, artist Morris Broderson.