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- Creators:
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Werner, Fred
- Dates:
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1889-1890
- Size:
-
1 Item (partial microfilm reel)
- Collection ID:
- AAA.wernfred
- Repository:
-
Archives of American Art
Eight sketches by Feininger for "A Ship of 49" and "Dante's Inferno." Also filmed is a letter from Werner to Dr. Ernst Scheyer discussing the sketches. This letter and another from Werner to Scheyer are in the Ernst Scheyer papers.
Found In
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- Creators:
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Kasten, Karl Albert, 1916-
- Dates:
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1940-1977
- Size:
-
0.01 Linear feet (ca. 600 items (on 2 microfilm reels))
- Collection ID:
- AAA.kastkarl
- Repository:
-
Archives of American Art
Correspondence; biographical material; awards; printed materials; and photographs.
Found In
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- Creators:
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Feininger, Lyonel, 1871-1956
- Dates:
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1939 Apr. 3
- Size:
-
1 Item ((on 1 microfilm reel))
- Collection ID:
- AAA.feinlyon1
- Repository:
-
Archives of American Art
Letter to Alfred Neumeyer informing him that he (Feininger) has received a commission to paint a mural for the New York World's Fair; that his son, Lux Feininger, has received a mural commission for a Long Island hotel; and asking Neumeyer if he has received the watercolors sent to him. He also mentions that "my MILL IN SPRING is now hanging."
Found In
Oral history interview with Peter Grippe
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- Creators:
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Grippe, Peter, 1912-
Seckler, Dorothy Gees, 1910-1994
- Dates:
-
1968 Aug. 27
- Size:
-
2 Items (Sound recording: 2 sound files (1 hr., 51 min.), digital, wav file)
32 Pages (Transcript)
- Collection ID:
- AAA.grippe68
- Repository:
-
Archives of American Art
An interview of Peter J. Grippe conducted 1968 August 27, by Dorothy Seckler, for the Archives of American Art.
Found In
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- Creators:
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Kortheuer, H. Francis
Feininger, Lyonel, 1871-1956
- Dates:
-
1887-1944
- Size:
-
1 Item (partial microfilm reel)
- Collection ID:
- AAA.korth
- Repository:
-
Archives of American Art
Letters and postcards, many illustrated, from Lyonel Feininger to his good friend H. Francis Kortheuer, and a scrapbook kept by Kortheuer containing Feininger letters, drawings, photographs, and clippings of published cartoons from assorted German publications.
Found In
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- Creators:
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Hutton, Ingrid
Long, Rose-Carol Washton
- Dates:
-
1993 March 4
- Size:
-
1 Sound cassette (Sound recording: 1 sound cassette (65 min.), analog)
34 Pages (Transcript)
- Collection ID:
- AAA.hutton93
- Repository:
-
Archives of American Art
An interview of Ingrid Hutton conducted 1993 March 4, by Rose-Carol Washton Long for the Archives of American Art.
Found In
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- Creators:
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Sabarsky, Serge
Long, Rose-Carol Washton
- Dates:
-
1993 April 22
- Size:
-
35 Pages (Transcript)
- Collection ID:
- AAA.sabars93
- Repository:
-
Archives of American Art
An interview of Serge Sabarsky conducted 1993 April 22, by Rose-Carol Washton Long, for the Archives of American Art.
Found In
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- Creators:
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Gottlieb, Adolph, 1903-1974
Seckler, Dorothy Gees, 1910-1994
- Dates:
-
1967 Oct. 25
- Size:
-
2 Sound cassettes (Sound recordings (90 min.))
27 Pages (Transcript)
- Collection ID:
- AAA.gottli67
- Repository:
-
Archives of American Art
An interview of Adolph Gottlieb conducted 1967 Oct. 25, in New York, by Dorothy Seckler, for the Archives of American Art.
Found In
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- Creators:
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Zimmerman, Harold K., 1905-1941
- Dates:
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l930-1954
- Size:
-
0.2 Linear feet ((on one microfilm reel))
- Collection ID:
- AAA.zimmharo
- Repository:
-
Archives of American Art
An etching by Zimmerman; photographs of Zimmerman, his wife, Spanish gypsies used as models, and of artwork by Zimmerman and Hyman Bloom; and newspaper clippings, 1933. Other material includes sympathy letters received by Mrs. Zimmerman after Harold Zimmerman's death in 1941; letters referring to sales of artwork and a possible exhibition of Zimmer...
Found In
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- Creators:
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WGBH Educational Foundation
- Dates:
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c1987
- Size:
-
1 Item (videocassette (VHS) (ca. 30 min), sd., col., 1/2 in.)
- Collection ID:
- AAA.wgbhedut
- Repository:
-
Archives of American Art
Examines the Boston art scene in the late l930s and l940s, where traditional conservative artistic taste clashed with the emerging Boston Expressionists trained at the Museum of Fine Arts, Boston School. Focuses on the artists' relationship to the newly formed Institute of Modern Art, and the uproar which resulted when its director, James Plaut, is...
