108 records — Page 1 of 11
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Creators:
Freer Gallery of Art and Arthur M. Sackler Gallery. Curatorial - South and Southeast Asian Art
Dates:
circa 1989-1990, 1994-1995, 2000-2010
Size:
1.5 cu. ft. (1 record storage box) (1 document box)
Collection ID:
Accession 12-383
Repository:
Smithsonian Institution Archives

This accession consists of records created and maintained by Debra Diamond, Curator of South and Southeast Asian Art, 2000- , documenting the development of exhibitions. Documented exhibitions include "Muraqqa': Imperial Mughal Albums from the Chester Beatty Library, Dublin;" "Himalayas: An Aesthetic Adventure;" "Tibetan Healing Mandala for ...

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Creators:
National Portrait Gallery. Office of Exhibitions
Dates:
1980-1996
Size:
29 cu. ft. (29 record storage boxes)
Collection ID:
Accession 97-083
Repository:
Smithsonian Institution Archives

This accession consists of records which document the work of the Office of Exhibitions on exhibitions that were mounted by the National Portrait Gallery (NPG) from 1980 to 1995. Major exhibitions undertaken by the NPG in this period, and documented in these records, include Benjamin West and His American Students (1980-1981); Charles Wil...

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Creators:
National Collection of Fine Arts. Office of the Director
Dates:
1892-1960
Size:
22 cu. ft. (44 document boxes)
Collection ID:
Record Unit 311
Repository:
Smithsonian Institution Archives

This record unit documents the administration of William Henry Holmes, first Curator of the National Gallery of Art (NGA), 1907-1920, and Director of the Gallery, 1920-1932. To a lesser extent, it also documents the administration of Ruel P. Tolman, Acting Director of NGA, 1932-1937, and the National Collection of Fine Arts (NCFA), 1937-1946, ...

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Creators:
Parish Gallery
Dates:
1940-2013
bulk 1991-2013
Size:
6.4 Linear feet
11.73 Gigabytes
Collection ID:
AAA.parigall
Repository:
Archives of American Art

The records of Parish Gallery, located in Washington, D.C., measure 6.4 linear feet and 11.73 gigabytes and date from 1940 to 2013, with the bulk of the collection dating from 1991 to 2013. This collection consists primarily of exhibition files, but also includes administrative files, as well as some biographical material related to Norman Parish's career before opening the gallery.

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Creators:
Washington, Rico, Music Journalist
Yanagawa, Shino, Photographer
Dates:
2009-2011
Size:
4 Linear feet (2 boxes; 4 linear ft., 3.58 GB)
Collection ID:
ACMA.06-103
Repository:
Anacostia Community Museum Archives

An exhibition exploring the varied stigmas and stereotypes applied to New York City's Housing Authority sites and the residents (past and present) who live in them. Journalist Rico Washington and photographer Shino Yanagawa collaborated on this exhibit which offers an in-depth look at how New York City public housing has impacted society-at-large by producing some of the world's most influential and dynamic artists, entrepreneurs, athletes, musicians, politicians, and thinkers. It was exhibited at the World Festival of Black Arts and Culture in Dakar, Senegal, 2010, at the Gordon Parks Gallery at the College of New Rochelle (NY), 2013, and the Brooklyn Historical Society from 2014-2015.

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Creators:
Smithsonian Institution. Office of Exhibits Central
Dates:
1970-2006
Size:
2.76 cu. ft. (4 16x20 boxes) (103 oversize folders)
Collection ID:
Accession 17-080
Repository:
Smithsonian Institution Archives

This accession consists of drawings documenting the planning and design of exhibitions and other projects by the Office of Exhibits Central (OEC). OEC designs exhibitions for the Smithsonian Institution Traveling Exhibition Service as well as for Smithsonian Institution museums and units without internal exhibition design offices or which need...

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Creators:
Scurlock, Robert S. (Saunders), 1917-1994
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock, George H. (Hardison), 1919-2005
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Dates:
1929-1989
Size:
87 Boxes
The subseries consists of black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.06
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.6 consists of black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Berman, Avis
Dates:
1939-2006
Size:
3 Linear feet
Collection ID:
AAA.bermavis3
Repository:
Archives of American Art

The Avis Berman research material on art dealer and curator Katharine Kuh measures 3.0 linear feet and dates from 1939 to 2006. The materials were compiled by art historian Avis Berman in preparing Katharine Kuh's memoir, which was published posthumously as My Love Affair with Modern Art: Behind the Scenes with a Legendary Curator. The collection includes Katharine Kuh's files; Kuh's drafts, manuscripts and interviews for her memoir; and Avis Berman's files relating to the book's publication. Also included is memorabilia.

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Creators:
Custom Craft
Scurlock Studio (Washington, D.C.)
Scurlock, Addison N., 1883-1964
Scurlock, George H. (Hardison), 1919-2005
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Dates:
1928-1994
Size:
320 Boxes
Collection ID:
NMAH.AC.0618.S04.05
Repository:
Archives Center, National Museum of American History

The materials document the orders placed by the clients of the Scurlock Studio. The photographs primarily depict individual portrait sittings but there are also portraits of children, groups, and other subjects.

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Creators:
Smith, Myron Bement, 1897-1970
Blake, Marion Elizabeth
Dates:
circa 1910-1970
Size:
192 Linear feet
Collection ID:
FSA.A.04
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

The Myron Bement Smith collection consists of two parts, the papers of Myron Bement Smith and his wife Katharine and the Islamic Archives. It contains substantial material about his field research in Italy in the 1920s and his years working on Islamic architecture in Iran in the 1930s. Letters describe the milieu in which he operated in Rochester NY and New York City in the 1920s and early 1930s; the Smiths' life in Iran from 1933 to 1937; and the extensive network of academic and social contacts that Myron and Katharine developed and maintained over his lifetime. The Islamic Archives was a project to which Smith devoted most of his professional life. It includes both original materials, such as his photographs and notes, and items acquired by him from other scholars or experts on Islamic art and architecture. Smith intended the Archives to serve as a resource for scholars interested in the architecture and art of the entire Islamic world although he also included some materials about non-Islamic architecture.

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108 records — Page 1 of 11