This collection consists of the twelve microfiche sheets which were shot from nine scrapbooks loaned to NASM by the donor. The scrapbooks contains newspaper clippings from American, English and French newspapers relating to Moisant and his aviation activities.

The collection is divided into four series. Series 1: Oral History Transcripts, 1982-1991 are transcribed versions of the oral interviews. Correspondence and/or notes pertaining to the interviewed individual collected or written by the interviewer are filed in this series following the transcription. The majority of the oral histories were done by ...

The Rockwell Kent papers measure 88.0 linear feet and date from circa 1840 to 1993 with the bulk of the collection dating from 1935 to 1961. The collection provides comprehensive coverage of Kent's career as a painter, illustrator, designer, writer, lecturer, traveler, political activist, and dairy farmer.

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Agriculture forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

Publicity photographs of musicians and entertainers, mostly jazz musicians, such as Duke Ellington, Louis Armstrong, Miles Davis, and Dizzy Gillespie, but including many rock and even a few classical performers. The collection also contains tape recorded radio interviews conducted between 1970 and 2003. In addition there are posters relating to musical performances.

The bulk of the collection consists of portraits of identified Native Americans and some government officials and interpreters. It includes cabinet cards, other mounted prints, newspaper articles, illustrations, and a photographic postcard. Depicted individuals include American Horse, Oglala; Black Hawk, Sauk; Bob Tail, Cheyenne; Crowfoot, Hunkpapa...

The collection is comprised of digital surrogates previously available on the 65 rolls of microfilm described in the NARA publication M1907. These digital surrogates reproduced the records of the Mississippi headquarters for the Assistant Commissioner and his staff officers and the subordinate field offices of the Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872. The files contain some pre–Bureau record series, dated 1863–1864, that were created by military commanders and U. S. Treasury agents who dealt with refugees and freedmen during the Civil War. These records consist of bound volumes and unbound records, containing materials that include letters sent and received, monthly reports, registers of complaints, and other records relating to freedmen's claims and bounty payments.

This collection is comprised of digital surrogates previously available on five rolls of microfilm described in the NARA publication M1914. These digital surrogates reproduced the records of the Freedmen's Department (Precursor to the Office of the Assistant Commissioner in the Bureau of Refugees, Freedmen, and Abandoned Lands) for the period 1863–1865. These records consist of bound volumes and unbound records, containing materials that include letters sent and received, operations and ration reports, registers of freedmen, labor contracts, and other records relating to orders issued and received, hospitals, and schools.

The Bobcat Company Records document a post-war invention process and American manufacturing system through the case study of a dynamic machine, the Bobcat skid-steer loader. The records focus primarily on Bobcat's products, marketing, and advertising through product literature, photographs, advertisements, posters, newsletters, and audiovisual materials.

The Maid of Cotton (MOC) beauty pageant was sponsored by the National Cotton Council, Memphis Cotton Carnival, and the Cotton Exchanges of Memphis, New York, and New Orleans from 1939-1993. The contest was held annually in Memphis, Tennessee until the National Cotton Council and Cotton Council International moved to Dallas, Texas. Beginning with the 1985 pageant (held December 1984) the competition was held in Dallas. The pageant was discontinued in 1993 due to lack of funds, a sponsor, and changes in marketing strategies. The records include files on contestants, photographs, and scrapbooks.