40 records — Page 1 of 4
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Creators:
Fearing, Kelly
Dates:
1941-1983
Size:
0.2 Linear feet (ca. 140 items (on 3 microfilm reels))
Collection ID:
AAA.fearkell
Repository:
Archives of American Art

Printed material, correspondence, photographs, scrapbooks, books by Fearing, biographical material and loan agreements.

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Creators:
First National Bank of Fort Worth (Fort Worth, Tex.)
Dates:
1954-1968
Size:
128 Items ((on 1 microfilm reel))
Collection ID:
AAA.firsnati
Repository:
Archives of American Art

A file containing correspondence, photographs and publicity material relating to the Isamu Noguchi sculpture commissioned for the bank's plaza; a file of publicity material about the bank's commissioning Christmas paintings from Texas artists, including Kelly Fearing and Dickson Reeder; and a scrapbook of clippings on the Bror Utter paintings commi...

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Creators:
Hershey, Terese Tarlton
Gallery of Wonderful Things
Dates:
1956-1981
Size:
1,500 Items ((on 2 microfilm reels))
Collection ID:
AAA.herstere
Repository:
Archives of American Art

Correspondence; files on 42 artists, containing clippings, photos, exhibition catalogs and letters; exhibition files for her gallery, Gallery of Wonderful Things, Fort Worth, Texas, and Tall Timbers, Houston, Texas; a scrapbook containing clippings, exhibition catalogs and announcements, photos, and letters about the Gallery of Wonderful Things; pr...

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Creators:
Orozco, Sylvia, 1954-
Cordova, Cary
Recuerdos Orales: Interviews of the Latino Art Community in Texas
Dates:
2004 Jan. 26-Feb. 2
Size:
76 Pages (Transcript)
Collection ID:
AAA.orozco04
Repository:
Archives of American Art

An interview of Sylvia Orozco conducted 2004 Jan. 26-Feb. 2, by Cary Cordova, for the Archives of American Art, in Mexic-Arte Gallery, Austin, Tex.

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Creators:
Archer M. Huntington Art Gallery
Dates:
1978-1981
Size:
2 Microfilm reels
Collection ID:
AAA.archmhun
Repository:
Archives of American Art

The microfilmed Made in Texas exhibition records include correspondence about the selection process and general correspondence; artists' files; budget and financial information; exhibition catalogs and announcements; clippings; and photographs of the artists, works of art, and installations. Participating artists include: John Alexander, Jane All...

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Creators:
Museum of Fine Arts, Houston
Dates:
1924-1981
Size:
17.2 Linear feet ((microfilmed on 18 reels))
Collection ID:
AAA.musefaht
Repository:
Archives of American Art

Correspondence; scrapbooks; a report; financial statements; and blueprints and architectural plans.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
October 3-8, 1979
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1979
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Britton, James, 1878-1936
Dates:
circa 1905-1984
bulk 1905-1935
Size:
4.3 Linear feet
Collection ID:
AAA.britjame
Repository:
Archives of American Art

The papers of painter and writer James Britton measure 4.3 linear feet and date from circa 1905-1984, with the bulk of the material dating from circa 1905-1935. The bulk of the papers consist of 49 diaries dating from 1918-1935, plus notebooks of diary excerpts, that chronicle Britton's daily activities and include lists, illustrations, and drafts of correspondence. Additional papers include biographical information compiled by the Britton family; scattered business and financial records; correspondence, including copies of Britton's letters to the editors of the Hartford Courant and the Hartford Times; additional writings and notes that include drafts and manuscripts of an autobiography, drafts of articles for his publication Art Opus, and other writings; sketches and a woodcut print; printed materials, including clippings of his published writings for Art Review International, Book Notes, and Opus; and one photograph of Britton and of works of art. There is a 1.4 linear foot unprocessed addition to this collection donated 2020 that includes correspondence, writings by Britton about art, printed material (some annotated ), lists of works of art by Britton and others, and sketches by Britton.

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Creators:
Scurlock, Addison N., 1883-1964
Custom Craft
Scurlock Studio (Washington, D.C.)
Scurlock, George H. (Hardison), 1919-2005
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Dates:
1900-1949
Size:
16 Boxes
The subseries contains glass plate negatives.
Collection ID:
NMAH.AC.0618.S04.10
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.10 consists of orders placed at the Scurlock Studio. The negatives depict individual portrait sittings and formal group portraits. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Esther Bear Gallery (Santa Barbara, Calif.)
Dates:
bulk 1954-1977
1928-1985
Size:
5.7 Linear feet
Collection ID:
AAA.estebeag
Repository:
Archives of American Art

The records of Santa Barbara, California art gallery, Esther Bear Gallery, measure 5.7 linear feet and date from 1928 to 1985, with the bulk of the records dating from 1954 to 1977. The collection comprises administrative records that include exhibition files, photographs, records documenting the gallery's operations, and files for the Donald Bear Collection and Endowment Fund; professional correspondence with artists, clients, and galleries regarding exhibitions, sales and loans, and other business dealings; and artist files for Thomas Cornell, Antonio Frasconi, Ynez Johnston, Miguel Marina, Alfred Martinez, and Nina de Creeft Ward, among others.

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40 records — Page 1 of 4