Jervis McEntee papers
The papers of Hudson River School painter Jervis McEntee measure 1.6 linear feet and date from 1796 and 1848 to 1905. Letters from close friends and family members to McEntee include many from his mentor Frederic Edwin Church, and fellow artists Samuel Putnam Avery, George Henry Boughton, Sanford Gifford, Richard Henry, Eastman Johnson, Elizabeth B. Stoddard, John Ferguson Weir, Worthington Whittredge, and others. Papers relating to the McEntee family include obituaries, a family genealogy, and letters from and regarding family members. There are also papers relating to the Vaux family (McEntee's brother-in-law's family) and American architect and landscape artist Calvert Vaux, who designed a studio for McEntee. Of special significance are five volumes of diaries dating from 1872 through 1890 which provide a detailed depiction of the American art world in the 1870s and 1880s.
Douglas C. Ferguson Papers
These papers document the career and activities of Douglas C. Ferguson, Research Entomologist, Systematic Entomology Laboratory, United States Department of Agriculture. Ferguson's areas of research included the systematics of Lepidoptera, in particular Geometridae, Lymantriidae, and Arctiidae. These papers include incoming and outgoing correspondence, photographs, and related materials.
This accession consists of videotapes used in the production of "Supertour," part of the Smithsonian Video Collection. Hosted by Dudley Moore, the production tours 14 Smithsonian museums with commentary by museum directors and curators regarding their collections. "Supertour" was produced by Andrew B. Ferguson and runs approximately 60 minutes. Materials include original …
This accession contains audiovisual materials from "Supertour," part of the Smithsonian Video Collection series. Hosted by Dudley Moore, the production tours 14 Smithsonian museums with commentary by museum directors and curators regarding their collections. "Supertour" was produced by Andrew B. Ferguson and runs approximately 60 minutes. Materials include Betacam SP, VHS, D1 …
Marketing and Distribution Records
This accession consists of records which document the contracts Smithsonian Press/Smithsonian Productions had with various vendors in marketing and selling various Smithsonian video productions. Among the various videos included are "Magnificent Whales," "Inside Hawaiian Volcanoes," "Dream Window: Reflections on the Japanese Garden," "Dreams of Flight," "The Smithsonian Guide to …
James Graham & Sons records
The records of the New York City gallery James Graham & Sons measure 103.6 linear feet and date from 1815, 1821, circa 1896-2011 (bulk 1950s-1980s). The collection generally documents the gallery's contemporary art department during the time in which Robert Claverhouse Graham, Sr. worked at the gallery (1940-1979); records prior to 1954 are sparse and scattered. Gallery records include artist files; correspondence; exhibition files; financial records; inventory records; printed materials; sales, loans, and consignment records; scrapbooks; and photographic materials. Also found are records from Coe Kerr Gallery regarding exhibitions.
Peter Hurd and Henriette Wyeth Hurd papers
The papers of painters Peter Hurd and Henriette Wyeth Hurd measure 5.2 linear feet, date from 1917 to 1993, and present an overview of their careers and their lives together through correspondence, notes, writings, artwork, printed material, and photographs.
Ferargil Galleries records
The Ferargil Galleries records date from circa 1900-1963 and document the activities of this New York gallery that dealt primarily in American contemporary art from shortly after its 1915 founding by Frederic Newlin Price (1884-1963) to it's closure in 1955. 18.7 linear feet of records include incoming and outgoing correspondence with artists, dealers, schools and colleges, and museums and other art institutions; artist files; estate and legal records including papers relating to the Arthur B. Davies estate; gallery business and financial records; printed material; scrapbooks; scattered personal papers of Price; artwork; and photographs of artists, exhibitions and artwork.
Records of the Field Offices for the State of Texas, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1870
The collection is comprised of digital surrogates previously available on the 28 rolls of microfilm described in the NARA publication M1912. These digital surrogates reproduced the records of the Texas Field Offices of the Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1870, including previous unfilmed records of the Office of the Assistant Commissioner, and records of the office of staff officers and subordinate field offices. These records consist of bound volumes and unbound records, including letters received and endorsements, monthly school reports, and other records relating to freedmen's complaints and contracts.
George Deem papers
The papers of painter, writer, and dancer George Deem measure 18.2 linear feet and 10.71 GB and date from 1904-2015, with the bulk of the material dating from 1960-2008. The collection documents Deem's path from Midwestern farm child to New York City artist and teacher who specialized in recreating works of great masters, especially Johannes Vermeer. Correspondence, exhibition files, subject files, project files, writings by and about Deem, printed and digital material and photographic materials all show the trajectory of Deem's development as an artist.