48 records — Page 1 of 5
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Creators:
Ferry, W. Hawkins
Dates:
1947-1973
Size:
1 Reel (400 items (on 1 microfilm reel))
Collection ID:
AAA.ferrw
Repository:
Archives of American Art

Correspondence and administrative materials emanating from Ferry's work with the Detroit Metropolitan Art Association and the Friends of Modern Art of the Detroit Institute of Arts. Also included are: letters from dealers and artists from whom Ferry purchased works of art; photographs; and clippings.

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Creators:
Ferry, W. Hawkins
Barrie, Dennis
Dates:
1974 Jan. 17
Size:
1 Sound tape reel (Sound recording, 7 in.)
20 Pages (Transcript)
Collection ID:
AAA.ferry74
Repository:
Archives of American Art

An interview of W. Hawkins Ferry conducted 1974 Jan. 17, by Dennis Barrie, for the Archives of American Art.

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Creators:
Shahn, Ben, 1898-1969
Dates:
1879-1990
bulk 1933-1970
Size:
24.8 Linear feet
Collection ID:
AAA.shahben
Repository:
Archives of American Art

The papers of social realist painter, photographer, illustrator, printmaker, and teacher Ben Shahn (1898-1969) measure 24.8 linear feet and date from 1879-1990, with the bulk of the material dating from 1933-1970. The bulk of the collection consists of over 14 linear feet of incoming letters from artists, writers, colleagues, publishers, art organizations, galleries, and universities and colleges. Also found are biographical materials, project and source files, printed material, artwork by Shahn and others, photographs taken of and by Shahn, interview transcripts, sound recordings of interviews and a motion picture film.

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Creators:
Freer, Charles Lang, 1856-1919
Dates:
1876-1931
Size:
131 Linear feet (29 architectural drawings)
Collection ID:
FSA.A.01
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

The personal papers of Charles Lang Freer, the industrialist and art collector who founded the Freer Gallery of Art. The papers include correspondence, diaries, art inventories, scrapbooks of clippings on James McNeil Whistler and other press clippings, and photographs.

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
1777-1965
Size:
10.22 Cubic feet (consisting of 20 boxes, 2 folders, 9 oversize folders, 3 map case folders, 3 flat boxes (2 full, 1 partial.))
Collection ID:
NMAH.AC.0060.S01.01.Steamboats
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Accounting and Bookkeeping forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Harrington, John Peabody, 1884-1961
Dates:
1907-1959 (some earlier)
Size:
683 Linear feet
Collection ID:
NAA.1976-95
Repository:
National Anthropological Archives

Harrington was a Bureau of American Ethnology ethnologist involved in the study of over one hundred American tribes. His speciality was linguistics. Most of the material concerns California, southwestern, northwestern tribes and includes ethnological, archeological, historical notes; writings, correspondence, photographs, sound recordings, biological specimens, and other types of documents. Also of concern are general linguistics, sign language, writing systems, writing machines, and sound recordings machines. There is also some material on New World Spanish, Old World languages. In addition, there are many manuscripts of writings that Harrington sketched, partially completed, or even completed but never published. The latter group includes not only writings about anthropological subjects but also histories, ranging from a biography of Geronimo to material on the history of the typewriter. The collection incorporates material of Richard Lynch Garner, Matilda Coxe Stevenson, and others. In his field work, Harrington seems sometimes to have worked within fairly firm formats, this especially being true when he was "rehearing" material, that is in using an informant to verify and correct the work of other researchers. Often, however, the interviews with informants (and this seems to have been the case even with some "rehearings") seem to have been rather free form, for there is a considerable intertwining of subjects. Nevertheless, certain themes frequently appear in his work, including annotated vocabularies concerning flora and fauna and their use, topography, history and biography, kinship, cosmology (including tribal astronomy), religion and philosophy, names and observations concerning neighboring tribes, sex and age division, material culture, legends, and songs. The fullness of such materials seems to have been limited only by the time Harrington had to spend with a goup and the knowledge of his informants.

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Creators:
Hanson, James A.
Conner, Stuart W.
Dempsey, Hugh A.
Ewers, John C. (John Canfield), 1909-1997
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Dates:
1945-1993
Size:
97 Linear feet
Collection ID:
NAA.1998-35
Repository:
National Anthropological Archives

The John Canfield Ewers Papers document his wide ranging anthropological interests from early White depictions of Native Americans to the material culture of the Plains tribes through correspondence, exhibit catalogs, field notes, illustrations, lectures, maps, photocopies of archival materials, photographs, and writings. The collection includes ma...

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Creators:
Carnegie Institute, Museum of Art
Dates:
1883-1962
bulk 1885-1962
Size:
265.8 Linear feet
Collection ID:
AAA.carninst
Repository:
Archives of American Art

The records of the Carnegie Institute, Museum of Art measure 265.8 linear feet and date from 1883-1962, with the bulk of the material dating from 1885-1940. The collection includes extensive correspondence between the museum's founding director, John Beatty, and his successor, Homer Saint-Gaudens, with artists, dealers, galleries, collectors, museum directors, representatives abroad, shipping and insurance agents, and museum trustees. The collection also includes Department of Fine Arts interoffice memoranda and reports; loan exhibition files; Carnegie International planning, jury, shipping, and sale records; Department of Fine Arts letterpress copy books, and a copy of the original card catalog index to these records.

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Creators:
Scurlock, Robert S. (Saunders), 1917-1994
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock, George H. (Hardison), 1919-2005
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Dates:
1929-1989
Size:
87 Boxes
The subseries consists of black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.06
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.6 consists of black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
National Museum of Natural History (U.S.). Department of Anthropology
Smithsonian Institution. Department of Anthropology
Smithsonian Institution. United States National Museum. Department of Anthropology
Dates:
1840s-circa 2015
Size:
330.25 Linear feet (519 boxes)
Collection ID:
NAA.XXXX.0311
Repository:
National Anthropological Archives

The Department of Anthropology records contain administrative and research materials produced by the department and its members from the time of the Smithsonian Institution's foundation until today.

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48 records — Page 1 of 5