The Maida Babson Adams American Garden Collection documents the work of Molly Adams, a free-lance garden photographer who photographed hundreds of private and public gardens, many of them in the mid-Atlantic region, from the late 1950s through the mid-1990s. It includes slides, photographic prints, negatives and transparencies. A significant number of images document the work of landscape designers Nelva M. Weber, Alice Recknagel Ireys, and Friede Stege. Roughly 50 gardens do not have an identified location. Some images have captions and other information written on them.

The Ken Druse Garden Photography Collection contains approximately 45,000 film transparency and 35mm slide images, dating from 1978 to 2005, of gardens, garden features, and flora photographed by garden writer and photographer Ken Druse. The photographic images document numerous private and public gardens throughout the United States and a few in Canada. Many have appeared in Druse's own books and articles as well as those by other writers. Approximately half of the collection is arranged according to specific garden, the other half by garden feature. A small portion of the collection consists of slide lectures given by Druse. Some images are identified with general captions and dates. Images documenting specific gardens are sometimes accompanied by handwritten notes, garden descriptions, and articles. Annotations appearing on certain images indicate the publication in which they appeared. The collection includes 'outtakes' or bracketed images that give insight into Druse's photo shooting process.

This accession consists of records documenting the production of films and videos including "Celebrating a Century: The 1876 Philadelphia Exhibition;" "Museums and Community;" "Starfish;" and "Ode to the Pinniped." Records also document the production staff and their travel as well as Smithsonian Institution buildings and collections. Mat...

This accession consists of records that document the breadth and history of the programs and work of the FVC, including the NAFVF, film screenings, the Native Americans on Film and Video publications, and the Native Networks / Redes Indigenas website. Some materials date to when the before the National Museum of the American Indian as was...

This accession consists of records documenting Smithsonian Video Collection projects as well as film and television productions. Materials include the correspondence and memoranda of Karen Loveland, Director of Special Projects; Lisa H. Kaiser, Production Researcher; Elizabeth Smith Brownstein, Media Project Development Specialist; and Mi...

This accession consists of records documenting the planning and execution of special exhibitions. Exhibitions documented include "Ainu: Spirit of a Northern People," "Eyes on Science: Illustrating Natural History," "Spiders!," "Seeds of Change," "Margaret Mee: Return to the Amazon," "Galapagos: A Living Laboratory," "Making of the Natural ...

This accession includes records documenting the film and video production activities of Karen Loveland, Director of Special Projects for the Office of Telecommunications. Material consists of correspondence, memoranda, and notes; production shoot lists, scripts, and credits; budget summaries; license agreements and contracts; press releases; ...

This accession consists of records documenting the planning and production of the film "Celebrating a Century: The 1876 Philadelphia Exhibition." This film accompanied the exhibition "1876: A Centennial Exhibition," which opened in the Arts and Industries Building in 1976, and documents the history of the Philadelphia Exhibition. It was n...

This accession includes the records of Laura T. Schneider, Audio-Visual Production Specialist, primarily documenting her work on "Dream Window: Reflections on the Japanese Garden," an educational film to acquaint American audiences with the historical and cultural significance of Japanese Gardens and their importance to Japan's landscape; and ...

This accession consists of the records of Robert M. Vogel, Curator, documenting his curatorial and professional activities in the Division of Engineering and Industry. Earlier records date back to when the division was known as the Division of Mechanical and Civil Engineering at the National Museum of American History (NMAH), and when the ...