Earle and Mary Ludgin papers
Ludgin, Mary, 1894-1962
Betty Parsons Gallery
Correspondence; financial records; writings; photographs; sketches; inventories of art works; and printed materials.
Barbara Swan letters to Rosalind and Edwin Miller
Swan, writing to her friends Rosalind and Edwin Miller, discusses her husband Alan Fink's positions as an art dealer and owner of the Alpha Gallery in Boston, mentioning artists Milton Avery, Gregory Gillespie, Don Gustin, Ellsworth Kelly, Boris Mirski, and Andy Stevovich. She writes also about her son Aaron's art …
These records consist of administrative subject files that document the administration of Eleanor E. Fink in the Office of Research Support and its predecessors.
Vinalhaven Press records
Administrative records, such as by-laws, staff lists, supply lists and receipts, equipment inventories, and sales records; artists files; correspondence; edition records; publications created to market the prints; catalogs of exhibitions; and patron records. Also included are personal correspondence and lecture notes of founder Patricia Nick.
These records include Division of Graphic Arts records dating from its establishment, including the work of curators Sylvester Rosa Koehler, Jacob Kainen, and Peter C. Marzio. Also included are lecture notes and papers of curators Ruel P. Tolman, Kainen, and Marzio; inventory lists of Graphic Arts objects; working outline for …
Walter Horn papers
The papers of art historian and World War II Monuments Man Walter W. Horn measure 2.7 linear feet and date from 1908 to 1992, with the bulk of material dating from 1943 to 1950. Walter Horn taught art history at the University of California, Berkeley from 1938 to his retirement in 1974. During World War II, Horn served as Head of the U. S. Army Intelligence Unit of the Monuments, Fine Arts, and Archives Section (MFAA.) The papers contain biographical materials; professional correspondence; records documenting his service in the MFAA; administrative files relating to his work at the University of California, Berkeley; and scattered photographs.
Smithsonian Folklife Festival records: 1984 Festival of American Folklife
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Warshaw Collection of Business Americana Subject Categories: Patent Medicines
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Patent Medicines forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Catherine Viviano Gallery records
The records of the Catherine Viviano Gallery measure 11.6 linear feet and date from 1930-1990, with the bulk of the materials dating from 1949-1978. Established in New York City in 1949, the gallery specialized in contemporary painting and sculpture primarily by American and European artists. The collection consists of artists' files; correspondence with artists, collectors, dealers, museum directors, curators, and publishers; business records; printed material; and photographs of artwork and artists. Also included are records relating to Catherine Viviano's activities as a private dealer and consultant after she closed the gallery in 1970.
American Federation of Arts records
The records of the American Federation of Arts (AFA) provide researchers with a complete set of documentation focusing on the founding and history of the organization from its inception through the 1960s. The collection measures 79.8 linear feet, and dates from 1895 through 1993, although the bulk of the material falls between 1909 and 1969. Valuable for its coverage of twentieth-century American art history, the collection also provides researchers with fairly comprehensive documentation of the many exhibitions and programs supported and implemented by the AFA to promote and study contemporary American art, both nationally and abroad.