62 records — Page 1 of 7
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Creators:
Ryder, Albert Pinkham, 1847-1917
Dates:
1869-1927
Size:
23 Items ((on partial microfilm reel))
Collection ID:
AAA.rydealbp
Repository:
Archives of American Art

Correspondence; poems by Ryder; writings about him; notes; and clippings, compiled by Philip Evergood and Charles and Louise Fitzpatrick.

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Creators:
Wood, Charles Erskine Scott, 1852-1944
Dates:
1899-1918
Size:
2 Items
Collection ID:
AAA.woodcesp
Repository:
Archives of American Art

An unfinished letter to Wood from Albert Pinkham Ryder, Oct. 2, 1899, in which Ryder comments on his painting, and updates Wood of his progress. In it he writes "an ounce of poetry added to a picture is worth many pounds of paint." Enclosed with the letter is a note to Wood "This is a letter I think he wrote you and forgot to mail years ago," presu...

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Creators:
John Herron Art Institute
Dates:
1929-1936
Size:
0.2 Linear feet ((on 1 microfilm reel))
Collection ID:
AAA.johnherr
Repository:
Archives of American Art

Correspondence of director Wilbur D. Peat. Many of the letters are from well-known artists of the 1920s and 1930s relating to their contributions to an exhibition of American paintings which Peat was assembling in 1932-1933. [Microfilm title: The Herron Museum of Art]

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Creators:
American Artists Group
Dates:
1934-1965
Size:
12 Microfilm reels
0.4 Linear feet (Unmicrofilmed)
Collection ID:
AAA.amerartg
Repository:
Archives of American Art

Correspondence, photographs, clippings, biographical data on artists, press notices, Christmas cards, and publications documenting the organization's attempt to provide a market for artists affected by the Depression by using original work for greeting cards.

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Creators:
Fleischman, Lawrence A. (Lawrence Arthur), 1925-1997
Dates:
1837-1984
bulk 1935-1979
Size:
4.9 Linear feet
Collection ID:
AAA.fleilawr
Repository:
Archives of American Art

The papers of art collectors, art patrons, and philanthropists Lawrence and Barbara Fleischman measure 4.9 linear feet and date from 1837 to 1984, with the bulk of the materials dating from 1935-1979. The papers are comprised mostly of correspondence with artists, museums, and arts organizations. Also found are scattered biographical materials, artists' autograph letters purchased by the Fleischmans, exhibition files, notes and writings, printed material, and photographs.

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Creators:
Smithsonian Institution. Office of the Secretary
Dates:
1925-1949
Size:
78.77 cu. ft. (65 record storage boxes) (1 half document box) (90 3x5 boxes) (1 oversize folder)
Collection ID:
Record Unit 46
Repository:
Smithsonian Institution Archives

This record unit traces the operation of the Smithsonian from 1925 to 1949. It contains records from the last years of Secretary Charles D. Walcott's administration, perhaps most notably the ambitious but abortive fund raising campaign to add $10,000,000.00 to the Smithsonian's endowment. The Depression and consequent cut-backs in government ...

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Dates:
1889-1910
Size:
0.25 Cubic feet (1 slim legal document box)
Collection ID:
NASM.1991.0075
Repository:
National Air and Space Museum Archives

Carl Myers (1842-1925) was a meteorologist, photographer and balloonist. In 1875, Myers and his wife Mary ("Carlotta, Queen of the Air") began experimenting with balloons and made their first ascensions in 1880. Myers constructed and flew a variety of balloons and airships, and worked on the following technical advances: he developed a varnishing machine for producing fabrics impervious to hydrogen gas; he produced a portable system for generating hydrogen gas; he patented an apparatus for guiding balloons; and he made the first balloon ascension using natural gas as the lifting medium. Myers manufactured balloons for the U.S. Weather Bureau's rainmaking experiments and also supplied the United States Army Signal Corps (USASC) with twenty-one balloons for use in Spanish American War. Myers retired in 1910. The collection consists of 91 images of the following: balloons, airships, and aeronautical gear in various stages of construction and flight; interior and exterior views of the Carl Myers Balloon Farm; and a number of portraits taken of the family and visitors, including Thomas C. Benbow, a noted pioneering aeronaut. It also contains correspondence written by Myers to Professor Henry Allen (H.A.) Hazen, a meteorologist connected with the United States Signal Office, and one letter to George E. Curtis, head of the U.S. Weather Bureau.

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Creators:
Thomas, Alma
Dates:
circa 1894-2001
Size:
5.5 Linear feet
Collection ID:
AAA.thomalma
Repository:
Archives of American Art

The papers of Washington, D.C. painter and art educator Alma Thomas, date from circa 1894-2001 and measure 5.5 linear feet. The papers document Thomas's work as a teacher, and her development and success as a painter of the Washington Color School, through biographical material, letters, notes and writings, personal business records, exhibition files, printed materials, scrapbooks, photographs, an audio recording, and two video recordings.

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Creators:
Landgren, Marchal E.
Dates:
1881-circa 1982
bulk 1930-1975
Size:
15.3 Linear feet
Collection ID:
AAA.landmarc
Repository:
Archives of American Art

The papers of Washington, D.C. art historian, librarian, author, educator, and art consultant Marchal Landgren measure 15.3 linear feet and date from 1881 to circa 1982, with the bulk of the material dating from 1930 to 1975. Included are biographical materials, correspondence, writings and notes, professional and organization files, research projects' files, scattered personal business records, printed materials, two clippings scrapbooks, photographical materials, and scattered artwork.

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Creators:
American Federation of Arts
Dates:
1895-1993
bulk 1909-1969
Size:
79.8 Linear feet
Collection ID:
AAA.amerfeda
Repository:
Archives of American Art

The records of the American Federation of Arts (AFA) provide researchers with a complete set of documentation focusing on the founding and history of the organization from its inception through the 1960s. The collection measures 79.8 linear feet, and dates from 1895 through 1993, although the bulk of the material falls between 1909 and 1969. Valuable for its coverage of twentieth-century American art history, the collection also provides researchers with fairly comprehensive documentation of the many exhibitions and programs supported and implemented by the AFA to promote and study contemporary American art, both nationally and abroad.

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62 records — Page 1 of 7