This accession consists of records which document the creation and publicity of traveling exhibitions. Traveling exhibitions include Arvin Gottlieb Collection of Southwestern Paintings, William H. Johnson: A Retrospective, New Mexican Prints, On Location: Landscapes and Cityscapes in American Photography, Pueblo Indian Watercolors from th...

This accession consists of records documenting traveling exhibitions produced by the Office of Exhibits Central for the Smithsonian Institution Traveling Exhibition Service. Exhibitions documented in this accession include American Voices: Latino Photographers in the United States; An Ocean Apart: Contemporary Vietnamese Art from the Unit...

This accession consists of laserdiscs created by the Exhibits Media Office for use in exhibitions. Exhibitions include All Roads Are Good: Native Voices on Life and Culture; Ancestral Memories: A Tribute to Native American Survival; The Art of Being Kuna: Layers of Meaning Among the Kuna of Panama; Memory and Imagination: The Legacy of Ma...

This accession consists of records that document exhibition planning and production, and curatorial publishing activities during the tenures of Deputy Directors Charles J. Robertson (1986-2001) and Rachel M. Allen (2002- ). Some materials date to when the museum was known as the National Museum of American Art. Materials include budgets, ...

The papers of painter and illustrator W. Langdon Kihn measure approximately 8.5 linear feet and date from 1904-1990, with the bulk of the materials dating from 1904-1957. Papers document Kihn's career and travels associated with his interests in documenting the native American tribal nations of the United States and Canada in portraiture and writings. Found here are biographical materials, voluminous correspondence, memoirs and writings, one travel diary, printed material, financial records, three sketchbooks, sketches, and photographs.

The papers of Austrian-American curator, lecturer, and museum director, René d'Harnoncourt (1901-1968), document d'Harnoncourt's activities, primarily in the 1930s and 1940s, particularly as they relate to Mexican and Native American art. D'Harnoncourt's career, including his arrival in Mexico in 1925, his curation of the exhibitions, Mexican Art (1930-1932), and Indian Art of the United States (1941), and his work for the Department of the Interior's Indian Arts and Crafts Board from 1937-1944, are documented in small amounts of biographical material and correspondence, published writings, printed material, scrapbooks, photographs of d'Harnoncourt and colleagues, and photographs of works of art. The collection also contains a drawing of d'Harnoncourt, and photocopies of caricatures of d'Harnoncourt and others.

This accession consists of records that document Charles J. Robertson's activity regarding the planning and execution of exhibitions in the National Museum of American Art. Materials include budgets, proposals, financial and funding records, checklists, agreements, publicity material, correspondence, memoranda, notes, loan forms, and contracts...

These records consist primarily of exhibition files, 1952-1981, for shows no longer traveling. The exhibitions are developed and organized by SITES and produced by both the Smithsonian's Office of Exhibits Central and outside sources. Exhibition themes cover the fields of art, history, and science, as well as current events. Also included ...

These records primarily document exhibitions circulated by the Smithsonian Institution Traveling Exhibition Service from its inception in 1952 through 1962, with documentation on several exhibitions continuing for the years 1963 to 1965. Records include correspondence, shipping and storage bills, exhibition catalogues, newspaper clippings, and...

This poster collection contains the 26 posters that made up the U.S. Department of State's traveling exhibition Visual Power: 21st Century Native American Artists/Intellectuals. The posters feature the work of 12 Native American artists and includes samples of the artists works and seperate posters for the artist's statements. The following Native...