An interview of Susanne Ghez conducted 2011 Jan. 25 and 26, by Judith Olch Richards, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts project, at the Renaissance Society, in Chicago, Ill.

The Berryman family papers measure 11.4 linear feet and date from 1829 to 1984, with the bulk of the material dating from 1882 to 1961. The collection presents a good overview of the careers of Washington Star cartoonist Clifford Berryman, his daughter, Star art critic, Florence, and to a lesser extent, son Jim Berryman.

The papers of New York museum director and independent curator Thomas M. Messer measure 4.6 linear feet and date from 1949-2010. Material includes correspondence, a diary transcript, and printed material that reflect Messer's long career, primarily as director of the Solomon R. Guggenheim Foundation. Correspondence comprises the bulk of the collection and documents the relationships he built with artists, art historians, curators, and others colleagues. Notable correspondents include Francis Bacon, Will Barnet, Larry Bell, Alberto Burri, Pol Bury, Marc Chagall, Chryssa, Jean Dubuffet, Max Ernst, Dan Flavin, Helen Frankenthaler, Alberto Giacometti, Richard Hamilton, Jean Hélion, Grace Knowlton, Rosemarie Koczy, Jirí Kolár, Katharine Kuh, Agnes Martin, Henry Moore, George Rickey, Charles Simonds, Clyfford Still, Jack Tworkov, and many others.

The collection consists of approximately 28,000 photographic negatives, slides, prints and other materials documenting Bethlehem Steel Corporation's iron ore mining operations. The photographs were taken by Richard "Jay" Angelo, a Bethlehem Steel Corporation photographer. The majority of the photographs depict Bethlehem's mining operations at its Cornwall and Morgantown, Pennsylvania mines. A smaller number of negatives document operations in western Pennsylvania, Kentucky, West Virginia, Michigan and Ontario. The negatives depict aerial views, blasting operations, tunneling, equipment and infrastructure, machinery, employees working, company personnel, and company-built community facilities. The collection documents the complete operations of a major, historic mining operation over four decades.

The Richard Marchand Historical Postcard Collection contains approximately 1,200 35mm slide reproductions of postcard images depicting early twentieth century architectural and garden views of over 600 private estates throughout the United States. The collection includes views of estates owned by popular movie stars of the 1920s and 1930s, including Charlie Chaplin, Mary Pickford, Douglas Fairbanks, Claudette Colbert and Buster Keaton.

The collection documents Dowd's career as a maker and scholar of harpsichords through correspondence, photographs, drawings, notes, and financial materials. The collection contains templates and drawings for harpsichords built or restored by Dowd. The collection also documents the activities of small business and its owner in Boston from 1959-1988.

Collection consists of materials created by and collected by Richard Wheatland II during the period when he served as a Vice President of New York Airways (1953-1968), a helicopter airline operating in the New York City metropolitan area from 1952-1977.

This collection is comprised of the professional papers of linguistic anthropologist Geoffrey O'Grady. Included are research materials consisting of field notes and notebooks, correspondence, published and unpublished writings, annotated copies of other scholars' work, photographs, and sound recordings. The materials in this collection document ...

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

The papers of Southern California architectural historian, critic, and writer Esther McCoy measure 44.4 linear feet and date from 1876 to 1990 (bulk 1938-1989). The collection documents McCoy's career, as well as her family and personal life through biographical material, extensive correspondence, personal and professional writings, project files, Southern California architects' files, clippings and other printed material, a large collection of photographs and slides, and taped interviews of Southern California modern architects.