13 records — Page 1 of 2
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Creators:
Lanux, Eyre de
Dates:
1865-1995
Size:
10.6 Linear feet
Collection ID:
AAA.lanueyre
Repository:
Archives of American Art

The papers of portrait painter, writer, and designer, Eyre de Lanux (1894-1996) measure 10.6 linear feet and date from 1865 to 1995. The papers include biographical materials, personal business records, sixty-four diaries dating from 1922 through 1988, writings and notes, research files, printed materials, artwork, and photographs of Eyre de Lanux, her family, and friends. There is extensive correspondence with her husband Pierre de Lanux and her long-time lover Paolo Casagrande, as well as with other friends and family.

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Creators:
Constant, George
Dates:
1912-2007
bulk 1932-1978
Size:
4.6 Linear feet
Collection ID:
AAA.consgeor
Repository:
Archives of American Art

The papers of modernist painter and printmaker George Constant measure 4.6 linear feet and date from 1912-2007, with the bulk of the material dating from 1932-1978. They consist of biographical material, inventories of artwork, audio interviews and recorded statements on art, personal and business related correspondence, holiday cards, printed material, an exhibition related video recording, and photographs of Constant, his family and friends, and his work.

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Creators:
Cunningham, Imogen, 1883-1976
Dates:
1903-1991
Size:
5.9 Linear feet
Collection ID:
AAA.cunnimog
Repository:
Archives of American Art

The papers of photographer and teacher Imogen Cunningham, date from 1903 to 1991. The collection measures 5.9 feet of material, including correspondence, business and financial records, writings, printed matter, and photographs, and provides a good overview of Cunningham's life and career.

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Creators:
Selz, Peter Howard, 1919-
Dates:
1929-2014
bulk 1950-2005
Size:
31.5 Linear feet
0.696 Gigabytes
Collection ID:
AAA.selzpete
Repository:
Archives of American Art

The papers of art historian and writer Peter Howard Selz measure 31.5 linear feet and 0.696 GB and date from 1929 to 2018, with the bulk of the materials from 1950 to 2005. The papers document Selz's long career via correspondence, writings, professional files, project files, membership and association records, artists' research files, exhibition files, personal business records, printed and digital materials, and nine scrapbooks.

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Creators:
Smithsonian Institution, International Exchange Service
Dates:
circa 1908-1971
Size:
10.3 linear meters.
Collection ID:
Record Unit 502
Repository:
Smithsonian Institution Archives

These records consist of the correspondence of the director of the International Exchange Service along with invoices and shipping instructions. The bulk of the correspondence relates to the exchange of printed matter between parties in the United States and abroad.

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Creators:
Rosenak, Chuck
Dates:
circa 1938-2008
Size:
17.6 Linear feet
Collection ID:
AAA.rosechuc
Repository:
Archives of American Art

The Chuck and Jan Rosenak research material dates from circa 1938-2008 and measures 17.6 linear feet. The collection contains research files for four books by the Rosenaks and includes letters, writings, notes, printed matter, tape-recorded interviews with artists, and photographic material.

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Creators:
Parsons, Betty
Dates:
circa 1920-1991
bulk 1946-1983
Size:
57.2 Linear feet
Collection ID:
AAA.parsbett
Repository:
Archives of American Art

The Betty Parsons Gallery records and personal papers measure 57.2 linear feet and date from 1920 to 1991, with the bulk of the material dating from 1946-1983. Records provide extensive documentation of the gallery's operations from its inception in 1946 to its closing in 1983 and of the activities of Betty Parsons as one the leading art dealers of contemporary American Art in the latter half of the twentieth century, particularly the work of the Abstract Expressionists. Over one third of the of the collection is comprised of artists files containing correspondence, price lists, and printed materials. Additional correspondence is with galleries, dealers, art institutions, private collectors, and the media. Also found are exhibition files, exhibition catalogs and announcements, sales records, stock inventories, personal financial records, and photographs. Betty Parsons' personal papers consist of early curatorial files, pocket diaries, personal correspondence, and evidence of her own artwork, including sketchbooks, and files documenting her personal art collection.

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Creators:
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock, Addison N., 1883-1964
Custom Craft
Scurlock Studio (Washington, D.C.)
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Dates:
1888-1993
Size:
106 Boxes
Collection ID:
NMAH.AC.0618.S01
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 1 primarily consists of black and white photographs, but also includes job envelopes, order forms, correspondence, notes, and other photographic materials such as negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records.

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Creators:
Bulliet, C.J. (Clarence Joseph), 1883-1952
Dates:
circa 1888-1959
Size:
34.6 Linear feet
Collection ID:
AAA.bullclar
Repository:
Archives of American Art

The C. J. (Clarence Joseph) Bulliet papers measure 34.6 linear feet and are dated circa 1888-1959. Biographical materials, correspondence, writings, subject and artist files, printed material, photographs, and artwork document the career of the influential Chicago art critic and writer. The records contain extensive information about art and artists in Chicago and the Midwest from the early to mid-twentieth century.

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Creators:
Custom Craft
Scurlock Studio (Washington, D.C.)
Scurlock, Addison N., 1883-1964
Scurlock, George H. (Hardison), 1919-2005
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Dates:
1928-1994
Size:
320 Boxes
Collection ID:
NMAH.AC.0618.S04.05
Repository:
Archives Center, National Museum of American History

The materials document the orders placed by the clients of the Scurlock Studio. The photographs primarily depict individual portrait sittings but there are also portraits of children, groups, and other subjects.

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13 records — Page 1 of 2