Michael Lekakis papers
0.4 Linear feet (Addition)
Correspondence; U.S. Army records; postcards; telegrams; a monologue; photographs; catalogs; clippings; and publications.
Marilyn Pearl Gallery records
The records of the Marilyn Pearl Gallery are dated 1925-2000, with the bulk of the ematerial from the period 1976-1993. The collection measures 7.4 linear feet and consists of artists' files, exhibition files, and business records documenting affiliated artists and gallery activities.
Charles Mahoney collection of photographs of students at the School of the Museum of Fine Arts, Boston
Included are photographs of Charles Mahoney with Sanford B. D. Low and Happy Horrigan; Low, at Student Auction at Museum School, Boston; Low and Happy Horrigan on Museum Road, Boston; and Low with ukelele among a group of students at Museum School, Boston, photographer(s) unknown; four of students clowning …
Ethel Cutler Freeman papers
Ethel Cutler Freeman was an amateur Seminole specialist and research associate with the American Museum of Natural History. Her papers also reflect field work among the Arapaho, Shoshoni, Navaho, Pueblo, Hopi, Kickapoo, and people of the Virgin Islands, the Bahama Islands, and Haiti, and the music and chants of Africa, including those of the Maasai, Zulu, and Pygmies. A small amount of material relates to the Hoover Commission on Indian Affairs, of which Freeman was a member. Correspondents include several Seminole Indians and government officials, personal acquaintances, organizations, and associates of the American Museum of Natural History.
Adolf Dehn papers
The papers of printmaker and painter Adolf Dehn measure 6.6 linear feet and date from 1912-1987. The collection contains extensive correspondence, as well as writings, exhibition announcements, catalogs, clippings, invoices, receipts, legal documents, scrapbooks, artwork, and photographs. There is also scattered correspondence of Virginia Dehn, mostly concerning her husband Adolf Dehn.
Charmion von Wiegand papers
The papers of abstract painter, art critic, and art historian, Charmion von Wiegand, measure 0.4 linear feet and date from circa 1926-1938 and undated. The bulk of the collection consists of writings by von Wiegand.
Audubon Artists records
The records of New York based Audubon Artists, a national exhibiting organization of painters, sculptors, and graphic artists, measure 6.7 linear feet and date from 1944-2001. The collection documents the organization's adoption of its constitution and first major expansion in the mid-1940s, and its subsequent growth to the present day. The records include correspondence with artist members, administrative files, exhibition files, financial records, printed material including an almost complete run of annual exhibition catalogs and prospectuses, and photographs of artwork, juries, and other groups involved in the annual exhibitions from the 1970s to 1999.
These records contain minutes of the meetings of the Board of Directors and correspondence of Stella L. Deignan, Monroe E. Freeman, and David F. Hersey, along with budget and statistical information, reports analyzing the efficiency and usefulness of SSIE, litigation records, contracts, grant proposals, audit information, and records detailing internal …
Cartes de visite portraits of nineteenth century artists
William S. & Alfred Martien (Firm)
A collection of 176 cartes de visite or photographic portraits of various American, British, and European artists active during the second half of the 19th century, assembled by an unidentified previous owner and housed in a commercially-produced blank album.The photographs originate from a number of different photography studios, including Bayard & Bertall, Bingham, Matthew Brady, Carjat & Cie., H.G. DeBurlo, Disdéri, Franck, F. Joubert, McLean & Co., Mayer & Pierson, Ernst Milster, Nadar, Pierre Petit, Ch. Reutlinger, Richards, and others.
Oral history interview with Richard Haas
United States. General Services Administration. Design Excellence and the Arts Oral History Project
133 Pages (Transcript)
An interview of Richard Haas conducted 2009 Jan. 13 and Mar. 16, by Avis Berman, for the Archives of American Art's U.S. General Services Administration, Design Excellence and the Arts oral history project, at Haas' studio, in New York, N.Y.