The collection includes 193 slides taken by Marilyn Heldman in Ethiopia in the 1960s and 1970s. Subjects include architecture, art objects, marketplaces, pottery, reliefs and cultures including the Bamileke, Fulani, Hausa, Oyo and Yoruba peoples.
The collection includes photographs taken by Aylette Jenness in northern Nigeria between 1967 and 1969. They document daily life in a remote part of Yauri Emerite, focusing on the townspeople of Yelwa and those in its environs.
This collection documents the Asante, Baka, Baule, Berber, Dogomba, Dogon, Fulani, Gurunsi, Gonja, Hausa, Lobi, Mamprusi, Mossi, Senufo, Serer, Tsonga, Tuareg, Wolof, and Yoruba peoples; architecture, animals, artwork, celebrations, ceremonies, landscapes, masquerades, markets, mosques, portraits, shrines, and street scenes in Ghana, the Ivory Coast, Mali, Nigeria, Morocco, Republic of Benin, Central African Republic, Namibia, and Senegal.
Collection dates from 1966 to 1976 and includes 1,817 black and white negatives, 1,519 35mm color slides, several hundred prints, and manuscript materials. Locations include Burkina Faso, Cote d'Ivoire, Gabon, Israel, Mali, and Niger and depict agriculture, architecture, especially mosques, landscapes, marketplaces, masquerade and musical performances, sculptures, and textiles. Peoples depicted include the Bambara, Bella, Bozo, Dogon, Fulani, Gao, Mandingo, San, Songhai, and Tuarag peoples.
Photographs made on Hector Acebes's expeditions in Africa and South America, mostly during the 1950s. Many of the images document people and markets in Africa (1949 and 1953), including Kikuyu, Masai, Mangbetu, Fulani, and Bassari peoples. There are also photographs made in the French Sudan, Guinea, Togo, Dahomey, Cameroon, the Congo Republic, Ru...
Photographs taken by Augustus Browning of Hausa and Fulani peoples in Nigeria between 1982 and 1985.
Photographs taken in Mali in 1934. The images are of a Songhai woman, two Fulani women, three boatmen on Lake Debo, a street in Mopti and a market in Mopti.
The collection consists of 6,567 color slides taken by Dr. Marilyn Houlberg during various field studies among the Yoruba in southwest Nigeria between 1961 and circa 2005. The images depict Yoruba art and culture with a special focus on artisans, art objects, body arts, costume, festivals, hairstyles, indigenous photography, weaving and textiles. Cultural events depicted include Balufon festivals, Egungun and Gelede masquerades, social events (weddings, christenings, funerals), and religious ceremonies (initiation and animal sacrifice). Also included are various scenes of daily life, architecture, food preparation, markets, portraits and landscapes. Houlberg extensively documented Yoruba artists in the process of creating their art, including carvers Yesufu Ejigboye, Runshewe, and Lamidi Fakeye, as well as the final pieces themselves. Houlberg documentated art in situ, such as Yoruba house posts, shrines, wall art and wood doors and art objects, including Gelede masks, Ibeji (twin) and Eshu figures, Osanyin staffs, and Ogboni and Shango shrines. Manuscript and printed materials, including Houlberg's resume, thesis, and numerous published articles are also available in this collection.
The Millennium: Tribal Wisdom and the Modern World collection consists of film materials and associated documentation for the editing process of the ten-episode ethnographic television series aired in 1992 and hosted by Harvard anthropologist David Maybury-Lewis. The collection consists of field sound, camera original film in the form of outtakes and trims, edited silent film (A and B rolls and prints), and technical paper documentation including field and lab reports.
Photographs of people and architecture taken by Sujatha Pelletier in Nigeria, Ghana, Cote d'Ivoire, Niger, Morocco and Mali from June of 1992 through June of 1995.