28 records — Page 1 of 3
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Creators:
Fuller, George, 1822-1884
Dates:
1832-1959
Size:
2,775 Items ((on 5 microfilm reels))
Collection ID:
AAA.fullgeor
Repository:
Archives of American Art

Biographical and critical studies of Fuller; family correspondence; letters to Fuller from Sanford Gifford, William H. Ames, Edward T. Billings, Henry K. Brown, Linus Yale, Jr., William Dean Howells, and Henry G. Marquand; diaries, journals and essays by Fuller; a biographical study, "George Fuller, His Life and Work"; photographs; sketchbooks; exh...

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Creators:
Fuller, Augustus, 1812-1873
Dates:
1824-1872
Size:
150 Items ((on 1 partial microfilm reel))
Collection ID:
AAA.fullaugu
Repository:
Archives of American Art

Letters from Fuller to his parents, Mr. and Mrs. Aaron Fuller, in Deerfield, Mass., and to his brother George, written from various places in New England, detailing his work as an artist and his daily affairs.

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Creators:
Brimmer, Martin, 1829-1896
Dates:
1880-1896
Size:
0.4 Linear feet ((45 items on partial microfilm reel))
Collection ID:
AAA.brimmart
Repository:
Archives of American Art

Primarily letters written by Brimmer to Sarah Wyman Whitman, written from London, Paris, Rome, and elsewhere, and referring to the Museum of Fine Arts, Boston, and to contemporary artists such as George Fuller, John LaFarge, William Morris Hunt, John Singer Sargent, and James A. McNeill Whistler. In addition, there are letters from Henry Lee Higgin...

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Creators:
Brown, Henry Kirke, 1814-1886
Dates:
1836-1893
Size:
1 Linear foot
Collection ID:
AAA.browhenr
Repository:
Archives of American Art

The papers of sculptor and portrait painter Henry Kirke Brown measure 1 linear feet and date from 1836 to 1893. The collection includes Brown's correspondence with his wife, Lydia Louise Udall, his nephew, Henry Kirke Bush-Brown, and other family members. Also included are letters from artists George Catlin, George Fuller, Sanford R. Gifford, James Reid Lambdin, Louis Lang, Erastus Dow Palmer, Hiram Powers, Horatio Stone, and others; five news clippings; and miscellaneous notes.

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Creators:
Shaw, Edwin Coupland, 1863-1941
Dates:
1864-1937
Size:
3 Microfilm reels
Collection ID:
AAA.shawedwi
Repository:
Archives of American Art

Correspondence with dealers, artists, museums, publishers, photography studios, and others regarding art purchases, loans, and Shaw's collection; and 16 v. of scrapbooks containing photographs, letters, and biographical information on artists. Much of the correspondence with artists relates to Shaw's requests for the information which was then used...

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Creators:
McGuigan, Mary K.
Dates:
1794-1938
Size:
0.6 Linear feet
Collection ID:
AAA.mcgumary
Repository:
Archives of American Art

The collection of artists' letters compiled by Mary and John McGuigan Jr. measure 0.6 linear feet and date from 1794-1938. The collection is comprised of a group of letters, writings, and signed documents to and from a variety of artists, art administrators, art critics, historians, and art-related organizations assembled from multiple sources. It also includes associated printed material with some documents and a few photographs, including carte de visites and cabinet cards.

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Creators:
Kurtz, Charles M. (Charles McMeen), 1855-1909
Dates:
1843-1990
bulk 1884-1909
Size:
27.74 Linear feet
Collection ID:
AAA.kurtchar
Repository:
Archives of American Art

The papers of arts administrator, museum director, collector, dealer, and editor Charles M. Kurtz (1855-1909), measure 27.74 linear feet and date from 1843-1990 (bulk dates 1884-1909). The bulk of the collection consists of detailed chronological correspondence between Kurtz and his wife and family, friends, colleagues, and business associates that documents many notable exhibitions, galleries, museums, private collections, as well as cities, people, and events of the period. Also found in the collection are Kurtz's diaries, scrapbooks, printed materials, and photographs.

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Creators:
Library of Congress
Dates:
circa 1890-1945
Size:
183.5 Cubic feet ((58 solander boxes))
Collection ID:
SAAM.Photo.LOC
Repository:
Smithsonian American Art Museum, Research and Scholars Center

The Library of Congress Copyright Deposit Collection is comprised of 2,335 photomechanical reproductions of works by 741 artists (mostly American). The large-format prints, deposited with the Library of Congress for copyright between 1890 and 1945, represent a broad range of nineteenth- and twentieth-century American art.

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Creators:
Metropolitan Museum of Art (New York, N.Y.)
Dates:
circa 1910-1940, 1950s
Size:
21.3 Linear feet ((51 document boxes))
Collection ID:
SAAM.Photo.MET
Repository:
Smithsonian American Art Museum, Research and Scholars Center

Originally assembled by the Metropolitan Museum of Art for study purposes, this collection is comprised of 2,790 black-and-white photographs documenting the work of 250 sculptors.

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Creators:
Harrington, John Peabody, 1884-1961
Dates:
1907-1959 (some earlier)
Size:
683 Linear feet
Collection ID:
NAA.1976-95
Repository:
National Anthropological Archives

Harrington was a Bureau of American Ethnology ethnologist involved in the study of over one hundred American tribes. His speciality was linguistics. Most of the material concerns California, southwestern, northwestern tribes and includes ethnological, archeological, historical notes; writings, correspondence, photographs, sound recordings, biological specimens, and other types of documents. Also of concern are general linguistics, sign language, writing systems, writing machines, and sound recordings machines. There is also some material on New World Spanish, Old World languages. In addition, there are many manuscripts of writings that Harrington sketched, partially completed, or even completed but never published. The latter group includes not only writings about anthropological subjects but also histories, ranging from a biography of Geronimo to material on the history of the typewriter. The collection incorporates material of Richard Lynch Garner, Matilda Coxe Stevenson, and others. In his field work, Harrington seems sometimes to have worked within fairly firm formats, this especially being true when he was "rehearing" material, that is in using an informant to verify and correct the work of other researchers. Often, however, the interviews with informants (and this seems to have been the case even with some "rehearings") seem to have been rather free form, for there is a considerable intertwining of subjects. Nevertheless, certain themes frequently appear in his work, including annotated vocabularies concerning flora and fauna and their use, topography, history and biography, kinship, cosmology (including tribal astronomy), religion and philosophy, names and observations concerning neighboring tribes, sex and age division, material culture, legends, and songs. The fullness of such materials seems to have been limited only by the time Harrington had to spend with a goup and the knowledge of his informants.

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28 records — Page 1 of 3