Inscribed on verso "A man and a young lady play with ball, Na-co-is-ta, Pine Ridge, Daniel"

Notes and drawings by Native artists relating to heraldry, as Mooney termed tipi and shield designs. Also some myths and linguistic data from these and other Plains tribes. The manuscript is a compilation of materials created over a period of years, assembled under the current number by the BAE archivist. Bound volumes (since disbound for laminatio...

The core of this photographic collection (1902-1904) was taken during Grinnell's visits among the Northern (Montana, Rosebud County and Rosebud River, Lame Deer) and Southern (Washita County, Oklahoma) Tsitsistas/Suhtai (Cheyenne). The photographs document domestic and daily life on the reservation (especially activies involving women), religious ceremonies, camps and dwellings, and important officials. The attributions of the photographs in this collection are far from certain. While many of these images appear to have been taken by Grinnell himself, a substantial portion were also taken by his wife Elizabeth Curtis Grinnell (b. 1876) and their friend Julia E. Tuell. A very small subset of these images (3) also depicts mountains and vistas in Glacier National Park (Flathead County, Glacier County) Montana.

Pencil and crayon drawings intermixed with Manuscript notes by Mooney. Oversize drawings identified as Cheyenne, Cheyenne or Arapaho, Kiowa, Dakota and Comanche. Typed list of these, with annotations made by Father Peter J. Powell during visit to National Anthropological Archives is included with master list of drawings in N.A.A. Many of the oversi...

Photographs made as part of Joseph C. Farber's project to document modern American Indian everyday life. Represented tribes include the Acoma, Apache, Blackfoot, Chehalis, Cherokee, Cheyenne, Chippewa, Cocopa, Dakota, Eskimo, Haida, Kiowa, Kutenai, Lummi, Mohave, Mohawk, Navaho, Northern Athabascan, Onandaga, Pima, Pueblo, Quinalt, Seminole, Taos,...

Photographs documenting Native American Public Programs events, including images of American Indian artists and examples of their work during demonstrations and lectures at the National Museum of Natural History. Photographs were mostly made by Smithsonian photographers, including Carl C. Hansen, Richard Strauss, Chip Clark, Laurie Minor-Penland, ...

This collection consists of 42 NABISCO Straight Arrow cards, 30 postcards, and 25 stereographs depicting indigenous peoples of North and Central America, with dates ranging 1880 – 1960. The bulk of the collection consists of images of Native communities throughout the United States, and includes portrait images, dwellings, and landscape views.

The National Congress of America Indians (NCAI), which describes itself as the oldest and largest American Indian and Alaskan Native organization in the United States, was founded on November 16, 1944, in Denver, CO and is still active today. NCAI was founded to serve as a link between individual tribal councils and the United States government but also aimed to educate the general public about Indians, preserve Indian cultural values, protect treaty rights with the United States, and promote Indian welfare. This collection of National Congress of America Indians Audio and Film Recordings contains materials created by and for NCAI to maintain a record of organizational proceedings and events between 1952 and 1997. Recorded in various formats, the bulk of this collection is on 1/4" open reel to reel tapes and sound cassettes. The events represented in this collection include annual and mid-year conventions, executive council meetings, congressional hearings, intertribal institutes and a variety of workshops and meetings regarding economic, civil and educational issues facing indian country.

The collection documents Jane and Michael Stern's travels across the United States collecting data for their books on American material culture subjects, with particular emphasis on food and dining.

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.