Jacques Lipchitz papers and Bruce Bassett papers concerning Jacques Lipchitz
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- Creators:
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Lipchitz, Jacques, 1891-1973
- Dates:
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circa 1910-2001
bulk 1941-2001
- Size:
-
52.8 Linear feet
- Collection ID:
- AAA.lipcjacq2
- Repository:
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Archives of American Art
The Jacques Lipchitz papers and Bruce Bassett papers concerning Jacques Lipchitz measure 52.8 linear feet and are dated circa 1910-2001, with the bulk of the material from the period 1941-2001. Papers are comprised of sculptor Jacques Lipchitz's personal papers and filmmaker Bruce Bassett's papers relating to Jacques Lipchitz. Lipchitz's personal papers contain personal and professional correspondence, comprising nearly half of the series, and biographical material, writings by and about Lipchitz, printed material, and photographs documenting Lipchitz's commissions, exhibitions, friendships, and interests. Also found are records relating to the compilation and production of The Sculpture of Jacques Lipchitz: A Catalogue Raisonné by Alan G. Wilkinson. The Bruce Bassett papers relating to Jacques Lipchitz consist mainly of Bassett's extensive audiovisual documentation of Lipchitz's life and art. Also found are paper records related to the audiovisual projects, including letters, business records, printed materials, and production records. A small quantity of material unrelated to Lipchitz is also found among the Bassett material, including video and sound recordings related to Sidney Lifchez, IBM, Isamu Noguchi, the Storm King Sculpture Center, and Auguste Rodin.
Found In
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- Creators:
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Stendahl Art Galleries
- Dates:
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1907-1971
- Size:
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7.5 Linear feet
- Collection ID:
- AAA.stenartg
- Repository:
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Archives of American Art
The records of the Los Angeles Stendahl Art Galleries measure 7.5 linear feet and date from 1907 to 1971. The collection is comprised of administrative and financial files, correspondence, exhibition files, and subject files on numerous artists, organizations, and other art-related topics. There is one scrapbook of clippings on the artist Edgar Payne.
Found In
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- Creators:
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Milch Gallery
- Dates:
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1911-1995
- Size:
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42.2 Linear feet
- Collection ID:
- AAA.milcgall
- Repository:
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Archives of American Art
The records of Milch Gallery measure 42.5 linear feet and date from 1911-1995. Edward Milch (1865-1953) opened the Edward Milch Gallery in New York City. In 1916, he formed a partnership with his brother Albert Milch (1881-1951), a gilder and framer, creating E. & A. Milch, Inc., a gallery specializing in American art. Harold C. Milch (1904-1981), Albert's son, was appointed a partner in 1944 and continued the business until his death. Business records of Milch Gallery, 1911-1968, include correspondence, sales records, inventories, financial records, printed matter, photographs, and legal documents. Later additions to the records date from 1922-1995 and include correspondence; artists' files; financial, sales, and stock records; printed material; and photographs.
Found In
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- Creators:
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Hanson, James A.
Conner, Stuart W.
Dempsey, Hugh A.
Ewers, John C. (John Canfield), 1909-1997
More … - Dates:
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1945-1993
- Size:
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97 Linear feet
- Collection ID:
- NAA.1998-35
- Repository:
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National Anthropological Archives
The John Canfield Ewers Papers document his wide ranging anthropological interests from early White depictions of Native Americans to the material culture of the Plains tribes through correspondence, exhibit catalogs, field notes, illustrations, lectures, maps, photocopies of archival materials, photographs, and writings. The collection includes ma...
Found In
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- Creators:
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American Federation of Arts
- Dates:
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1895-1993
bulk 1909-1969
- Size:
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79.8 Linear feet
- Collection ID:
- AAA.amerfeda
- Repository:
-
Archives of American Art
The records of the American Federation of Arts (AFA) provide researchers with a complete set of documentation focusing on the founding and history of the organization from its inception through the 1960s. The collection measures 79.8 linear feet, and dates from 1895 through 1993, although the bulk of the material falls between 1909 and 1969. Valuable for its coverage of twentieth-century American art history, the collection also provides researchers with fairly comprehensive documentation of the many exhibitions and programs supported and implemented by the AFA to promote and study contemporary American art, both nationally and abroad.