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- Creators:
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Gatch, Lee, 1902-1968
- Dates:
-
1949
- Size:
-
2 Items ((7 p. on partial microfilm reel))
- Collection ID:
- AAA.gatcleee
- Repository:
-
Archives of American Art
An essay by Gatch musing on his artistic development and technique. A duplication of the essay [on Grace Borgenicht Gallery stationary] accompanies the typescript sent Phillips.
Found In
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- Creators:
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Gatch, Lee, 1902-1968
- Dates:
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1925-1979
- Size:
-
1 Linear foot ((partially microfilmed on 5 reels))
- Collection ID:
- AAA.gatcleep
- Repository:
-
Archives of American Art
Correspondence, notebooks, writings, photographs, catalogs and other publications.
Found In
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- Creators:
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Rodda, Lawrence C., 1902 or 3-1989
- Dates:
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1924-1974
- Size:
-
0.6 Linear feet
- Collection ID:
- AAA.roddlawr
- Repository:
-
Archives of American Art
65 letters to Rodda from painter Lee Gatch, whom Rodda had met in 1923 when they both attended John Sloan's class at the Maryland Institute, 1923. Gatch writes of his paintings, his studies at the Art Students League, his friend Marian Peters (referred to as Peter), his trip to France from 1924-1925, his brief stay at the MacDowell Colony in 1926, ...
Found In
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- Creators:
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Kahn, Max
- Dates:
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1949-1993
- Size:
-
0.6 Linear feet ((partially microfilmed on 1 reel))
- Collection ID:
- AAA.kahnmax
- Repository:
-
Archives of American Art
Correspondence, photographs, works of arts, printed material and financial records regarding artists Lee Gatch, J.B. Neumann, Curt Valentine and Max Beckmann. Also included are letters to Kahn regarding museum gifts.
Found In
Oral history interview with Jack Tworkov
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- Creators:
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Tworkov, Jack
Seckler, Dorothy Gees, 1910-1994
- Dates:
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1962 August 17
- Size:
-
17 Pages (Transcript)
- Collection ID:
- AAA.tworko62
- Repository:
-
Archives of American Art
An interview of Jack Tworkov conducted 1962 August 17, by Dorothy Seckler, for the Archives of American Art.
Found In
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- Creators:
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Neuberger, Roy R.
- Dates:
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1940-1979
- Size:
-
5.4 Linear feet ((partially microfilmed on 2 reels))
0.2 Linear feet (Addition)
- Collection ID:
- AAA.neubroy
- Repository:
-
Archives of American Art
Correspondence, printed material, photographs; and "birthday books" containing drawings and writings by artists sent to Neuberger on his 50th and 75th birthdays.
Found In
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- Creators:
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Whitney Museum of American Art
- Dates:
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1914-1966
- Size:
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78 Microfilm reels
- Collection ID:
- AAA.whitmuse
- Repository:
-
Archives of American Art
REELS N591-N597: Photographs of the Museum, Juliana Force, Herman Moore; scrapbooks on the Whitney Studio Club, Whitney Studio Galleries and the Museum, 1927-1965.
Found In
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- Creators:
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National Collection of Fine Arts. Office of Exhibition and Design
- Dates:
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1970-1974
- Size:
-
0.69 cu. ft. (1 16 x 20 box)
- Collection ID:
- Accession 07-076
- Repository:
-
Smithsonian Institution Archives
This accession consists of exhibition posters which were used as indoor signage for exhibitions at the National Collection of Fine Arts and the Renwick Gallery. Exhibitions include H. Lyman Sayen 1875-1918; Jasper F. Cropsey (1823-1900); Romaine Brooks: "Thief of Souls"; Two American Painters: Fritz Scholder and T. C. Cannon; John Marin; ...
Found In
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- Creators:
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Teller, Jane
- Dates:
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1911-1991
- Size:
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8.6 Linear feet
- Collection ID:
- AAA.telljane
- Repository:
-
Archives of American Art
The papers of printmaker and sculptor Jane Teller measure 8.6 linear feet and date from 1911 to 1991. The papers include biographical materials, correspondence, business records, notes, writings, three sketchbooks, sketches and prints, five scrapbooks, printed material, subject files, photographs, sound and video recordings, and motion picture film.
Found In
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- Creators:
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Frank K. M. Rehn Galleries
- Dates:
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1858-1969
bulk 1919-1968
- Size:
-
21.8 Linear feet
- Collection ID:
- AAA.franrehg
- Repository:
-
Archives of American Art
The Frank K. M. Rehn Galleries records measure 21.8 linear feet and are dated 1858-1969 (bulk 1919-1968). The records consist mainly of business correspondence with collectors, artists, museums and arts organizations, colleagues, and others. A small amount of Frank K. M. Rehns personal correspondence and a few stray personal papers of individual artists are interfiled. Also included are financial records, scrapbooks, printed matter, miscellaneous records, and photographs documenting most of the history of a highly regarded New York City art gallery devoted to American painting.
