George Eastman House copies of photographs of Native Americans
248 Copy prints (circa)
Copies of photogaphs selected from the George Eastman House collection by Bureau of American Ethnology archivist Margaret Blaker in 1962. Many of the photographs are individual or group portraits of American Indians and some highlight pottery, baskets, and cradleboards. There are also images of American Indian dwellings, including tipis and hogans …
Oral history interview with Beaumont Newhall
Trovato, Joseph S., 1912-1983
New Deal and the Arts Oral History Project
An interview of Beaumont Newhall conducted 1965 Jan. 23, by Joseph Trovato, for the Archives of American Art. Newhall speaks of his education and first jobs in museums; his administration of the WPA Federal Art Project in Massachusetts; Berenice Abbott's photographs of New York; and the Farm Security Administration's photography project. He …
Robert M. Doty papers
The Robert M. Doty papers measure 4 linear feet and date from circa 1935-2000, with the bulk of the collection dating from 1960-1992. The collection documents Doty's career as a museum curator and director, particularly his involvement with American folk art and photography, through biographical materials, correspondence, writings, artist files, and exhibition and gallery files detailing several exhibitions that Doty curated during his career. Also found are consulting and professional files, subject and research files reflecting a wide variety of research interests, professional projects, and activities, collecting records documenting Doty's personal art collecting, and printed materials related to Doty's career and interests.
University of Pennsylvania papers relating to Eadweard Muybridge's studies on animal locomotion
Printed matter (1885-1890), receipts, and certificates (1888-1899) include the prospectus and final publication of ANIMAL LOCOMOTION (1887), the Library of Congress register of copyright, clippings, and insurance certificates. Correspondence (1886-1901) generally relates to the University's effort to sell the equipment after the project's completion and contains 17 letters from Muybridge.
Los Angeles Art Association records
The Los Angeles Art Association records measure 12.6 linear feet and date from 1922-1990. Almost a third of the collection consists of artists' files containing a wide variety of materials documenting the association's relationship with numerous California and international artists. Also found are ten scrapbooks documenting exhibitions and events over the course of 50 years, administrative files, correspondence, subject files, exhibition files, financial and legal records, printed material, and photographic material depicting artists, events, and artwork. Scattered files of Executive Director Helen Wurdemann's are also found throughout the collection.
Focus Gallery records
The records of San Francisco Focus Gallery measure 11.8 linear feet and date from 1963-1987. The bulk of the collection consists of exhibition files. There are also artists files, sales information, correspondence, and scattered records of the gallery's companion bookshop.
Fred Frater Photographs of the Amish
The twenty-eight photographs and corresponding negatives in this collection were taken by photographer Fred S. Frater in Intercourse, Pennsylvania sometime between 1947 and 1950. They document a day-long auction of furniture, farm equipment and household goods that took place during the winter or early spring season. They depict an outdoor setting and …
Imogen Cunningham papers
The papers of photographer and teacher Imogen Cunningham, date from 1903 to 1991. The collection measures 5.9 feet of material, including correspondence, business and financial records, writings, printed matter, and photographs, and provides a good overview of Cunningham's life and career.
J. Eastman Chase papers
The scattered papers of art dealer J. Eastman Chase measure 0.2 linear feet and date from 1866 to 1917. Found is an autobiographical sketch, letters from prominent late 19th and early 20th century artists, printed material, and a scrapbook.
Jan Faul "Potomac : East and West" (portfolio of photoprints)
The collection is a set of twenty-four black-and-white silver gelatin prints entitled "Potomac: East and West," by Jan Faul, 1991. They include agricultural landscapes, cemeteries, industrial buildings commercial buildings in rural areas, etc., in the Potomac River region of Washington, D.C., Maryland, Virginia, and West Virginia. Each image contains a small area hand-colored by the photographer, providing a subtly mysterious, often whimsical or humorous effect.