Edith T. Martin papers
The collection, which dates from 1961 to 2004 and measures 11.16 linear feet, documents the career of artist, curator, and museum technician Edith T. Martin. The papers in the collection include education documents, professional correspondence, sketches, promotional material, news clippings, newsletters, catalogues/magazines from exhibits and arts organizations, and exhibit photographs and slides.
This accession consists of records which document the research, development, fundraising, publicity, production, and execution of exhibitions at the Smithsonian American Art Museum and the Renwick Gallery. Staff represented include Virginia M. Mecklenburg, Senior Curator, Painting and Sculpture, SAAM; Kenneth R. Trapp, Curator-in-Charge, Renwick Gallery; Louise Reeves, Exhibitions Coordinator, SAAM …
Jo Hanson papers
The papers of San Francisco environmental artist and activist Jo Hanson measure 4.1 linear feet and 1.06 GB and date from circa 1969 to 2009. The papers document her professional activities through biographical material, project and exhibition files, printed and digital material, artwork, and photographs. Also found are files regarding her participation in the Women's Caucus for Art.
Melody Golding Photoprints
The collections documents the work of photographer, Melody Golding and two projects: Hurrican Katrina and Panther Tract. The Hurrican Katrina photographs document some of the devastation along the Mississippi Gulf Coast and the towns of Biloxi, Ocean Springs, and Pearlington, Mississippi. The Panther Tract material documents a 2011 book titled Panther …
These records were created and maintained by Andrea Nicolls, Assistant Curator and Curator until 2006 at the National Museum of African Art (NMAfA). Materials include purchase recommendations, exhibition records, correspondence, docent records, intern records, black and white photographs, color photographs, floor plans, and electronic records.
William C. Sturtevant papers
This collection contains the professional papers of William Curtis Sturtevant and documents his activities as Curator of North American Ethnology at the National Museum of Natural History, his work as the editor-in-chief of the Handbook of North American Indians, his research among the Seminole and Iroquois people, and other professional activities. The collection is comprised of books, sound recordings, research and field notes, realia, artifacts, clippings, microfilm, negatives, slides, photographs, manuscripts, correspondence, memorandums, card files, exhibition catalogs, articles, and bibliographies.
Archives Center Photoprint Collection
This artificial collection is the repository for miscellaneous photoprints transferred from other Smithsonian units: see series records.
This accession consists of records documenting the research, planning, design, execution, and installation of exhibitions. Exhibitions documented in this accession include "Campana Brothers Select: Works from the Permanent Collection;" "Looking Forward/Looking Back: Recent Acquisitions in 20th- and 21st-Century Design;" "Multiple Choice: From Sample to Product;" "Shahzia Sikander Selects: Works from the …
Andrew J. Cosentino Research Material on Charles Bird King
This collection includes research by Curator Andrew J. Consentino for The Paintings of Charles Bird King (1785-1862), Washington, D.C.: Smithsonian National Collection of Fine Arts (currently Smithsonian American Art Museum) exhibition catalogue, 1977. There are paper files, the artist's will, diary, inventory, photographs and slides, created circa 1970s–2017.
The Historical Records of the Barnett-Aden Gallery
The Historical Records of the Barnett-Aden Gallery showcases one of the first galleries owned and operated by African Americans. The work of the Gallery was invaluable as they opened the exhibition space to established and unknown artists regardless of race or gender.