29 records — Page 1 of 3
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Creators:
Smithsonian American Art Museum. Office of Design and Production
Dates:
1996-2000
Size:
1 cu. ft. (1 record storage box)
Collection ID:
Accession 09-019
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the design, fabrication and installation of exhibitions at the Renwick Gallery which is part of the Smithsonian American Art Museum, formerly known as the National Museum of American Art. Exhibitions include Glass! Glorious Glass!; Shaker: Furnishings for the Simple Life; and USA Clay. Materi...

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Creators:
Smithsonian American Art Museum. Registrar's Office
Dates:
1992-2004
Size:
11 cu. ft. (11 record storage boxes)
Collection ID:
Accession 10-129
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the activities of the Registrar's Office in their work on Smithsonian American Art Museum (SAAM) and the Renwick Gallery exhibitions. Also included are records documenting their work on the deinstallation and installation of artwork for building renovations. Some records in this accession come ...

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Creators:
Smithsonian American Art Museum. Curatorial Office
Dates:
1988-2006
Size:
5 cu. ft. (5 record storage boxes)
Collection ID:
Accession 08-056
Repository:
Smithsonian Institution Archives

This accession consists of records which document the research, development, fundraising, publicity, production, and execution of exhibitions at the Smithsonian American Art Museum and the Renwick Gallery. Staff represented include Virginia M. Mecklenburg, Senior Curator, Painting and Sculpture, SAAM; Kenneth R. Trapp, Curator-in-Charge, Renwi...

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Creators:
Medellin, Octavio, 1907 or 1908-1999
Dates:
circa 1935-circa 1979
Size:
3.6 Linear feet
Collection ID:
AAA.medeocta
Repository:
Archives of American Art

The papers of painter, sculptor, and educator Octavio Medellin measure 3.6 linear feet and date from circa 1935 to circa 1979. The collection is comprised of correspondence with Carlos Mérida, Stanley Marcus, Lucy Maverick, Bess Hubbard, Xavier Gonzalez, and others; commission files for projects in Texas; professional files that include notes, biographical essays, and material for the Medellin School of Sculpture, Mendocino Art Center, International Institute of Arts and Letters, and the San Antonio Religious Show; printed and documentary materials consisting of an art reproduction, booklets, exhibition catalogs, magazines and yearbooks, and video recordings of Swank in the Arts; and photographic materials of Medellin, his studio, family and friends, travel in Mexico, his students, and works of art.

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Creators:
Bunch, Lonnie G.
Dates:
1952-2010
Size:
26.07 cu. ft. (24 record storage boxes) (3 16x20 boxes)
Collection ID:
Accession 19-200
Repository:
Smithsonian Institution Archives

The Lonnie G. Bunch Papers include both personal materials and professional records from the various institutions that he worked at as well as his teaching positions. The personal materials include family correspondence, family history records, and photographs. In relation to his teaching positions there are course syllabi, reading lists, ...

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Creators:
McFarland, J. Horace (John Horace), 1859-1948
American Rose Society
Dates:
1899-1974
Size:
30 Cubic feet (2718 photographs: black and white; 448 glass lantern slides; 41 glass negatives; color records; plant patents; publications. )
Collection ID:
AAG.MCF
Repository:
Archives of American Gardens

The J. Horace McFarland Collection includes over 3,100 photographic images of private and public gardens throughout the United States, as well as some from foreign countries, dating from 1899 to 1963. Many of these images, generated for Mount Pleasant Press (later the J. Horace McFarland Company), were used to illustrate trade catalogs published by the firm as well as journal and newspaper articles. The collection also contains color records that were used as reference aids during the printing process, plant patents, and various publications of the McFarland Company.

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Creators:
Underwood & Underwood
Dates:
1895-1921
Size:
160 Cubic feet
Collection ID:
NMAH.AC.0143
Repository:
Archives Center, National Museum of American History

The major part of the collection, series 1-4, contains nearly 28,000 glass plates, including original stereoscopic negatives, interpositives, and both negative and positive non-stereoscopic plates used to produce lantern slides and paper prints. The photographs were taken all over the world. The majority are from the Underwood & Underwood active fi...

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Creators:
Kurtz, Charles M. (Charles McMeen), 1855-1909
Dates:
1843-1990
bulk 1884-1909
Size:
27.74 Linear feet
Collection ID:
AAA.kurtchar
Repository:
Archives of American Art

The papers of arts administrator, museum director, collector, dealer, and editor Charles M. Kurtz (1855-1909), measure 27.74 linear feet and date from 1843-1990 (bulk dates 1884-1909). The bulk of the collection consists of detailed chronological correspondence between Kurtz and his wife and family, friends, colleagues, and business associates that documents many notable exhibitions, galleries, museums, private collections, as well as cities, people, and events of the period. Also found in the collection are Kurtz's diaries, scrapbooks, printed materials, and photographs.

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Creators:
Strohmeyer & Wyman
Young, R.Y.
Underwood & Underwood
American Stereoscopic Co.
More …
Dates:
circa 1893-1904
Size:
0.15 Cubic feet (1 box)
Collection ID:
NMAH.AC.0402
Repository:
Archives Center, National Museum of American History

This collection is composed of two series: (1) 22 stereographs by several publishers, many of which relate to or were actually printed from negatives in the Underwood & Underwood Glass Stereograph Collection; and (2) a pamphlet. The fourth group of cards illustrates certain aspects of how stereographs were used by various companies, including two...

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Creators:
Freer Gallery of Art and Arthur M. Sackler Gallery. Exhibitions Department
Dates:
1995-2012
Size:
5 cu. ft. (5 record storage boxes)
Collection ID:
Accession 15-347
Repository:
Smithsonian Institution Archives

This accession consists of declined exhibition proposals received from artists, photographers, museums, cultural institutions, and other external organizations. A few proposals were initially accepted before being cancelled or withdrawn. Materials include proposals, correspondence, brochures, object lists, object images, catalogs, books, ...

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29 records — Page 1 of 3