This accession consists of records that document the exhibitions Woodenworks: Furniture Objects by Five Contemporary Craftsmen; Design Is . . .; and Craft Multiples. Woodenworks: Furniture Objects by Five Contemporary Craftsmen was the major inaugural exhibition at the Renwick Gallery and was on display from January 28 - July 19, 1972. I...
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Glassware forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
The Paul Hollister papers measure 9.4 linear feet and date from circa 1883 to 2004, with the bulk of the papers from 1947-1996. Biographical material and correspondence both personal and professional are included, in addition to project files documenting various writing, teaching and curatorial projects, as well as ongoing working relationships with various institutions. Also included are topical projects that overlapped with specific research interests, containing a considerable amount of research material. Writings by Paul Hollister include manuscript material spanning the breadth of his professional writing career, from his work as a columnist, to his articles on glass, as well as some works of fiction. Also included is a full manuscript of one of Hollister's books on glass paperweights. The published portion of this content is mirrored in the printed material series. The business records of Paul Hollister contain financial information about his household and collections, as well as his family's estate. Also included are records relating to Paul Hollister's art studio and an inventory of his paintings and other works of art in the form of index cards. Select photographs of Hollister's collection of art objects are included, along with images of Paul and Irene Hollister.
Material relates to Sutnar's career including exhibitions, designs for corporate clients, designs for books on packaging design and catalog information. Little office correspondence and personal information is provided.The major part of the collection consists of Sutnar's designs, including logos, letterheads, catalogs, and advertising campaigns for a large number of clients, notably Addo-X, Carr's Department Stores, JC Penney, RCA, and Vera, as well as product and catalog design for Sweet's Catalog Service. Also included are drafts of books, sketches, over 5,000 photographs, photoprints, and photonegatives. Other materials include clippings, page layouts, brochures and booklets about package design and magazine layouts.
Archival materials relating to Diamond's career as an industrial designer, including various client files (especially Libbey Glass) containing photographs, designs, sketches, and other papers; articles by and about Diamond; magazines; awards; and a scrapbook.
This collection does not represent the entire Parzinger archive. The German firm, K.P.M., has the drawings Parzinger produced for the line of ceramics and a part of the documentation for the work in the United States was damaged or lost in a 1951 flood in the Madison Avenue office. However, enough of the archive remains to document a significant part of the designer's work from the 1940s-1970s. Included in the collection are brochures, ad sheets, magazine pages, chart-like sheets of furniture designs, drawings or blueprints, clippings, photographs, press articles, and pages of notes. The collection does not include business papers which were deliberately excluded for space reasons.
The collection consists of formulas and prescriptions for Morse Laboratories and Kiehl's Pharmacy products.
This collection contains over 37,000 35mm slides, 3,000 glass lantern slides and garden files that may include descriptive information, photocopied articles (from journals, newspapers, or books), planting lists, correspondence, brochures, landscape plans and drawings. Garden files were compiled by Garden Club of America (GCA) members for most of the gardens included in the collection. Some gardens have been photographed over the course of several decades; others only have images from a single point in time. In addition to images of American gardens, there are glass lantern slides of the New York Flower Show (1941-1951) and trips that GCA members took to other countries, including Mexico (1937), Italy, Spain, Japan (1935), France (1936), England (1929), and Scotland. A number of the slides are copies of historic images from outside repositories including horticultural and historical societies or from horticultural books and publications. The GCA made a concerted effort in the mid-1980s to acquire these images in order to increase its documentation of American garden history. Because of copyright considerations, use of these particular images may be restricted.
The Roche Collection documents some of the work of John and Mary Alice Roche, garden photographers who photographed numerous gardens throughout the United States. Several of the Roches' images appeared in popular gardening magazines and books on flower arranging from the 1950s and 1960s.
These records consist of press releases, memoranda, tapes documenting Museum activities, newspaper clippings concerning the Museum, correspondence, exhibition catalogues, exhibition scripts, invitations, guest lists, and photographs. Material pre-dating the appointment of Rebecca Bean consists entirely of news clippings.