Oral history interview with Arne (Arnold) Glimcher
McElhinney, James Lancel, 1952-
51 Pages (Transcript)
An interview of Arne Glimcher conducted 2010 Jan. 6 and 25, by James McElhinney, for the Archives of American Art, at PaceWildenstein, in New York, N.Y.
Oral history interview with Louise Nevelson
Glimcher, Arnold B.
An interview of Louise Nevelson conducted 1972 Jan. 30, by Arnold Glimcher, for the Archives of American Art.
Museum of Fine Arts, Boston sound recordings
2 Items (sound tape reels, 5 in.)
A panel discussssion, an interview and 5 lectures sponsored by the Museum of Fine Arts, Boston. Included are a panel discussion "Is it just paint? The Figure in Contemporary Painting," with participants Rackstraw Downes, Frank H. Goodyear, Alex Katz, Kenworth Moffett, Linda Nochlin and Neil Welliver; an interview "Drawing Confronts Modernism …
Oral history interview with Chuck Close
An interview of Chuck Close conducted 1987 May 14-September 30, by Judd Tully, for the Archives of American Art.
Exhibition records of the Contemporary Study Wing of the Finch College Museum of Art
Varian, Elayne H.
The exhibition records of the Contemporary Study Wing of the Finch College Museum of Art measure 20.9 linear feet and date from 1943 to 1975, with the bulk of records dating from the period its galleries were in operation, from 1964 to 1975. Over two-thirds of the collection consists of exhibition files, which contain a wide range of documentation including artist files, checklists, correspondence, writings, photographs, interviews, numerous films and videos, artist statements, printed materials, and other records. Also found within the collection are administrative records of the museum, artist files, and papers of the Contemporary Wing's director and curator, Elayne Varian, which were produced outside of her work at Finch College.
Louise Nevelson papers
The papers of Louise Nevelson measure 30.5 linear feet and 40.5 MB and date from circa 1903 to 2019. The collection documents aspects of the life and work of the sculptor, focusing especially on her later career. Papers include correspondence, personal business records, writings, scrapbooks, early art work, photographs, interviews, awards and honorary degrees, books, and an extensive amount of printed material.
Bernard Harper Friedman papers
The papers of writer, art critic and collector Bernard Harper Friedman, 1926-2011, bulk 1943-2010, measure 30.6 linear feet. Extensive professional and personal correspondence, 41 diaries, a large number of his published and unpublished writings, and subject files document Friedman's career as a writer, relationships with cultural institutions and art world figures, and his personal life. Also included are biographical materials, interviews, printed material, 5 scrapbooks and photographs.
Laurie Lisle research material on Georgia O'Keeffe and Louise Nevelson
The Laurie Lisle research material on Georgia O'Keeffe and Louise Nevelson measures 3.4 linear feet and dates from 1902-1990. The collection consists of copied biographical papers, recordings, correspondence, and printed material related to O'Keeffe, and 97 recorded interviews related to the life of Louise Nevelson. The outcome of Lisle's research on O'Keeffe resulted in her book, Portrait of an Artist: A Biography of Georgia O'Keeffe (1980); and on Nevelson, Lisle authored, Louise Nevelson: A Passionate Life (1990).
Gustave Harrow legal records relating to the Estate of Mark Rothko
The Gustave Harrow legal records relating to the Estate of Mark Rothko measure 34.6 linear feet and date from 1957-1986. The records document the case brought by the New York State Attorney General's Office as cross-petitioner to the case brought by Rothko's daughter Kate, against the executors of Rothko's estate, Frank Lloyd and the Marlborough Gallery, for mismanagement and self-dealing. There are also records related to Harrow's writings about the case. Lastly, included in the collection are materials relating to art law issues in connection with the Metropolitan Museum of Art.
Paul Jenkins papers
The papers of abstract expressionist painter and playwright Paul Jenkins measure 11.1 linear feet and date from circa 1915 to 2010. Jenkins's career in New York and Paris is documented through biographical material, family papers, correspondence, writings, personal business records, printed material, photographs of Jenkins in his studio and at various events, and original artwork by Jenkins and others.