Oral history interview with Richard Gray
McElhinney, James Lancel, 1952-
41 Pages (Transcript)
An interview of Richard Gray conducted 2007 Dec. 9, by James McElhinney, for the Archives of American Art, at Carlyle Hotel, in New York, N.Y .
Stanley Paul Young Papers
This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.
Clemens Kalischer papers
276 photographs, ca. 1946-1966, taken by Kalisher of artists teaching at Bennington College, Bennington, Vermont, Black Mountain College, North Carolina, and the MacDowell Colony, Peterborough, New Hampshire.
Jazz and Big Band Collection
Morrow, Buddy
Stacy, Jess, 1904-1995
Timbrell, Tiny, 1917-1992
More …
The collection consists of 235 pieces of music ephemera assembled by an anonymous California musicologist over several decades. The contents include such things as concert ticket stubs; show programs; handbills; publicity stills; record store posters; nightclub souvenirs; autographs; contracts, lobby cards; movie stills; postcards; fan and record industry magazines; sheet music …
Paul Singer Papers
The Paul Singer papers measure 23 linear feet and date from circa 1880s to 1997. Materials include biographical documents, correspondence, writings and notes, exhibition and symposium files, travel files, personal art collection records, personal business records, printed material, artwork, artifacts, and photographs.
Graham C. Boettcher artists' letters collection
The Graham Boettcher artists' letters collection consists of twenty letters, photographs and printed material and dates from 1845-1991. Letters are from Robert Walter Weir to General George P. Morris, October 24, 1851; Louis J. Boury to Major General Winfield Scott Hancock, endorsed by General Reece Newport at Baltimore, Maryland, September 29, 1865; Emanuel Leutze to …
Cleve Gray papers
The Cleve Gray papers, 1933-2005, measure 9.2 linear feet. Papers include biographical material, alphabetical files, writings, artwork, audio/visual records, artifacts, printed material, and photographs. Extensive alphabetical files contain personal and professional correspondence as well as subject files relating to projects and interests. Especially well-documented are: Gray's involvement with the Vietnam protest movement; and Threnody, his best-known work composed of fourteen large panels lamenting the dead of both sides sides in Vietnam, commissioned by the Neuberger Museum of Art.
Records
Important correspondents include Paul E. Garber, Esther Goddard, Philip S. Hopkins, and S. Paul Johnson. Institutions collaborating with NASM include the United States Army, Navy, and Air Force, NASA, and the Civil Aeronautics Administration.
Oral history interview with Adolph Gottlieb
Seckler, Dorothy Gees, 1910-1994
27 Pages (Transcript)
An interview of Adolph Gottlieb conducted 1967 Oct. 25, in New York, by Dorothy Seckler, for the Archives of American Art.
John Peabody Harrington papers
Harrington was a Bureau of American Ethnology ethnologist involved in the study of over one hundred American tribes. His speciality was linguistics. Most of the material concerns California, southwestern, northwestern tribes and includes ethnological, archeological, historical notes; writings, correspondence, photographs, sound recordings, biological specimens, and other types of documents. Also of concern are general linguistics, sign language, writing systems, writing machines, and sound recordings machines. There is also some material on New World Spanish, Old World languages. In addition, there are many manuscripts of writings that Harrington sketched, partially completed, or even completed but never published. The latter group includes not only writings about anthropological subjects but also histories, ranging from a biography of Geronimo to material on the history of the typewriter. The collection incorporates material of Richard Lynch Garner, Matilda Coxe Stevenson, and others. In his field work, Harrington seems sometimes to have worked within fairly firm formats, this especially being true when he was "rehearing" material, that is in using an informant to verify and correct the work of other researchers. Often, however, the interviews with informants (and this seems to have been the case even with some "rehearings") seem to have been rather free form, for there is a considerable intertwining of subjects. Nevertheless, certain themes frequently appear in his work, including annotated vocabularies concerning flora and fauna and their use, topography, history and biography, kinship, cosmology (including tribal astronomy), religion and philosophy, names and observations concerning neighboring tribes, sex and age division, material culture, legends, and songs. The fullness of such materials seems to have been limited only by the time Harrington had to spend with a goup and the knowledge of his informants.
