91 records — Page 1 of 10
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Creators:
Cooper-Hewitt Museum.
Zim, Larry (Larry Zimmerman), 1931-1987
Dates:
1841-1988
Size:
46 Cubic feet (123 boxes and 150 map-folders)
Collection ID:
NMAH.AC.0519
Repository:
Archives Center, National Museum of American History

Memorabilia of fairs and World's Fairs throughout history, both in the United States and abroad, including photographs, stereographs, panoramas and slides; printed materials; postcards; sheet music; philatelic material; stationery and greeting cards; menus and food service items; posters; shopping bags; motion picture films; and other items.

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Creators:
Ormond, Richard
Dates:
1851-1979
Size:
0.2 Linear feet ((on 2 partial microfilm reels))
Collection ID:
AAA.ormorl
Repository:
Archives of American Art

Typescripts of Sargent letters to various people, 1883-1923, and photographs from an exhibition on Sargent.

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Creators:
Whistler, James McNeill, 1834-1903
Dates:
1863-1906, circa 1940
Size:
0.2 Linear feet
Collection ID:
AAA.whisjame2
Repository:
Archives of American Art

The collection measures 0.2 linear feet and provides scattered documentation of the career of American-born British-based painter and etcher James McNeill Whistler (1834-1903) through 39 items from Whistler to various recipients, including 25 letters, 9 telegraphs, 3 invitations, one thank you card and a postcard. The collection also contains 4 letters from others, 7 catalogs of Whistler exhibitions, a note from the back of Whistler's painting The Beach at Selsey Bill, and a 1906 copy of Wilde v. Whistler: being an acromonious correspondence on art between Oscar Wilde and James A. McNeill Whistler, a pamphlet containing letters originally published in London newspapers between 1885 and 1890.

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Creators:
Goode, G. Brown (George Brown), 1851-1896
Dates:
circa 1814-1897 and undated, with related materials to 1925
Size:
15.43 cu. ft. (30 document boxes) (1 12x17 box)
Collection ID:
Record Unit 7050
Repository:
Smithsonian Institution Archives

The bulk of the George Brown Goode Collection (Record Unit 7050) predates the establishment of the present-day Smithsonian Institution Archives. A small addition of autograph letters was received from the Division of Political History, National Museum of American History in 1983 under accession number 83-081.

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Creators:
National Institute
Dates:
1839-1863 and undated
Size:
11.43 cu. ft. (21 document boxes) (2 half document boxes) (1 12 x 17 box)
Collection ID:
Record Unit 7058
Repository:
Smithsonian Institution Archives

This collection consists of records, mostly 1840-1844, concerning the founding and operation of the National Institute by Joel Roberts Poinsett, Peter Force, John James Abert, Francis Markoe, Jr., and others, particularly efforts to obtain federal subsidies, to collect specimens of natural history and manufactures, to provide space for housing...

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Creators:
Smithsonian Institution
Dates:
1867-1940
Size:
60.45 cu. ft. (91 document boxes) (7 half document boxes) (15 12x17 boxes) (3 16x20 boxes) (2 cu. ft. large oversize box) (67 oversize folders)
Collection ID:
Record Unit 70
Repository:
Smithsonian Institution Archives

The exposition records of this collection provide an account of the Smithsonian's involvement in twenty-two domestic and foreign expositions between 1876 and 1908. The depth of coverage in the records is uneven, but they still convey a wealth of information about Smithsonian participation in expositions, chiefly during the last quarter of...

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Creators:
Bohm, Max, 1868-1923
Dates:
1873-1970
bulk 1880-1959
Size:
5.6 Linear feet
Collection ID:
AAA.bohmmax
Repository:
Archives of American Art

The papers of painter Max Bohm measure 5.6 linear feet and date from 1873-1970, with the bulk of the material dating from 1880-1959. Biographical material includes a file concerning the Provincetown artist's club The Beachcombers. Also found is detailed family correspondence, as well as general correspondence that includes exchanges with patron Mary Beecher Longyear and dealer William Macbeth. The papers contain scattered business records; five diaries written by Bohm's wife Zella; other notes and writings; art work including fifteen sketchbooks, loose drawings, and oil paintings; printed material; and photographs of Bohm, his family, and colleagues including artists attending a Salmagundi dinner. There is also a motion picture film Six Foot Art, in Which Max Bohm, Member of the National Academy Tells How He Does It.

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Creators:
Whistler, James McNeill, 1834-1903
Dates:
[ca. 1830-1963.]
Size:
29 Microfilm reels
Collection ID:
AAA.whisjamm
Repository:
Archives of American Art

15 vol. of letterbooks containing original letters, drafts and copies written by Whistler, or copies written by third parties and family members, 1892-1950; voluminous correspondence with family, artists, patrons, collectors, publishers and others; notebooks and ledgers, containing lists of etchings, copper plates, cataloges of silver china, copies...

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
1832-1977
Size:
60.54 Cubic feet (consisting of 131 boxes, 13 folders, 17 oversize folders, 20 map case folders, 2 flat boxes (1 full, 1 partial), plus digital images of some collection material.)
Collection ID:
NMAH.AC.0060.S01.01.Railroads
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Railroads forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Richards, William Trost, 1833-1905
Dates:
1848-1920
Size:
1.8 Linear feet
Collection ID:
AAA.richwill
Repository:
Archives of American Art

The William Trost Richards papers measure 1.8 linear feet and date from 1848-1920. The collection documents Richards' personal life and his career as a landscape and seascape painter. The collection consists of correspondence, writings, business files, printed material, photographs, and other miscellaneous materials.

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91 records — Page 1 of 10