46 records — Page 1 of 5
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Creators:
Williams, Keith Shaw, 1905-1951
Dates:
1920-1950
Size:
0.8 Linear feet
Collection ID:
AAA.willkeit
Repository:
Archives of American Art

Biographical sketches; 2 National Academy of Design certificates, 1942; correspondence, 1920-1950, with parents, friends and colleagues including F. Luis Mora, Louis Agassiz Fuertes and Chauncey F. Ryder; a journal, 1931-1950, listing sales and exhibitions, and recording his activities and impressions of places and people, such as John Taylor Arms,...

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Creators:
Fletcher, William Dolan
Dates:
1924-1986
Size:
2.3 Linear feet
Collection ID:
AAA.fletwill
Repository:
Archives of American Art

Notebooks compiled by Fletcher listing prints by artists John Castigan, John Flannagan, Ruth Gannett, Gordon Grant, Norman Kent, Troy Kinney, Clare Leighton, Barry Moser, Chauncey Ryder, Benton Spruance, Walter Tittle and Keith Shaw Williams; and research material on Gerald Leslie Brockhurst and Benton Spruance. Brockhurst material includes corresp...

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Creators:
Holman, Louis A. (Louis Arthur), 1866-1939
Holman's Print Shop
Goodspeed's Book Shop
Dates:
ca. 1870-1977
Size:
2.7 Linear feet
Collection ID:
AAA.holmloui
Repository:
Archives of American Art

Letters, writings, a scrapbook, printed material, and files on printmakers documenting Holman's career as a Boston print dealer at Goodspeed's Book Shop and the Holman Print Shop.

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Creators:
Walker, Hudson D. (Hudson Dean), 1907-1976
Dates:
1920-1982
Size:
20 Linear feet ((partially microfilmed on 10 reels))
Collection ID:
AAA.walkhuds
Repository:
Archives of American Art

Correspondence; biographical material; artists files; files on organizations; business and financial records; photographs; writings and notes; diaries; scrapbooks; appointment calendars; exhibition catalogs and announcements; printed material; and miscellany.

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Creators:
Byers, George William, 1923-
Dates:
1956-1993
Size:
0.25 cu. ft. (1 half document box)
Collection ID:
Record Unit 7452
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

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Creators:
Faison, S. Lane (Samson Lane), 1907-2006
Dates:
1922-1981
bulk 1950-1976
Size:
5.1 Linear feet
Collection ID:
AAA.faislane
Repository:
Archives of American Art

The papers of art historian and Monuments Man S. Lane Faison measure 5.1 linear feet and date from 1922 to 1981, bulk from 1950-1976. Faison was an art history professor at Williams College, Massachusetts and, during World War II, he was a member of the Art Looting Intelligence Unit (ALIU) of the U.S. Office of Strategic Services. The collection includes scattered correspondence; writings; teaching files; subject files on exhibitions and projects; artists files; and printed materials. There are two folders of documents and photographs related to Faison's World War II work in the U.S. Art Looting Intelligence Unit.

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Creators:
Morton, William Thomas Green, 1819-? (dentist)
Morton, William J.
Dates:
1849-1911
Size:
2.3 Cubic feet (7 boxes)
Collection ID:
NMAH.AC.0118
Repository:
Archives Center, National Museum of American History

The collection documents through correspondence, reprints of general articles, reports of Congressional committees, and materials relating to a U.S. patent and testimonials Morton's claims to priority in the discovery of the anesthetic properties of ether in medical and surgical procedures.

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Creators:
Levine, Ken, 1950- (scriptwriter)
Alda, Alan (actor, scriptwriter)
Bull, Sheldon (scriptwriter)
Bloodworth, Linda (scriptwriter)
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Dates:
undated
1950 - 1982
Size:
8.4 Cubic feet (25 boxes, 1 map-folder)
Collection ID:
NMAH.AC.0117
Repository:
Archives Center, National Museum of American History

The television show M*A*S*H was initially broadcast from September 17, 1972 to February 28, 1983. It told the story of doctors and nurses assigned to a fictitious medical unit, the 4077th Mobile Army Surgical Hospital, based in Uijeongbu, Korea during the 1950-1953 war.

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Creators:
Sturtevant, William C.
Dates:
1952-2007
Size:
220 Linear feet (The total extent of the collection is 191.41 linear feet (consisting of 473 document boxes and 2 record boxes) plus 254 sound recordings, 94 computer disks, 42 card file boxes, 85 oversize folders, 9 rolled items, 18 binder boxes, and 3 oversize boxes. Of the total extent, 4.79 linear feet (14 boxes) are restricted.)
Collection ID:
NAA.2008-24
Repository:
National Anthropological Archives

This collection contains the professional papers of William Curtis Sturtevant and documents his activities as Curator of North American Ethnology at the National Museum of Natural History, his work as the editor-in-chief of the Handbook of North American Indians, his research among the Seminole and Iroquois people, and other professional activities. The collection is comprised of books, sound recordings, research and field notes, realia, artifacts, clippings, microfilm, negatives, slides, photographs, manuscripts, correspondence, memorandums, card files, exhibition catalogs, articles, and bibliographies.

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Creators:
Milch Gallery
Dates:
1911-1995
Size:
42.2 Linear feet
Collection ID:
AAA.milcgall
Repository:
Archives of American Art

The records of Milch Gallery measure 42.5 linear feet and date from 1911-1995. Edward Milch (1865-1953) opened the Edward Milch Gallery in New York City. In 1916, he formed a partnership with his brother Albert Milch (1881-1951), a gilder and framer, creating E. & A. Milch, Inc., a gallery specializing in American art. Harold C. Milch (1904-1981), Albert's son, was appointed a partner in 1944 and continued the business until his death. Business records of Milch Gallery, 1911-1968, include correspondence, sales records, inventories, financial records, printed matter, photographs, and legal documents. Later additions to the records date from 1922-1995 and include correspondence; artists' files; financial, sales, and stock records; printed material; and photographs.

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46 records — Page 1 of 5