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- Creators:
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Smithsonian Institution. Archives. Smithsonian Photographic Services
- Dates:
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1927, 1957-2002, 2008
- Size:
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2 cu. ft. (2 record storage boxes)
- Collection ID:
- Accession 09-257
- Repository:
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Smithsonian Institution Archives
This accession consists of a variety of administrative records related to the operations and functions of SPS and includes records from when the office was known as the Office of Printing and Photographic Services (OPPS); the Office of Imaging, Printing, and Photographic Services (OIPPS); the Office of Imaging and Photographic Services (O...
Found In
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- Creators:
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Anacostia Community Museum
- Dates:
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1991
- Size:
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2 Folders
- Collection ID:
- ACMA.03-084
- Repository:
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Anacostia Community Museum Archives
An exhibition lighlighting the work of African American photographers in the Washington, D.C. area. Through a sampling of works by both well-known and emerging photographers, the exhibition makes a solid statement about he strenght of vision, skill and sensibilities of artists involved in this arena of artistic expression. The exhbition was curated...
Found In
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- Creators:
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Haizlip, Ellis B., 1929-1991
- Dates:
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circa 1945-1991
bulk 1965-1990
- Size:
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63.64 Linear feet (82 boxes)
- Collection ID:
- ACMA.06-005
- Repository:
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Anacostia Community Museum Archives
The Ellis B. Haizlip papers, which date from circa 1945 --1991 (bulk dates 1965-1990) and measure 63.64 linear feets, are the personal papers of Ellis B. Haizlip, a television, theatre, and event producer most noted for his work on Soul! and Watch your Mouth! The collection is comprised of correspondence, scripts, financial and business documents, printed material, objects, photographs, slides, and videotapes.
Found In
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- Creators:
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Leo Castelli Gallery
- Dates:
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circa 1880-2000
bulk 1957-1999
- Size:
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215.9 Linear feet
0.001 Gigabytes
- Collection ID:
- AAA.leocast
- Repository:
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Archives of American Art
The Leo Castelli Gallery records measure 215.9 linear feet and 0.001 GB and date from circa 1880-2000, with the bulk of the materials dating from the gallery's founding in 1957 through Leo Castelli's death in 1999. The major influence of dealer Leo Castelli and his gallery on the development of mid-to-late twentieth century modern art in America is well-documented through business and scattered personal correspondence, administrative files, exhibition files, extensive artists' files and printed materials, posters, awards and recognitions, photographs, and sound and video recordings. Also included are records for the subsidiary firms of Castelli Graphics and Castelli/Sonnabend Tapes and Films.
Found In
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- Creators:
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Holly Solomon Gallery
- Dates:
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circa 1948-2003
- Size:
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200.6 Linear feet
0.002 Gigabytes
- Collection ID:
- AAA.hollsolg
- Repository:
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Archives of American Art
The records of Holly Solomon Gallery, a New York City gallery specializing in contemporary American art, measure 200.6 linear feet and 0.002 GB and date from circa 1948-2003. The gallery's activities are documented through dealer files, subject files, artists' files, inventories, sales and loan records, administrative and financial records, printed and digital materials, photographic materials of artwork and exhibitions, and sound, video, and film recordings. Also found are records of the alternative space, 98 Greene Street Loft, as well as Holly Solomon's personal papers.
Found In
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- Creators:
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Murphy, W.B.
Norris, Alice
Norris, E. E.
Prior, Joseph
More … - Dates:
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1904-2015
bulk 1904-1989
- Size:
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12 Cubic feet (25 boxes)
- Collection ID:
- NMAH.AC.0367
- Repository:
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Archives Center, National Museum of American History
This collection is the result of a year-long study of Campbell's "Red and White" Soups advertising and marketing, supported in part by a grant from the Campbell Soup Company. Thirty-one oral history interviews were conducted by Dr. Barbara Griffith for the project, and a variety of related materials were gathered by the Center for Advertising History staff. The objective of the project was to create a collection that provides documentation, in print and media, of the history and development of advertising for Campbell's Red and White Soups in the decades following World War II.
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- Creators:
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Freer Gallery of Art and Arthur M. Sackler Gallery. Curatorial - Ceramics
- Dates:
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1972-2018
- Size:
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8 cu. ft. (8 record storage boxes)
- Collection ID:
- Accession 20-104
- Repository:
-
Smithsonian Institution Archives
This accession consists of records created and maintained by Louise Allison Cort, Curator, 1995- ; Associate Curator, 1994-1995; Assistant Curator, 1989-1994; and Museum Specialist, 1985-1989. Topics documented in this accession include research, donations, appraisals, collaborations, and professional activities. Some records predate Cort's ...
Found In
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- Creators:
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National Museum of American History.
- Dates:
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circa 1983-1994 and undated
- Size:
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27 cu. ft. (27 record storage boxes)
- Collection ID:
- Accession 00-002
- Repository:
-
Smithsonian Institution Archives
This accession consists of records that document the planning, development, and installation of American Encounters, a permanent exhibition at the National Museum of American History (NMAH) commemorating the Columbus Quincentenary. The exhibition opened in 1992. The records primarily include the correspondence, memoranda, and research fil...
Found In
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- Creators:
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Sklarek, Norma Merrick, 1926-2012
- Dates:
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1944-2008
- Size:
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4.8 Cubic feet
- Collection ID:
- NMAAHC.A2018.23
- Repository:
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National Museum of African American History and Culture
The Norma Merrick Sklarek Archival Collection documents the prestigious and groundbreaking career of one of the early women architects who also broke ground for African American architects as well. The collection highlights Sklarek's journey and accomplishments as she paved the way for future women architects and architects of color. The collectio...
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- Creators:
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Kopp, Harriet Green, 1917-
- Dates:
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1930-1950
- Size:
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4.75 Cubic feet (16 boxes)
- Collection ID:
- NMAH.AC.1130
- Repository:
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Archives Center, National Museum of American History
These papers relate to Kopp's work in visible speech technology, especially a project to develop a machine that would enable the deaf to understand the spoken voice; including biographical materials, research notes, lecture notes, spectrograms, research reports, log books, correspondence, slides and photographs, books, and documentation of grants f...