Photographs of art objects and of Chaim Gross's art objects taken by Lisa Little and Delmar Lipp at the Museum of African Art, now the National Museum of African Art, for the exhibit entitled, "The Sculptor's Eye," 1976. Lisa Little images are all 120 mm while Delmar Lipp photographed solely 35 mm. The exhibit was held at Worcester Art Museum, Cincinnati Museum of Art and the University of Georgia Museum, 1976-1977.
The papers of New York City sculptor and teacher Chaim Gross measure 20.9 linear feet and date from 1920-2004. The collection provides comprehensive documentation of Gross's career through biographical material, personal and professional correspondence with family, artists, writers, galleries, museums, educational institutions, and religious and philanthropic organizations, writings, personal business records, extensive printed and published material including motion picture film and video recordings of four documentaries, one hundred and fifteen sketchbooks spanning the bulk of Gross's career, and photographs of Gross, his family, many friends and colleagues from the art world, his studio, personal art collection, and works of art.
The papers of photographer, filmmaker, and painter Rudy Burckhardt measure 5.6 linear feet and date from 1934 to 2015. A bulk of the collection consists of black and white negatives which document over 260 mid-to-late twentieth century modern artists, their work, studios, and/or exhibitions. Notable artists include Willem de Kooning, Dan Flavin, Joseph Cornell, Helen Frankenthaler, Donald Judd, Franz Kline, Roy Lichtenstein, Louise Nevelson, Isamu Noguchi, Frank Stella, and many others. Burckhardt was hired to photograph for a number of New York art galleries such as the Leo Castelli Gallery and Green Gallery; art collectors including Chaim Gross and David Rockefeller; and art magazines such as ARTnews. Personal papers include announcements and an exhibition catalog; clippings; photographs on postcards; and a book, entitled Conversations with Rudy Burckhardt About Everything, by Simon Pettet, 1987. A small but rich addition to the collection dates from 1941-2015 and contains a curriculum vitae; letters from Joe Brainard, Harold Schimmel, and others; writings; one scrapbook dating from World War II containing letters Burckhardt wrote to Edwin Denby; printed announcements and clippings; and one photograph of Burckhardt taken by Yvonne Jacquette.
The records of the Guild Art Gallery measure 1.2 linear feet and date from circa 1933-1937. Operating in New York City between 1935-1937, the gallery was founded by artists Margaret Lefranc (also known as Margaret Schoonover) and Anna Walinska. Scattered records of the gallery include correspondence, including some with artists, exhibition files, financial records, a scrapbook and other printed materials, a drawing by Anna Walinska, and photographs of artwork and the gallery.
The papers of realist painter Moses Soyer date from circa 1905 to 1974 and measure 3.8 linear feet. Within the papers are scattered biographical materials, general correspondence with friends, artists, galleries, art organizations, and others, as well as correspondence with his family, including his son David, writings and notes by Soyer and others, exhibition materials, news clippings, and other printed material, numerous photographs of Soyer, his family, fellow artists, friends and his artwork. Also found are book illustrations and loose sketches by Soyer.
The papers of Spanish-born sculptor and educator José de Creeft measure 28.1 linear feet and date from 1871 to 2004 with the bulk of the material dating from the 1910s to the 1980s. Found are biographical materials, correspondence, fifty diaries, writings, subject files, personal business records, printed materials, twenty-seven photo albums and other photographs, scrapbooks, and scattered sketches.
The papers of the painter, photographer, printmaker, and teacher Joseph Kaplan measure 4.5 linear feet and date from 1915-1977. The bulk of the collection consists of printed material, specifically exhibition catalogs. Also found are a large number of photographs taken of and by Kaplan. The papers also include biographical material, correspondence, personal business records, and artwork.
Interviews of 72 artists, and transcripts for all but five, conducted by Arlene Jacobowitz, the Associate Curator for the Department of Painting and Sculpture at the Brooklyn Museum, between 1965 and 1968. The artists discuss their work in the museum collection. Also included are 38 edited excerpts of the interviews, approximately 2-3 min. in length, used as "audio-labels" in the 1968 "Listening to Pictures" installation at the museum.
The papers of New York painter and sculptor Max Weber measure 11.8 linear feet and date from 1902-2008. The collection documents Weber's career as an artist through scattered biographical material; correspondence with artists, curators, universities, arts organizations, and others; exhibition and gallery files; personal business records; writings by Weber and others; exhibition catalogs, news clippings, and other printed material; photographs of Weber, exhibitions, and works of art; audio recordings and motion picture films. Also included are records maintained by Joy Weber on the exhibition and sale of Weber's work after his death.
The records of the New York Artists Equity Association (NYAEA) measure 26.8 linear feet and date from 1920-2012. The records include history and founding documents, presidents' files, board of directors' files that include monthly board meeting minutes, committee files and annual membership meeting minutes, general administrative and correspondence files, financial and legal files, event and program files, artists and subject files, extensive individual membership files, art project and exhibition files, Broome Street Gallery files, NYAEA publications that include issues of The Artists Proof, printed materials, four scrapbooks, sketches created by artists attending a party in honor of Yasuo Kuniyoshi, and photographs of member artists and events.