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- Creators:
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Lincoln, Abbey, 1930 -
Adderly, Nat, 1931-
Wilson, Nancy, 1937-
Mbulu, Letta
More … - Dates:
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1916-2010, undated
- Size:
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23.6 Cubic feet (96 boxes)
- Collection ID:
- NMAH.AC.1221
- Repository:
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Archives Center, National Museum of American History
The collection documents Levy's short career as a musician, his longer career as a manager, and the careers of some of his clients. The client most well represented in the collection is Nancy Wilson, with recordings, photographs, correspondence, financial statements, and contracts included. Papers relating to other clients include business records ...
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- Creators:
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Gensel, John
Morgen, Joe
Ellington, Duke, 1899-1974
- Dates:
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1950-1979
- Size:
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1.5 Cubic feet (5 boxes)
- Collection ID:
- NMAH.AC.0763
- Repository:
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Archives Center, National Museum of American History
Papers relating to Duke Ellington, once owned by Ellington's publicist Joe Morgen: Morgen's correspondence, much of it relating to appearances by Ellington; photographs; some financial records; some music manuscripts of Ellington's; concert and theater programs; a film of Ellington at the White House in 1969 when he was awarded the Presidential Medal of Freedom by President Nixon; and press releases and newspaper and magazine articles.
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- Creators:
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Smithsonian Press/Smithsonian Productions
- Dates:
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1996-1997
- Size:
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5 cu. ft. (4 record storage boxes) (2 document boxes)
- Collection ID:
- Accession 06-228
- Repository:
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Smithsonian Institution Archives
This accession consists of audiovisual materials created during the production of the radio program, "Guitar: Electrified, Amplified, and Deified." This program celebrates electric guitar players who changed the course of popular music. This 2-hour program features Joe Louis Walker, The Ventures, Junior Brown, Jim Hall, and Les Paul. The radio...
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- Creators:
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Jerome and Dorothy Lemelson Center for the Study of Invention and Innovation.
- Dates:
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1996 November 11-16
- Size:
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7.5 Cubic feet (15 boxes )
- Collection ID:
- NMAH.AC.0610
- Repository:
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Archives Center, National Museum of American History
This week-long event explored the intersection of technology and music in the 20th century; it included oral and video histories, exhibitions, concerts, and a symposium discussing the cultural significance of the electric guitar as instrument, technology, and symbol.
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Collector Records business records
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- Creators:
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Penn, Larry
McGee, Bobbie
Collector Records
Magpie
More … - Dates:
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circa 1937-2004
bulk 1960-1990
- Size:
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34.28 Cubic feet (3 record boxes of business records; 8 record boxes, including 374 non-master audio reels (10", 7", 5", 4" and 2" reels); 160 10" reels in open stacks; 4 record boxes, including 853 audio cassettes; 1 record box, including 36 video cassettes; and 491 long play records, 45s and compact discs.)
- Collection ID:
- CFCH.COLL
- Repository:
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Ralph Rinzler Folklife Archives and Collections
This collection documents the activities of Joe Glazer's record label Collector Records. Materials include the label's original commercial recordings, paper records related to day-to-day business operations and production, field recordings made by Joe Glazer, and Glazer's personal music collection.
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- Creators:
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Neiman, LeRoy, 1921-2012
- Dates:
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1938-2005
- Size:
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70.5 Linear feet
- Collection ID:
- AAA.neimlero
- Repository:
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Archives of American Art
The papers of LeRoy Neiman measure approximately 70.5 linear feet and date from 1938-2005. The collection includes biographical materials, correspondence, project files, printed material and artifacts documenting the career of the American painter LeRoy Neiman.
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- Creators:
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Roberts, Frank H. H. (Frank Harold Hanna), 1897-1966
Allyn, Harriet M.
Antevs, Ernst V.
Baker, Frank C.
More … - Dates:
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undated
- Size:
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1 Item (Papers : 5.4 linear feet (16 boxes)
1 Item (Photographs : ca 3100 prints and negatives)
1 Item (Maps and illustrations )
- Collection ID:
- NAA.MS4851
- Repository:
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National Anthropological Archives
This collection of Rober's papers and photographs is almost excluvely concerned with his scientific fieldwork and resulting publications. It is not complete; for example, there is little in the photographs concerning his work at Agate Basin in Wyoming (though some related site forms are part of the records of the River Basin Surveys). Apparently, s...
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- Creators:
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Forbes, Anne, 1919-
United States. Indian Arts and Crafts Board
- Dates:
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1948-1977
- Size:
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472 Photographic Prints
1 Linear Feet
- Collection ID:
- NMAI.AC.060
- Repository:
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National Museum of the American Indian
The Anne Forbes collection includes documents and photographs pertaining to her research on Indian arts in the Southwest, United States conducted during 1948-1948 and revisited in 1958. The work culminated in the dissemination of a survey titled "Survey of American Indian Arts and Crafts, Southwest and Northern Plains." Forbes focused mostly on Pueblo paintings having developed personal relationships with several Pueblo painters including Joe Herrera (Cochiti Pueblo), Velino Herrera (Zia Pueblo) and Jose Rey Toledo (Jemez Pueblo).
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- Creators:
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Stong, C.L., 1902-1975 (electrical engineer)
Electricity and Modern Physics, Division of, NMAH, SI.
- Dates:
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1952-1976
- Size:
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12.6 Cubic feet (38 boxes)
- Collection ID:
- NMAH.AC.0012
- Repository:
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Archives Center, National Museum of American History
These papers are the files of the editor of "The Amateur Scientist" section of the Scientific American from 1952 to 1976. They are arranged chronologically by date of article. The feature was started in 1952 as an expansion of "The Amateur Astronomer" section of the periodical. The papers include files of Stong's predecessor and files for arti...
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- Creators:
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Daniel, Pete
- Dates:
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1986-1991
- Size:
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25 Cubic feet (79 boxes)
- Collection ID:
- NMAH.AC.0773
- Repository:
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Archives Center, National Museum of American History
The collection is divided into four series. Series 1: Oral History Transcripts, 1982-1991 are transcribed versions of the oral interviews. Correspondence and/or notes pertaining to the interviewed individual collected or written by the interviewer are filed in this series following the transcription. The majority of the oral histories were done by ...