36 records — Page 1 of 4
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Creators:
Hammond, Harmony
Bryan-Wilson, Julia
Dates:
2008 September 14
Size:
65 Pages (Transcript)
Collection ID:
AAA.hammon08
Repository:
Archives of American Art

An interview of Harmony Hammond conducted 2008 September 14, by Julia Bryan-Wilson, for the Archives of American Art, at Hammond's home and studio, in Galisteo, New Mexico.

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Creators:
Lippard, Lucy R.
Heinemann, Sue
Elizabeth Murray Oral History of Women in the Visual Arts Project
Dates:
2011 Mar. 15
Size:
4 Items (memory cards (4 hr., 29 min.), secure digital, wav, 1.25 in.)
97 Pages (Transcript)
Collection ID:
AAA.lippar11
Repository:
Archives of American Art

An interview with Lucy Lippard conducted 2011 Mar. 15, by Sue Heinemann, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts project, at Lippard's home, in Galisteo, N.M.

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Creators:
Semmel, Joan, 1923-
Dates:
1949-2013
bulk 1960-2013
Size:
5.9 Linear feet
Collection ID:
AAA.semmjoan
Repository:
Archives of American Art

The papers of painter Joan Semmel measure 5.9 linear feet and span the dates of 1949-2013 with the bulk of the material dated circa 1960s-2013. The papers reflect her career and activities as a painter, writer, feminist, and educator through biographical materials, correspondence, interviews, writings, project files, teaching files, printed material, and photographic materials.

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Creators:
Lippard, Lucy R.
Dates:
1930s-2007
bulk 1960-1990
Size:
56.5 Linear feet
0.454 Gigabytes
Collection ID:
AAA.lipplucy
Repository:
Archives of American Art

The papers of New York and New Mexico writer, art critic, and curator, Lucy R. Lippard, measure 56.5 linear feet and 0.454 GB and date from the 1930s to 2007, with the bulk of the material dating from the 1960s to the 1990s. Over half of the collection consists of correspondence files documenting Lippard's professional relationships with artists, writers, galleries, art institutions, and political organizations, and her interest in conceptual and minimalist art, feminism and political activism. Also found are Lippard's notes and writings including sound recordings and interviews, teaching and exhibition files, printed and digital material, several works of art, and photographs of artwork and artists. Scattered throughout the collection are a small number of records concerning Lippard's personal life. An addition of 3.0 linear feet donated 2015 includes subject files on feminist and conceptual art as well as land use, development, and local politics and history in New Mexico.

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Creators:
Archives of American Art
Dates:
2019
Size:
0.8 Linear feet
Collection ID:
AAA.whatisfe
Repository:
Archives of American Art

What is Feminist Art? questionnaire responses date from 2019 and measure 0.8 linear feet. The questionnaire asking "What is Feminist Art?" was sent by Mary Savig, Curator of Manuscripts at the Archives of American Art, to artists asking each to respond to the question on a single page of 8 1/2" x 11" paper, for inclusion in an exhibition "What is F...

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Creators:
Munro, Eleanor, 1928-
Dates:
circa 1880-2011
bulk 1950-2011
Size:
36.7 Linear feet
0.001 Gigabytes
Collection ID:
AAA.munrelea
Repository:
Archives of American Art

The papers of writer and art critic Eleanor Munro measure 36.7 linear feet and 0.001 GB and date from circa 1880-2011, bulk 1950-2011. The collection documents Munro's life, career, and research on women artists, through biographical and family material, correspondence, writing projects, diaries, dream journals and notebooks, subject and research files, printed and digital material, and photographic material.

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Creators:
Hirshhorn Museum and Sculpture Garden. Office of the Deputy Director
Dates:
circa 2001-2004
Size:
6.5 cu. ft. (6 record storage boxes) (1 document box)
Collection ID:
Accession 08-096
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the exhibition Ana Mendieta: Earth Body Sculpture and Performance, 1972-1985. The exhibition was organized by Olga M. Viso, Curator of Contemporary Art, 2000-2003, and Deputy Director, 2003-2005, and traveled to several venues between 2004 and 2006. This accession also documents Viso's extens...

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Creators:
Scurlock, Robert S. (Saunders), 1917-1994
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock, George H. (Hardison), 1919-2005
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Dates:
1929-1989
Size:
87 Boxes
The subseries consists of black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.06
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.6 consists of black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Asleep at the Wheel
Van Kleek, Richard
Take 6
Lovett, Lyle
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Dates:
1986-1991
Size:
2.5 Cubic feet (7 boxes, 1/2" VHS)
Collection ID:
NMAH.AC.0487
Repository:
Archives Center, National Museum of American History

Collection consists of study videocassettes of the Lonesome Pine Specials, a television series that documents American music traditions and performers.

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Creators:
Yankowitz, Nina
Dates:
circa 1950-2017
Size:
5.6 Linear feet
0.689 Gigabytes
Collection ID:
AAA.yanknina
Repository:
Archives of American Art

The papers of feminist and new media artist, Nina Yankowitz measure 5.6 linear feet and 0.698 GB, and date from circa 1950-2017. Included in the collection is a small amount of biographical material; letters and postcards from artist colleagues and friends; writings by Yankowitz and others; project files pertaining to artwork, proposals, and Yankowitz's involvement in the Heresies Collective; a few exhibition files; printed material including booklets, catalogs, poetry chapbooks, and announcements, generated mostly by Yankowitz and her circle of Feminist, Minimalist, and New Media artists; as well as photographs of Yankowitz and documentation of her artwork through thousands of photographs and slides. The collection also contains a small amount of born-digital material including video and sound recordings pertaining to projects, and spreadsheets relating to an exhibition. Notable correspondents include Ross Bleckner, Joyce Kozloff, Frances Lewis, Sol LeWitt, Ree Morton, Miriam Shapiro, Peter Schjeldahl, Blythe Sonfist, Marjorie Strider, Robin Tewes, and Susan Yankowitz.

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36 records — Page 1 of 4