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- Creators:
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Hampton, William C.
- Dates:
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bulk 1959-1967
- Size:
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0.25 Cubic feet ((1 box))
- Collection ID:
- NASM.2008.0032
- Repository:
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National Air and Space Museum Archives
This collection consists of materials related to William Hampton's military career in Taiwan and Antarctica. From his time in Taiwan, there are eighteen black and white photographs related to disaster response operations with an attached letter, a roll of 8mm motion picture film labeled, "President Eisenhower, Cedar Rapids, Taiwan," the letter noti...
Found In
W. Royal Stokes Collection of Music Photoprints and Interviews
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- Creators:
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Sun Ra
Gaskin, Leonard, 1920-
Taylor, Billy
Stokes, W. Royal, Dr., 1930-
More … - Dates:
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ca. 1970-2000.
- Size:
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9.65 Cubic feet (12 boxes)
- Collection ID:
- NMAH.AC.0766
- Repository:
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Archives Center, National Museum of American History
Publicity photographs of musicians and entertainers, mostly jazz musicians, such as Duke Ellington, Louis Armstrong, Miles Davis, and Dizzy Gillespie, but including many rock and even a few classical performers. The collection also contains tape recorded radio interviews conducted between 1970 and 2003. In addition there are posters relating to musical performances.
Found In
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- Creators:
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Myers, Stephanie
- Dates:
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1984-1987
- Size:
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0.6 Cubic feet (1 box)
- Collection ID:
- NMAH.AC.0887
- Repository:
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Archives Center, National Museum of American History
This is a collection of 20 eight by ten inch black and white photographs taken by Stephanie Myers at Le Grande Parade du Jazz, a jazz festival held in Nice, France.
Found In
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- Dates:
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bulk 1933-1993
- Size:
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0.05 Cubic Feet ((1 folder))
- Collection ID:
- NASM.2005.0019
- Repository:
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National Air and Space Museum Archives
Janet Waterford Bragg (1907-1993), became one of America's first black women pilots after enrolling in the Curtiss Wright Aeronautical School in 1933. There she helped form the Challenger Air Pilots Association, which later evolved into the Coffey School of Aeronautics. Bragg's career in aviation was made in spite of discrimination, of both her gen...
Found In
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- Creators:
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Sthreshley, Katherine McKee
- Dates:
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1999
- Size:
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84 slides (photographs) (color)
87 photographic prints (color, 4 x 6 in.)
- Collection ID:
- EEPA.2000-001
- Repository:
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Eliot Elisofon Photographic Archives, National Museum of African Art
Photographic prints and slides taken by Katherine Sthreshley during a research trip to Cote d'Ivoire, 1999, with a program through Drew University's West Africa program, led by Jerry Vogel and Kate Erza.
Found In
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- Creators:
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Tichkematse, 1857-1932
- Dates:
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1887
- Size:
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34 copy negatives
25 color slides
30 copy prints
- Collection ID:
- NAA.PhotoLot.R79-24
- Repository:
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National Anthropological Archives
Photographs made from drawings by Tichkematse. The drawings document an 1887 hunting trip made by Colonel Bliss of Fort Supply and Major John Dunlop, a visitor to the fort from Washington DC. Most of the figures depicted in the drawings are Cheyenne men who were enlisted as United States Army scouts; many are identified.
Found In
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- Creators:
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Saville, Marshall H. (Marshall Howard), 1867-1935
Pepper, George H. (George Hubbard), 1873-1924
Saville, Foster H. (Foster Harmon), 1874-1942
- Dates:
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1901-1922
bulk 1907-1918
- Size:
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526 negatives (photographic) (526 glass plate negatives, black and white)
51 Photographic prints (black and white)
2 lantern slides (black and white, color)
- Collection ID:
- NMAI.AC.001.037
- Repository:
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National Museum of the American Indian
Photographs and glass plate negatives documenting the various archaeological expeditions of all three Savilles. The bulk of the images concern the activities headed by Marshall Saville (and assisted by Foster and Randolph) in both South and Central America. Included to a lesser degree are the explorations of Foster in North America and Randolph in the Caribbean, South and Central America. Images document archaeological digs, their settings, the peoples encountered, as well as the objects found. The dates of the images found in this collection and taken by the various Savilles during their numerous expeditions are as follows (the photographer(s) attributed to photographs taken during a specific expedition is/are listed in parentheses following the country of the specific expedition) : 1891: Honduras (Marshall), 1900-1902: Mexico (Marshall), 1907: Cuba (Marshall), 1907: Ecuador (Marshall, Foster, Randolph), 1915: Honduras (Marshall), 1915: Cuba, Jamaica, Belize, Honduras, Guatemala (Randolph), 1914-1916: Ecuador, Colombia, Costa Rica, Panama, Jamaica (Marshall, Foster, Randolph), 1918: Pantigo site, Easthampton, Long Island, New York (Foster), 1922: Photographic portrait of Marshall
Found In
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- Dates:
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circa 1904-1914
- Size:
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3.5 Cubic feet (21 boxes)
- Collection ID:
- NMAH.AC.1111
- Repository:
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Archives Center, National Museum of American History
A collection of glass negatives documenting the building and construction of the Panama Canal.
Found In
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- Dates:
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1929-1992
- Size:
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0.4 Cubic feet (128 lantern slides)
- Collection ID:
- AAG.GCA.RGC
- Repository:
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Archives of American Gardens
This series contains 128 glass lantern slides of images photographed by Louise Newton, a founding member of the Ridgefield Garden Club, on a Garden Club of America visit to England in June 1929. It is very likely that Louise Newton was part of Group A on the trip.
Found In
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- Creators:
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Maertz, J.F., Department Store (Milwaukee, Wis.).
Stanley-Brown, Joseph, 1858-1941
Keystone View Company
Rau, William H.
More … - Dates:
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1887-1930
bulk 1900-1930
- Size:
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8 Cubic feet ((29 boxes))
- Collection ID:
- NMAH.AC.0945
- Repository:
-
Archives Center, National Museum of American History
Collection consists of lantern slides and stereographs produced by several companies: Keystone View Company, Better America Lecture Service, Incorporated, American Press Association, J. Stanley-Brown, William H. Rau, and J. F. Maertz Department Store. The lantern slides were primarily intended to be used for educational presentations about the United States, other countries, history, and society. Many of the slides and stereographs are accompanied by descriptive text and in some instances by small cards--one card for each slide--and in other instances directly on the back of a stereoview. The majority of images were taken from 1900 to 1930.