MS 2018 Hand colored photographs of drawings from Fort Reno Scout ledger
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- Creators:
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Fort Reno (Okla.) Scouts.
Mooney, James, 1861-1921
Evans, Neal W. (Neal Wiltbank), 1844-1894
- Dates:
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1906
- Size:
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13 Photographs (hand colored, 12 x 20 cm.-15 x 20 cm.)
- Collection ID:
- NAA.MS2018
- Repository:
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National Anthropological Archives
Drawings of warfare and courting. Original manuscript captions on drawings include Big Horse, Red Wolf, Bird Chief, Tall Red Bird, and Red Eagle. Photographs have hand-written numbers, apparently referring to pages in the original. One has a note by James Mooney on the reverse; "Cheyenne Pictures from Evans Cheyenne Picture Book 1906."
Found In
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- Dates:
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bulk 1917-1918
- Size:
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0.1 Cubic Feet ((2 folders))
- Collection ID:
- NASM.XXXX.0625
- Repository:
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National Air and Space Museum Archives
This collection consists of 140-150 3.5 by 5 inch photographs of the Lafayette Escadrille during WWI. There are photographs of individual officers, groups of soldiers, planes, and funerals/ memorials for members of the regiment.
Found In
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- Creators:
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Scurlock, Addison N., 1883-1964
Rice, Moses P.
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock Studio (Washington, D.C.)
More … - Dates:
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1930-1995
- Size:
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115 Boxes
- Collection ID:
- NMAH.AC.0618.S02
- Repository:
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Archives Center, National Museum of American History
The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 2 consists of color photographs and hand-colored photographs, but there are also order envelopes and materials, and other photographic material types that were part of the order. An overview to the entire Scurlock collection is available here: Scurlock Studio Records
Found In
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- Creators:
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Mooney, James, 1861-1921
- Dates:
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undated
- Size:
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65 Prints
- Collection ID:
- NAA.MS1871
- Repository:
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National Anthropological Archives
Many not captioned; some marked with tipi name, and/or owner's name, and/or U.S.N.M. catalog numbers.
Found In
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- Creators:
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Brown Photo Service, Minneapolis, Minn.
Sylvia, Marshall
La Crosse Film Service (La Crosse, Wis.)
- Dates:
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1936-1937
- Size:
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74 Items (1 folder including photoprints)
- Collection ID:
- NMAH.AC.0319
- Repository:
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Archives Center, National Museum of American History
The collection contains 74 unmounted silver gelatin photoprints. Sizes range from typical amateur rollfilm snapshots up to 5" x 7" enlargements. A typical range of snapshot subjects is included, such as a wedding group, informal portraits, including people with automobiles, landscapes and waterfalls (including the Temperance River and Gooseberry ...
Found In
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- Creators:
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Faul, Jan, 1945-
- Dates:
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1991
- Size:
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0.3 Cubic feet (1 box)
- Collection ID:
- NMAH.AC.0441
- Repository:
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Archives Center, National Museum of American History
The collection is a set of twenty-four black-and-white silver gelatin prints entitled "Potomac: East and West," by Jan Faul, 1991. They include agricultural landscapes, cemeteries, industrial buildings commercial buildings in rural areas, etc., in the Potomac River region of Washington, D.C., Maryland, Virginia, and West Virginia. Each image contains a small area hand-colored by the photographer, providing a subtly mysterious, often whimsical or humorous effect.
Found In
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- Creators:
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Fournet, Fred G.
Hallmark.
Medical Sciences, Division of, NMAH, SI.
Fournet Drugstore.
More … - Dates:
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1950-1977
undated
- Size:
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3 Cubic feet (7 boxes, 8 oversize folders)
- Collection ID:
- NMAH.AC.0346
- Repository:
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Archives Center, National Museum of American History
The collection consists primarily of advertising and promotional materials for products sold by the Fournet Drugstore. In addition, there are photographs of the African American community in St. Martinville, Louisiana.
Found In
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- Creators:
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Van Valen, Alexander
- Dates:
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1849-1850
- Size:
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1.5 Cubic feet (4 boxes)
- Collection ID:
- NMAH.AC.0935
- Repository:
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Archives Center, National Museum of American History
Personal papers of Alexander Van Valen documenting his participation in the California Gold Rush, 1849-1850.
Found In
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- Creators:
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Northlight of Colorado, Inc.
Jacobson, Jake
- Dates:
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1996-2000
- Size:
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8 framed print
3.42 Cubic feet (2 boxes, 1 oversize folder)
- Collection ID:
- NMAH.AC.0866
- Repository:
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Archives Center, National Museum of American History
Collection consists of photoprints and other materials created by Jacob Jacobson for the "Heart & Hands: Musical Instrument Makers of America" exhibition circulated by the Smithsonian Institution Traveling Exhibition Service (SITES), from April 2000 to early 2004.
Found In
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- Creators:
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Alonge, Solomon Osagie, Chief, 1911-1994
- Dates:
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1926-1989
- Size:
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100 photographic prints (black and white, hand-colored.)
4 photographic albums
1,800 negatives (photographic) (120 mm.)
150 negatives (photographic) (glass plate)
- Collection ID:
- EEPA.2009-007
- Repository:
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Eliot Elisofon Photographic Archives, National Museum of African Art
The collection consists of approximately 1,950 glass plate and large format film negatives,100 hand-tinted and black-and-white prints and four photographic albums containing prints of various sizes, taken by Chief Solomon Osagie Alonge, the royal photographer to the Oba of Benin, Akenzua II (1933-1978). These images span six decades (1926 - 1989) and represent a dynamic, continuous record of the Benin Royal Court in Nigeria. Alonge documented the pageantry, ritual and regalia of the Obas, their wives and retainers for over a half-century, including the coronation of the King and the Iyoba, or queen mother. The collection also documents historic visits to Benin by Queen Elizabeth and Prince Philip (1956), Princess Alexandra (1960), foreign dignitaries, traditional rulers, political leaders and celebrities. The collection preserves an important historical record of Benin art and culture during the periods of British colonial rule and Nigerian independence in the 20th century. The rarity and historical value of the collection are enhanced by Alonge's privileged access to the Palace as a chief in the Iwebo Palace Society, a position which presents a unique insider's view of Benin royalty. The quality of the collection is testament to Alonge's technological skills in photography and his professionalism in keeping the collection ordered and well-preserved despite the heat, humidity and tropical climate of Nigeria.