Sadakichi Hartmann manuscript
An unpublished copy of Hartmann's book " Esthetic Verities," written 1927-1932, and revised 1933.
Sadakichi Hartmann papers
Letters from artists, members of their families, and dealers, 1906, resulting from Hartmann's commission, apparently from the Art Society of Pittsburgh, to collect and exhibit American drawings for the benefit of the Carnegie Institute, Pittsburgh. Writing about their work are Charles H. Davis, Elizabeth Shippen Green Elliott, Marcus Waterman, Walter A …
Aimée Brown Price research material regarding Peter Krasnow
bulk circa 1970- circa 1998
Aimée Brown Price research material regarding Peter Krasnow measures 1.0 linear feet and dates from 1946 to 2021, with the bulk dating between circa 1970 and circa 1998. The collection includes annotated slide dividers; correspondence and notes related to collectors of Krasnow's works and to Price's research; inventory notes of Krasnow's studio; writings and printed material both by and about Krasnow; print photographs and slides depicting Krasnow's work; and research material related to art critic Sadakichi Hartmann.
Letters to Albert Rosenthal
Letters received, mainly from artists, Sept. 27, 1885-June 3, 1936, and undated, about works of art, invitations, exhibitions, art, travels and other art related subjects.
Judith Zilczer papers
bulk 1973-1995
The papers of curator, art historian, and author Judith Zilczer measure 0.4 linear feet and date from 1910-1995, with the bulk of material dated 1973-1995. The papers contain project files and related correspondence, unpublished manuscripts, photographs, and printed material documenting her research as an independent art historian.
Albert Rosenthal papers
Correspondence, printed material, and photographs relating to Rosenthal's work, primarily as a portrait painter and collector of American art and artists' papers. Some material pertains to Rosenthal's father, the engraver Max Rosenthal.
Charles Lang Freer selected papers
Papers concerning Freer's art collecting activities, including correspondence, diaries, art inventories, scrapbooks of clippings on James McNeil Whistler and other press clippings, and photographs. In addition to Freer's own correspondence, the papers include correspondence collected by Freer of James McNeill Whistler and of Whistler collector Richard A. Canfield, correspondence of …
Milch Gallery records
The records of Milch Gallery measure 42.5 linear feet and date from 1911-1995. Edward Milch (1865-1953) opened the Edward Milch Gallery in New York City. In 1916, he formed a partnership with his brother Albert Milch (1881-1951), a gilder and framer, creating E. & A. Milch, Inc., a gallery specializing in American art. Harold C. Milch (1904-1981), Albert's son, was appointed a partner in 1944 and continued the business until his death. Business records of Milch Gallery, 1911-1968, include correspondence, sales records, inventories, financial records, printed matter, photographs, and legal documents. Later additions to the records date from 1922-1995 and include correspondence; artists' files; financial, sales, and stock records; printed material; and photographs.
Stendahl Art Galleries records
The records of the Los Angeles Stendahl Art Galleries measure 7.5 linear feet and date from 1907 to 1971. The collection is comprised of administrative and financial files, correspondence, exhibition files, and subject files on numerous artists, organizations, and other art-related topics. There is one scrapbook of clippings on the artist Edgar Payne.
John White Alexander papers
bulk 1870-1915
The papers of the painter, muralist, and illustrator John White Alexander measure 11.9 linear feet and date from 1775 to 1968, with the bulk of materials dating from 1870 to 1915. Papers document Alexander's artistic career and many connections to figures in the art world through biographical documentation, correspondence (some illustrated), writings, 14 sketchbooks, additonal artwork and loose sketches, scrapbooks, photographs, awards and medals, artifacts, and other records. Also found is a souvenir engraving of a Mark Twain self-portrait.
