Photograph album documenting the work and life of A.R. Van Tassell, an engineer who worked on structures in Hawaii as well as the Panama Canal.
Collection consists of two photograph albums documenting Alice Weber's work and travels to California, Japan (specifically Okinawa), Hawaii, China and Guam from 1945-1948. The images depict base housing and facilities, Weber's co-workers, aircraft, sheet metal shops, historic sites, agriculture (including cane, pineapple and coffee cultivation in Hawaii), native people, cities, and other subjects.
One drawing dated 1873.
The Homer Garner Barnett papers, 1934-1973, consist of papers, photographs, slides, maps, and periodicals primarily documenting his ethnological work among American Indians, Palauans, and the people of Netherlands New Guinea (Irian Jaya).
This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.
The Lisa Chickering and Jeanne Porterfield collection documents their work as travel filmmakers, photographers, and writers from 1954-2015. Their films are an example of the travel lecture film, a genre which combined silent travelogue films with live narration. Chickering and Porterfield presented their films throughout the United States and Canada in the 1960s and 1970s before turning to freelance still photography and travel writing in the early 1980s. The audiovisual and photography collection begins with their first joint travels in the 1950s and covers a range of their professional activities through the early 2000s, mainly encompassing original travel footage, edited travelogues, and travel still photography. Supporting documentation includes film scripts, lecture recordings, personal and professional manuscripts, financial and professional records, and a substantial amount of newspaper and magazine articles which serve as a record of the press generated by and about Chickering and Porterfield.
This accession consists of the records of Ian G. Macintyre, Curator Emeritus, who specializes in carbonate sedimentology with a multidisciplinary interest in post-glacial history of coral reefs, submarine lithification, skeletal mineralogy of reef organisms, bioerosion, and Holocene sea-level history in the western Atlantic and eastern ...
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
This finding aid was digitized with funds generously provided by the Smithsonian Institution Women’s Committee.
The John Alexander Pope papers contain limited biographical, personal and professional information. The bulk of the collection consists of published and unpublished writings, research materials and correspondence.