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- Creators:
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Brownrigg, T. Parks
- Dates:
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circa 1907-1908
- Size:
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312 lantern slides (circa 312 lantern slides (many colored))
- Collection ID:
- NAA.PhotoLot.35
- Repository:
-
National Anthropological Archives
The collection consists of photographs, possibly part of a travelog, depicting mostly American landscapes (particularly tourist destinations), transportation (railroads, roads, and boats), towns, and hotels. A few photographs of American Indians include images of a Crow burial, a Pueblo ceremony, and men on horseback at Eagle Butte on the Yellowsto...
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- Creators:
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George Eastman House
- Dates:
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mid-19th - early 20th century
- Size:
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248 Negatives (circa, 35mm)
248 copy prints (circa)
- Collection ID:
- NAA.PhotoLot.R79
- Repository:
-
National Anthropological Archives
Copies of photogaphs selected from the George Eastman House collection by Bureau of American Ethnology archivist Margaret Blaker in 1962. Many of the photographs are individual or group portraits of American Indians and some highlight pottery, baskets, and cradleboards. There are also images of American Indian dwellings, including tipis and hogans;...
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- Creators:
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Smithsonian Institution. Bureau of American Ethnology
- Dates:
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late 19th century-early 20th century
- Size:
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70 Stereographs (circa, albumen)
- Collection ID:
- NAA.PhotoLot.140
- Repository:
-
National Anthropological Archives
Stereographs documenting American Indians and their built and natural environments, including studio portraits and depictions of camps and dwellings, graves, infants in cradleboards, and pottery. Specific images portray Sitting Bull's camp at Fort Randall, Curly at the Custer monument, and a Southern Plains delegation at the White House Conservato...
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- Creators:
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Leonard, Eugene O.
- Dates:
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circa 1880-1920
- Size:
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4 glass positives
6 prints and postcards (photogravure)
1 Tintype
100 Negatives (circa, glass)
220 copy prints (circa)
9 prints and postcards (cyanotype)
99 Items (99 photomechanical prints and postcards, halftone, color halftone, collotype, photgravure)
1,000 Negatives (circa, nitrate)
734 Photographic prints (circa, silver gelatin, albumen, and platinum (including photographic postcards and cabinet cards))
- Collection ID:
- NAA.PhotoLot.92-3
- Repository:
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National Anthropological Archives
Unbound album pages (labeled A through Q) with photographs documenting the people and culture of the Pocatello-Fort Hall area, including American Indians (particularly Shoshone-Bannock tribes), agency employees, and missionaries. Included are images of encampments, Sun Dance ceremonies, the Fort Hall Agency, Indian schools and churches, the Run fo...
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- Creators:
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Allen, George V.
- Dates:
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circa 1860-1935
- Size:
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67 lantern slides
26 Negatives (glass)
10 Negatives (nitrate)
6 autochromes (photographs)
50 Stereographs (circa 50 printed stereographs, halftone and color halftone)
1,000 Stereographs (circa, albumen and silver gelatin (some tinted))
239 Prints (circa 239 mounted and unmounted prints, albumen (including cartes de visite, imperial cards, cabinet cards, and one tinted print) and silver gelatin (some modern copies))
96 Prints (Album :, silver gelatin)
21 Postcards (silver gelatin, collotype, color halftone, and halftone)
- Collection ID:
- NAA.PhotoLot.90-1
- Repository:
-
National Anthropological Archives
Photographs relating to American Indian or frontier themes, including portraits, expedition photographs, landscapes, and other images of dwellings, transportation, totem poles, ceremonies, infants and children in cradleboards, camps and towns, hunting and fishing, wild west shows, food preparation, funeral customs, the US Army and army posts, cliff...
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- Creators:
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Museum of the American Indian, Heye Foundation
Johnson, Frederick, 1904-1994
Dockstader, Frederick J.
Churchill, Frank C. (Frank Carroll), 1850-1912
More … - Dates:
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1890-1998
- Size:
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400 Linear feet
- Collection ID:
- NMAI.AC.001
- Repository:
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National Museum of the American Indian
These records document the governance and programmatic activities of the Museum of the American Indian/Heye Foundation (MAI) from its inception in 1904 until its sublimation by the Smithsonian Institution in 1990. The types of materials present in this collection include personal and institutional correspondence, individual subject files, minutes and annual reports, financial ledgers, legal records, expedition field notes, research notes, catalog and object lists, publications, clippings, flyers, maps, photographs, negatives and audio-visual materials. These materials span a varied range of subjects relating to the activities of the museum which are more fully described on the series level.
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- Creators:
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Miller, Dorothy Canning, 1904-2003
- Dates:
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1853-2013
bulk 1920-1996
- Size:
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34.6 Linear feet
- Collection ID:
- AAA.milldoro
- Repository:
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Archives of American Art
The papers of contemporary and folk art curator, historian, and consultant Dorothy C. Miller measure 34.6 linear feet and date from 1853-2013, with the bulk of the material dating from 1920 to 1996. The papers primarily concern Miller's private art consulting work outside of her curatorial work at the Museum of Modern Art in New York City. Found are scattered biographical materials, extensive correspondence and subject files, and project files for her art consulting work for the Rockefeller family, Rockefeller University, Chase Manhattan Bank, the Port Authority of New York and New Jersey, the World Trade Center, and other miscellaneous corporate and private clients. Miller's work as a trustee and committee member of various public and private boards and commissions is also represented here. Additionally, the papers contain Miller's research files on Edward Hicks and folk art, and a small number of files of her husband Holger Cahill about his work as Director of the Federal Art Project. There is a scattered documentation of Miller's early curatorial work with Holger Cahill on the First Municipal Art Exhibition (1934) held at the RCA Building in Rockefeller Center. Also found is Dorothy Miller's collection of artists' Christmas cards and photographs of Miller and others. An addition to the papers includes biographical material; family papers; correspondence; professional files; art collection and client files; printed material; and photographic material. While a small number professional files are included, the majority of the addition relates to her personal life, including correspondence with her husband Holger Cahill, and files pertaining to her personal art collection.
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- Creators:
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Macbeth Gallery
- Dates:
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1947-1948
1838-1968
bulk 1892-1953
- Size:
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131.6 Linear feet
- Collection ID:
- AAA.macbgall
- Repository:
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Archives of American Art
The Macbeth Gallery records provide almost complete coverage of the gallery's operations from its inception in 1892 to its closing in 1953. Through extensive correspondence files, financial and inventory records, printed material, scrapbooks, reference and research material, and photographs of artists and works of art, the records document all aspects of the gallery's activities, charting William Macbeth's initial intention to lease his store "for the permanent exhibition and sale of American pictures" through over sixty years of success as a major New York firm devoted to American art. The collection measures 131.6 linear feet and dates from 1838 to 1968 with the bulk of the material dating from 1892 to 1953.
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- Creators:
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Warshaw, Isadore, d. 1969
- Dates:
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circa 1850-1957
- Size:
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55 Boxes (approximately.)
- Collection ID:
- NMAH.AC.0060.S02
- Repository:
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Archives Center, National Museum of American History
A New York bookseller, Warshaw assembled this collection over nearly fifty years. Series 2 materials include cinema lobby cards, fire insurance maps, photographs and scrapbooks of liquor and wine labels. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana.
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- Creators:
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United Telegraph Workers.
Western Union Telegraph Company
- Dates:
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circa 1820-1995
- Size:
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452 Cubic feet (869 boxes and 21 oversize folders)
- Collection ID:
- NMAH.AC.0205
- Repository:
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Archives Center, National Museum of American History
The collection documents in photographs, scrapbooks, notebooks, correspondence, stock ledgers, annual reports, and financial records, the evolution of the telegraph, the development of the Western Union Telegraph Company, and the beginning of the communications revolution. The collection materials describe both the history of the company and of the telegraph industry in general, particularly its importance to the development of the technology in the nineteenth and twentieth centuries. The collection is useful for researchers interested in the development of technology, economic history, and the impact of technology on American social and cultural life.