22 records — Page 1 of 3
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Creators:
Ottenberg, Simon
Dates:
between 1978-1992
Size:
3145 Slides (photographs) (color)
Collection ID:
EEPA.2005-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection primarily includes photographs of Limba peoples taken by anthropologist Simon Ottenberg during field research in northern Sierra Leone within Bafodea Town, the capital of Wara Wara Bafodea Chiefdom, and Guinea, from October 1978 through July 1980. The collection also includes photographs taken while conducting field research at an Afikpo village-group, in southeastern Nigeria, from January 30, 1988 to February 5, 1988 and in 1992.

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Creators:
Pelletier, Sujatha
Dates:
1992-1995
Size:
80 Slides (photographs) (color)
Collection ID:
EEPA.1998-003
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs of people and architecture taken by Sujatha Pelletier in Nigeria, Ghana, Cote d'Ivoire, Niger, Morocco and Mali from June of 1992 through June of 1995.

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Dates:
between 1906-1908
Size:
1 Boxe (+album)
128 Postcards (1 volume, black & white, 9 x 14 cm.)
Collection ID:
EEPA.1992-004
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Postcards mailed mostly in Lagos between 1906 and 1908 by W. Southcott to Miss Eva Jones, and later, during 1907, to Mrs. W. Southcott (nee Jones) of New Brighton, Cheshire.

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Creators:
National Film and Sound Archive (Australia)
Dates:
circa 1910-1963
Size:
9 Film reels (black-and-white color silent; 1659 feet, 35mm, 9.5mm)
Collection ID:
HSFA.1989.09
Repository:
Human Studies Film Archives

Collection consists of films from the National Film and Sound Archive of Australia. Additional titles include [C. W. Barnes Home Movies], THE CHASE FOR THE COCKADE, [Domesticating Elephants in Africa], HUNTING THE WHITE BEAR, IN THE FOREST, INTERNATIONAL NEWS: ARCTIC EXPLORERS RESCUE ORPHAN (ANIMAL) FROM ICE FLOWS, KINGDOM OF THE WATERS, MARVELS I...

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Creators:
Cole, Herbert M
Dates:
1973
Size:
357 Slides (photographs) (color)
Collection ID:
EEPA.2000-008
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken by Herbert M. Cole of people and architecture in Kenya, 1973. Peoples included are the Samburu, Turkana and Pokot.

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Creators:
Gibson, Gordon D. (Gordon Davis), 1915-2007
Dates:
1936-2007
Size:
95 Linear feet (154 document boxes, 1 manuscript folder, 63 card file boxes, 1 oversize box, plus 64 microfilm reels, 137 sound recordings, 3 map folders, and 3 sets of rolled maps )
Collection ID:
NAA.1984-13
Repository:
National Anthropological Archives

This collection is comprised of the professional papers of Gordon D. Gibson. The collection contains his correspondence, field notes, research files, museum records, writings, photographs, sound recordings, and maps.The bulk of the collection consists of Gibson's southwestern Africa research. This includes his field notes, film scripts, photographs, sound recordings, and grant proposals he wrote in support of his fieldwork in Botswana, Namibia, and Angola. In addition, the collection contains his research notes, maps, drafts, publications, and papers presented at conferences. While most of his research focused on the Herero and Himba, the collection also contains his research on the Ovambo and Okavango and other southwestern African groups. In the collection is a great deal of photocopies and microfilms of literature on southwestern African ethnic groups, many of which are in Portuguese and German and which he had translated for his files. He was also interested in African material culture, especially Central African headgear. His research on African caps is well-represented in the collection, and includes photos of caps at various museums, source materials, research notes, and textile samples of knots and loop work. Gibson's files as the curator of African ethnology at the National Museum of Natural History also make up a significant portion of the collection. Among these records are his files for the museum's Hall of African Cultures and other African exhibits; his files on the museum's African collections, early donors and collectors of the collections; his personnel files; documents relating to his committee work; department and museum memos; meeting minutes; and his records as head of the Old World Division and acting chair of the department. The collection also documents the efforts to establish the Smithsonian's National Anthropological Film Center, now the Human Studies Film Archives, as well as his work on the planning committee to establish the Museum of Man at the Smithsonian. Memos and minutes relating to the Smithsonian's Center for the Study of Man are also present in the collection. In addition to Gibson's field photos, the collection also contains African photos taken by others. Among these are Herbert Friedmann's photos of Kenya; Hausmann's Libya photos; photos by Ralph Kepler Lewis during the Morden Africa Expedition in Kenya; and photos by Lawrence Marshall, Volkmar Wentzel, Alfred Martin Duggan Cronin, and Father Carlos Estermann. There are also photos of the exhibit cases from the Hall of African Cultures; photos of Smithsonian and non-Smithsonian African artifacts; and copies of photographs he obtained from different archives, including the National Anthropological Archives. Other materials in the collection include his files as film reviews editor for the American Anthropologist during the 1960s and 70s and his activities in different organizations.

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Creators:
Houlberg, Marilyn
Dates:
1961-circa 2005
Size:
6567 Slides (photographs) (11 Binders, color)
14 Documents (1 Binder)
Collection ID:
EEPA.2005-002
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection consists of 6,567 color slides taken by Dr. Marilyn Houlberg during various field studies among the Yoruba in southwest Nigeria between 1961 and circa 2005. The images depict Yoruba art and culture with a special focus on artisans, art objects, body arts, costume, festivals, hairstyles, indigenous photography, weaving and textiles. Cultural events depicted include Balufon festivals, Egungun and Gelede masquerades, social events (weddings, christenings, funerals), and religious ceremonies (initiation and animal sacrifice). Also included are various scenes of daily life, architecture, food preparation, markets, portraits and landscapes. Houlberg extensively documented Yoruba artists in the process of creating their art, including carvers Yesufu Ejigboye, Runshewe, and Lamidi Fakeye, as well as the final pieces themselves. Houlberg documentated art in situ, such as Yoruba house posts, shrines, wall art and wood doors and art objects, including Gelede masks, Ibeji (twin) and Eshu figures, Osanyin staffs, and Ogboni and Shango shrines. Manuscript and printed materials, including Houlberg's resume, thesis, and numerous published articles are also available in this collection.

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Creators:
Sousberghe, Léon de
Dates:
1955-1957
Size:
212 Slides (photographs) (color)
1 Map (black & white, 50 x 70 cm.)
1 Map (color, 40 x 53 cm.)
Collection ID:
EEPA.1999-010
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken among the Pende peoples in the Democratic Republic of the Congo in the years 1955-1957. Publications used for identifying and describing the collection photographs include L'Art Pende (Bruxelles: Académie royale de Belgique, 1958) and Les danses rituelles Mungonge et Kelas des Bapende (Academie royale des sciences coloniales, 1956), both by Léon de Sousberghe; Inventing Masks: Agency and History in the Art of the Central Pende by Z.S. Strother (The University of Chicago Press, 1998); and, from Secrecy: African Art that Conceals and Reveals Mary H. Nooter, ed. (New York: Museum for African Art, 1993), Z.S. Strother's article, The Physical and Social Boundaries of Secrecy: Eastern Pende Constuctions of Secrecy, pp. 157-178.

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Creators:
Gorlia, Emile E.O.
Dates:
1909-1958
bulk 1909-1928
Size:
258 Negatives (photographic) (black & white, 8 x 10.5 cm.)
308 Lantern slides (black & white, 8.5 x 10 cm.)
1,446 Photographic prints ((contact prints) (5 vols.), black & white, 6 x 13 cm. or smaller )
46 Photographic prints (black & white, 48 x 58 cm. or smaller.)
556 Negatives (photographic) (glass plate stereographic negatives , black & white, 6 x 13 cm.)
Collection ID:
EEPA.1977-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken by Judge Emile E.O. Gorlia during five journeys through the Belgian Congo and two vacation leaves, one in Belgium and one in the Canaries Islands, 1909-1928 and at the World Exposition in Brussels (1958). The collection dates from 1909-1958. His first mission was from January 1910 to January 1912; the second, from February 1915 to March 1917; the third, from December 1917 to April 1920; the fourth, from November 1920 to February 1923 and, the fifth, from March 1926 to December 1928. For his first four missions at Lusambo in the Kasai province, district of Sankuru, Emile Gorlia was acting as an alternate to the public officer at one of the seven tribunals of first instance. During his fifth and final mission, he was promoted as president of the Court at Albertville in the ditrict of Katanga. Judge E.O. Gorlia was a keen amateur photographer with the advantage of not only traveling extensively around the state but also with the privilege of being able to afford the time and money to produce a prolific number of images. His images illustrate with great detail the full experience of a government official in mission in the Belgian Congo, starting in Antwerp at the pier of this Belgian harbor and taking up his duties at Lusambo, an administrative town in the hearth of th Belgian congo. The majority of images are of the following Belgian Congo districts, Lower Congo, Kassai, Sankuru, and Katanga. They include the cities of Banana, Boma, Matadi, Leopoldville (now Kinshasa), Lusambo, Luebo, Dilolo, Albertville (now Kalemie) in the Belgian Congo, Brazzaville in the French Equatorial africa, Zanzibar, Dar es Salaam, Tabora and Kigoma in tanganyika, Dakar in Senegal, Conakry in Guinea, Freetown in Sierra Leone, Port Said in Egypt and finally Casablanca in Morocco. There are also images of villages scenes and portraits of the Tetela, Songye, Luba, Kanioka, Lunda, Chokwe, Pende, Bangala and Kuba. Also included are images of the natural environment as the Congo river, the Kasai and Sankuru rivers, the banks of Lake Tanganyika and the savanna-woodland of the western part of the Katanga district as well as as the south part of the Sankuru region.

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Creators:
Elisofon, Eliot
Dates:
circa 1935-1978
Size:
14000 Negatives (photographic) (b&w, 35mm)
30000 Slides (photographs) (color)
80,000 Photographic prints (b&w, 25 x 20 cm. or smaller.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This collection is comprised of photographic and manuscript materials, primarily created by Eliot Elisofon to document his travels and work. The images portray many aspects of African life and culture including agriculture, wildlife, archaeology, architecture, art and artisans, children, cityscapes and landscapes, leaders, markets, medicine, recreation, ritual and celebration, and transportation. The manuscript materials include correspondence, essays, clippings, puobligations, notes, research, and itineraries.

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22 records — Page 1 of 3