12 records — Page 1 of 2
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Creators:
Powers, Preston, 1842 or 1843-1904
Dates:
1971-1992
Size:
1 Linear Feet
Collection ID:
AAA.powerich
Repository:
Archives of American Art

The Richard J. Powell papers date from 1971 through 1992 and mostly concern Powell's research and writings on painter William H. Johnson. Found is correspondence with curators, scholors, arts administrators, and U.S., Danish, and Scandinavian museums and associations. The papers also include two of Powell's illustrated research and travel journals from 1984 and 1985, printed materials concerning the exhibition Powell curated in 1991 at the National Museum of American Art Homecoming: William H. Johnson and Afro-America, 1938-1946, research files that contain photocopies of original Johnson archival documents from various research repositories, and photographs (copy prints) of Johnson and his artwork.

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Creators:
Smithsonian American Art Museum, Curatorial Office
Dates:
1988-2006
Size:
5 cu. ft. (5 record storage boxes)
Collection ID:
Accession 08-056
Repository:
Smithsonian Institution Archives

This accession consists of records which document the research, development, fundraising, publicity, production, and execution of exhibitions at the Smithsonian American Art Museum and the Renwick Gallery. Staff represented include Virginia M. Mecklenburg, Senior Curator, Painting and Sculpture, SAAM; Kenneth R. Trapp, Curator-in-Charge, Renwi...

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Creators:
Scurlock, Robert S. (Saunders), 1917-1994
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock, George H. (Hardison), 1919-2005
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Dates:
1929-1989
Size:
87 Boxes
The subseries consists of black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.06
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.6 consists of black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
October 8-13, 1980
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1980
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock, Addison N., 1883-1964
Custom Craft
Scurlock Studio (Washington, D.C.)
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Dates:
1888-1993
Size:
106 Boxes
Collection ID:
NMAH.AC.0618.S01
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 1 consists of almost entirely black and white photographs, but in the subseries of clients, there may also be job envelopes, order materials, and other photographic material types that were included in the overall order. An overview to the entire Scurlock collection is available here: Scurlock Studio Records.

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Creators:
Custom Craft
Scurlock Studio (Washington, D.C.)
Scurlock, Addison N., 1883-1964
Scurlock, George H. (Hardison), 1919-2005
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Dates:
1928-1994
Size:
320 Boxes
Collection ID:
NMAH.AC.0618.S04.05
Repository:
Archives Center, National Museum of American History

The materials document the orders placed by the clients of the Scurlock Studio. The photographs primarily depict individual portrait sittings but there are also portraits of children, groups, and other subjects.

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Creators:
National Museum of American Art. Curatorial Department
Dates:
1990-1995
Size:
4.5 cu. ft. (4 record storage boxes) (1 document box)
Collection ID:
Accession 00-013
Repository:
Smithsonian Institution Archives

This accession consists of records that document exhibitions shown at the National Museum of American Art (NMAA) and the Renwick Gallery. Materials include correspondence, notes, memoranda, checklists, prospectuses, funding proposals, lists, newspaper clippings, grants, brochures, photographs, and press releases.

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Creators:
National Museum of American Art. Office of Registration and Collections Management
Dates:
1989-1996
Size:
13 cu. ft. (13 record storage boxes)
Collection ID:
Accession 99-076
Repository:
Smithsonian Institution Archives

This accession consists of exhibition files. Materials include checklists; condition reports; budget, shipping, and insurance records; lender files; and general correspondence. Exhibitions include: Metropolitan Lives: The Ashcan Artists and their New York, 1896-1917, Thomas Cole: Landscape into History, and The West as America: Reinterpreting ...

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Creators:
Smithsonian American Art Museum, Curatorial Office
Dates:
1971-2010
Size:
5 cu. ft. (5 record storage boxes)
Collection ID:
Accession 12-612
Repository:
Smithsonian Institution Archives

This accession consists of records which document the research, development, fundraising, publicity, production, and execution of exhibitions at the Smithsonian American Art Museum (SAAM) and the Renwick Gallery. Curators represented include Virginia M. Mecklenburg, Joann Moser, Toby Jurovics, and Merry A. Foresta. Also includes materials ...

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Creators:
National Museum of American Art. Office of Educational Programs
Dates:
circa 1980-1993
Size:
16.5 cu. ft. (16 record storage boxes) (1 document box)
Collection ID:
Accession 94-147
Repository:
Smithsonian Institution Archives

This accession consists of records that document the activities of the National Museum of American Art (NMAA), Office of Educational Programs, which is responsible for developing NMAA educational outreach programs, special events, and learning material for the general public, school systems, and professional organizations. Earlier records ...

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12 records — Page 1 of 2