This collection consists of corporate materials of NAA and its successor North American Rockwell and materials created or organized by Atwood. The corporate materials include NAA house organs, i.e., newsletters, magazines and annual reports; NAA and Rockwell reports, special publications and press releases; and photographs. Materials created or org...

Rudy Arnold (1902-1966) was introduced to photography in 1918. After studying at the New York School of Photography, he worked at the New York Journal-American and the New York Graphic. During his stint at the latter he started to focus on aviation photography. In 1928, Arnold started his own aviation photography business and worked out of the following New York air fields and airports during his career: Roosevelt Field, the old Curtiss Airport, Floyd Bennett Field, and LaGuardia Airport His coverage of a wrecked airliner in upstate New York was the first photograph sent by wire to newspapers across the country. Arnold's work appeared in every aviation magazine, house organs (Douglas, Grumman), and mass circulation magazines as well as many newspapers. He also did motion-picture camera work for Universal and Paramount.

This collection, which dates from 1987-2014, documents the work and activities of the non-profit organization ONE DC (an acronym that stands for Organizing Neighborhood Equity), as well as the records when it operated under the name Manna CDC (1997-2006). The collection includes correspondence, meeting minutes, newsletters, annual reports, tenant petitions, brochures, Articles of Incorporation, and community mapping initatives.

The Dorothy Burlage Collection, which dates from 1966-1971 and measure .42 linear feet, documents the activism and activities of Southeast Neighborhood House in the Anacostia area of Washington, DC. Burlage worked for the organization during the 1960s. The collection includes newspaper clippings, newsletters, correspondence, and writings focusing ...

The records of the Academy of Washington, an incorporated organization devoted to drag performance and recognition of drag performers and entertainment. These records also include the personal records of Carl Rizzi ("Mame Dennis").

The collection documents the technology of lighting and various business aspects of the General Electric Lighting Division throughout the 20th century and consists of correspondence, bulletins, price lists, business record books, stock certificates, sales and advertising materials, scrapbooks, photographs, and lantern slides.

Carol and Katie Davis Collection of Adams Morgan Ephemera, which dates from 1973-1974 and measures 1.29 linear feet, documents the growth and flourishing of neigborhood activism in Washington, DC both before and after the arrival of Home Rule. The collection includes copies of The Columbian newspaper, the self-proclaimed "Community Newspaper of Adams Morgan," also published as "Noticierio Columbian."

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Organs forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

The records of the Washington, D.C. arts and educational organization, Institute of Contemporary Arts, measure 36 linear feet and date from 1927-circa 1985, with the bulk of the material spanning the organization's active years, 1947-1967. The collection documents the arts and cultural programming organized by the ICA through correspondence, artists' files, program and exhibition files, administrative and financial records, printed materials and photographs. Also found are administrative, student, and teacher records of the ICA school; records of the Fine Arts Committee of the People-to-People Project; and some personal papers of the ICA's founder, Robert Richman.

Correspondence, mostly with feminist art organizations and publishing houses; 23 original drawings; photographs and slides of works of art and photocopies of works of art; photographs of family and friends; a manuscript, "A Sum of Small Vulgarities"; and printed material.