The folklore (stories, jokes, and sayings) was recorded by Hurston and used to prepare her book Mules and Men. The NAA vertical files includes a letter from Drs. Akua Duku Anokye and Sally McLendon with related copies of letters written by Hurston concerning the background of the document and Anokye and McLendon's opinion that it represents the "sc...

An interview with Guerrilla Girls using the names Zora Neale Hurston and Agnes Martin, conducted 2008 May 17, by Judith Olch Richards, for the Archives of American Art at iCI, 799 Broadway, in New York, N.Y.

The collection measures 20.4 linear feet, dates from 1885 to 1991 (bulk dates 1908-1986) and documents the career of Harlem Renaissance lithographer, teacher, and painter Prentiss Taylor. The collection consists primarily of subject/correspondence files (circa 16 ft.), reflecting Prentiss' career as a lithographer and painter, his association with figures prominent in the Harlem Renaissance, notably Carl Van Vechten and Langston Hughes, his activities as president of the Society of Washington Printmakers and other art organizations, his work in art therapy treating mental illness, and his teaching position at American University. The subject files contain mostly correspondence, but many include photographs and printed material. Also included are biographical, financial, legal and printed material; several hundred photographs; notes and writings; sketchbooks, drawings and a few prints by Taylor; and scrapbooks dating from 1885-1956.

Photographs probably depicting Kwakiutl Indians, including a man in a blanket, a man wearing a bird mask and cedarbark dress, and a woman holding up a cradle or load.

Audiovisual materials created for an exhibition on the rich tradition of African American storytelling, which is celebrated through videotaped interviews with professional writers telling compelling stories drawn from their own experiences and revealing how the world in which they live impacts their writing. A portion of the exhibition is devoted t...

An exhibition on the history and art of the Harlem Renaissance. The exhibition, held at the Anacostia Neighborhood Museum, ran from September 1985-December 1986. These records document the planning, organizing, execution, and promotion of the exhibition. Materials include correspondence, research files, exhibit scripts, administrative records, brochures, press coverage, education packets, loan agreements, floor plans, and catalogues.

The papers of African American sculptor, painter, and land artist Beverly Buchanan measure 18.3 linear feet and 1.07 gigabytes, and date from 1912 to 2017 with the bulk of the material dating from the 1970s to the 1990s. The collection contains biographical material; correspondence; writings; and exhibition and project files, including audiovisual documentation from Bernice Steinbaum Gallery/Steinbaum Krauss Gallery. Material related to professional activities; personal business records; printed material; scrapbooks; photographic material, including photograph albums; and artwork are also found in the collection.

The Oral History Program is part of the Smithsonian Institution Archives. The purpose of the program is to conduct interviews with current and retired members of the Smithsonian staff who have made significant contributions, administrative and scholarly, to the Institution. The project's goal is to supplement the published record and manuscrip...

This accession consists of subject files documenting the administration of the Anacostia Community Museum (ACM), previously known as the Anacostia Neighborhood Museum (ANM), 1967-1987, the Anacostia Museum, 1987-1995, and the Anacostia Museum and Center for African American History and Culture, 1995-2006, during the tenures of directors S...

An exhibition on two-hundred years of achievements by black women. The show was created and circulated by the Smithsonian Institution Traveling Exhibition Service. It was exhibited at the Anacostia Museum from February 1976 to December 1976. These records document the planning, organizing, execution, and promotion of the exhibition. Materials include correspondence, research files, exhibit scripts, administrative records, brochures, press coverage, education packets, loan agreements, and floor plans.