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Creators:
Pemberton, John, 1928-2016
Dates:
1982-1986
Size:
769 Slides (color; 35 mm)
Collection ID:
EEPA.2015-010
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This collection is comprised of 769 35mm color slides, dates from 1982 to 1986 and documents various Agemo festivals, a performing art of the Yoruba religion. More specifically, Pemberton photographed Agemo funeral rites at the Asu Aluwa house in Olosiwonade, Ijebu, various Agemo priests and their stools, the Odun Agemo festival, Chief Sherafusi's Odun Agemo festival in Igbile, and Egungun dancing at the palace in Oru, Ijebu.

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Creators:
Houlberg, Marilyn
Dates:
circa 1973-circa mid-1980s
Size:
1,615 color slides (color, 35 mm)
circa 400 Photographic prints (3 x 5 inches, 5 x 7 inches)
1 box manuscripts (document genre)
52 Cassettes (Audiocassettes- music, lectures, field records, interviews)
1 Videocassette
1 cd-r (CD-ROM)
1 Notebook
Collection ID:
EEPA.2015-015
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This collection contains a variety of materials including (1,615) 35 mm color slides, circa 400 photographic prints, 1 box of manuscript materials, 1 notebook, 52 audio and 1 video cassettes, and 1 CD-ROM. Many of the slides and photographs were taken during Houlberg's field work in Nigeria (1973-1975) and depict Ibeji figures, wood carvings, Egungun masquerades and masks, twins, portraits, hairstyles, festivals, shrines, textiles, and peoples including the Yoruba, Ekoi, Ibibio, and Ogoni. The audiocassettes consist of lectures, music, field records, and interviews.

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Creators:
Fagg, William B., 1914-1992
Dates:
between 1949-1959
Size:
2,452 Photographic prints ((21 boxes), black and white, 8 x 10 in.)
Collection ID:
EEPA.1986-014
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The photographs document William Fagg's extensive survey work in Nigeria and his trips to Benin, Congo, Senegal, Sierra Leone and Zaire. The photographs illustrate African cultures and works of art, especially those of the Yoruba in Nigeria. Nigerian artisans portrayed include a blacksmith in the town of Jebba, a craftsman casting brass at Ijebu-Ode, and a potter at work in Nok. Celebrations and ceremonies documented include the igue oba and itue ceremonies and the festival of leaves in Benin. There are also images of dances of the Bargesh in northern Nigeria and a masked dance at Nok. Architecture documented includes altars and shrines in Benin and in Oyo, Nigeria; a Birom settlement; Brazilian-style houses in Porto Novo, Republic of Benin; an emir's house in Nigeria; a Jarawa village in Nigeria; the mosque in Keffi, Nigeria; and palaces of Yoruba kings. Most of the photographs show sculpture including Benin bronze plaques and hip masks; Esie stone sculpture; Ifa divination boards, drums, and figures; a Kuba ndop (royal statue) in the Kinshasa Museum; Nok terra-cotta and wooden figures; and Tada bronze figures. There also are images of epa (masquerade) masks; gelede (men's society) masks; a head of Olokun (a male Yoruba divinity) from Ibadan, Nigeria; and Yoruba edan ogboni (bronze staffs) and ibeji (twin figures) from Nigeria. Images of objects by identifiable artists include a palace pillar, post and sculpture by Agbonbiofe; a door and epa mask by Areogun; and a house post and lidded bowl by Olowe of Ise.

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Creators:
Houlberg, Marilyn
Dates:
1961-circa 2005
Size:
6567 Slides (photographs) (11 Binders, color)
14 Documents (1 Binder)
Collection ID:
EEPA.2005-002
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection consists of 6,567 color slides taken by Dr. Marilyn Houlberg during various field studies among the Yoruba in southwest Nigeria between 1961 and circa 2005. The images depict Yoruba art and culture with a special focus on artisans, art objects, body arts, costume, festivals, hairstyles, indigenous photography, weaving and textiles. Cultural events depicted include Balufon festivals, Egungun and Gelede masquerades, social events (weddings, christenings, funerals), and religious ceremonies (initiation and animal sacrifice). Also included are various scenes of daily life, architecture, food preparation, markets, portraits and landscapes. Houlberg extensively documented Yoruba artists in the process of creating their art, including carvers Yesufu Ejigboye, Runshewe, and Lamidi Fakeye, as well as the final pieces themselves. Houlberg documentated art in situ, such as Yoruba house posts, shrines, wall art and wood doors and art objects, including Gelede masks, Ibeji (twin) and Eshu figures, Osanyin staffs, and Ogboni and Shango shrines. Manuscript and printed materials, including Houlberg's resume, thesis, and numerous published articles are also available in this collection.

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Creators:
Blackmun, Barbara Winston
Dates:
circa 1969-1994
Size:
1,469 Color slides
Collection ID:
EEPA.2016-012
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection includes 1,469 color slides (35mm) which were taken in Nigeria from circa 1964-1994, and focus on ancestral altars; artists; art objects in museums, including bronze plaques and carved ivory tusks; ceremonies and festivals, including the Igue and Ewere Festivals, and the Emobo, Otue, Olokun, title-taking, and Blackmun's initation ceremonies; and people, including Oba Erediauwa and chiefs Eribo, Ero, Esogban, Ezomo, Ohanmu and Osaigeide; and street and landscape scenes in Benin City, Ife, Lagos, Ishiago, and Mbarri, Owerri, Owo, among other locations in Nigeria.

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Creators:
Drewal, Henry John
Drewal, Margaret Thompson
Dates:
1970-1989
Size:
10,000 Slides (color)
10,617 Copy slides
Collection ID:
EEPA.1992-028
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Both Henry John Drewal and Margaret Drewal traveled to Nigeria, Ghana and Togo (West Africa) for extended periods from 1967-1986. During their trips to Nigeria they conducted research into the ritual performance, masking traditions, and traditional sacred rites of the Yoruba people as well as Mami Wata devotes of Togo, Ghana, and Nigeria. They are the co-authors of Gelede: Art and Female Power among the Yoruba (1993).Both Henry John Drewal and Margaret Drewal traveled to Nigeria, Ghana and Togo (West Africa) for extended periods from 1967-1986. During their trips to Nigeria they conducted research into the ritual performance, masking traditions, and traditional sacred rites of the Yoruba people as well as Mami Wata devotes of Togo, Ghana, and Nigeria. They are the co-authors of Gelede: Art and Female Power among the Yoruba (1993). Photographs taken by Henry John and Margaret Thompson Drewal during the 1970s and 1980s of Yoruba and Ewe art and culture.

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Creators:
Brinkworth, William Ian
Dates:
1901-1991
Size:
3600 Negatives (photographic) (0801-3332: B5-6; 3333-4422: B5-7, black and white ;, 35mm.)
637 Photographic prints (black and white.)
179 Transparencies (color ;, 35mm.)
8 Volumes (Books and magazines)
65 Manuscripts (document genre)
7 Sound recordings
Collection ID:
EEPA.2008-009
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

William Ian Brinkworth's collection, dated from 1901 to 1991, includes an extensive number of black and white photographs, negatives, color transparencies, books, audio tapes, manuscripts, and research materials. The manuscripts include Brinkworth's book drafts, film treatments, correspondence, historical documents, legal documents, journals and magazines in which his work was published.

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Creators:
Turner, Lorenzo Dow, 1890-1972
Dates:
1895 - 1972
Size:
23.97 Linear feet (20 boxes)
Collection ID:
ACMA.06-017
Repository:
Anacostia Community Museum Archives

The collection, which dates from 1895 to 1972 and measures 23.97 linear feet, documents the career and travels of Professor Lorenzo Dow Turner. The collection is comprised of correspondence, academic papers, research materials, books, newspaper and journal articles, sound recordings, and photographs.

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