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- Creators:
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McLaren, Lynn, 1922-
- Dates:
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1960-1969
- Size:
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1,632 Slides (color)
- Collection ID:
- FSA.A2007.01
- Repository:
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Freer Gallery of Art and Arthur M. Sackler Gallery Archives
A set of original 35mm color slides, photographed in India in the 1960s by photojournalist Lynn McLaren (1922-2008). Subjects include people, street scenes, and temple and domestic architecture. Images from photo assignments include Nehru's funeral pyre, the Queen of Sikkim, and traditional Indian actors.
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- Creators:
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Maury, Curt
- Dates:
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1953-circa 1985
- Size:
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12.7 Linear feet
- Collection ID:
- FSA.A1989.05
- Repository:
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Freer Gallery of Art and Arthur M. Sackler Gallery Archives
The Curt Maury papers, dating from 1953 to circa 1985, measure 12.7 linear feet and include writings and notes for planned and published books; travel files and expense ledgers for trips to India; photograph ledgers; and extensive photographs and slides of India.
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- Creators:
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Southall, Aidan, 1920-2009
Clinard, Marshall B., 1911-2010
- Dates:
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1950s-1960s
- Size:
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18.8 Linear feet ((45 document boxes))
13 sound recordings
- Collection ID:
- NAA.2013-25
- Repository:
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National Anthropological Archives
Aidan Southall (1920-2009) was a social anthropologist whose research focused on rural and urban settings in East Africa. Marshall Barron Clinard (1911-2010) was a sociological criminologist who conducted research in a number of countries, including Sweden, India, Switzerland, and Uganda. This collection, consisting mostly of questionnaires, represents Southall and Clinard's research on nutrition and crime in Kampala, Uganda.
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- Creators:
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McLaren, Lynn, 1922-
- Dates:
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circa 1950-1969
- Size:
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648 slides (photographs) (color , 35mm.)
10 Photographic prints (black and white , 8 x 10 inches.)
38 Transparencies (color , 120mm.)
- Collection ID:
- EEPA.2007-009
- Repository:
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Eliot Elisofon Photographic Archives, National Museum of African Art
The collection consists of 38 color transparencies, 648 color slides and 10 black-and-white photographic prints taken by Lynn McLaren Demarest while on assignment for various news outlets in the 1950s and 1960s. A majority of the slides and transparencies were taken in East Africa and document indigenous peoples, agriculture (cotton in particular), health and nutrition education, UNICEF activities, architecture, natural landscapes, animals, fishers, coffee plantations and the sisal industry. Locations include Mobassa, Lamu Island, Zanzibar, Dar es Saalam, Lake Victoria, Mount Kilimajaro, Ngorongoro Crater, Lake Manyara and Mikumi National Park (Tanzania). The black-and-white photographs depict East African leaders, such as Julius Nyerere, and prominent international visitors to the region, including Robert Kennedy. A small number of slides and transparencies were taken in India.
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- Creators:
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Lippe, Aschwin, 1914-1988
- Dates:
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1930 - 1988
1930 - 1988
- Size:
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36 Linear feet
36 Linear feet
- Collection ID:
- FSA.A2012.01
- Repository:
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Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Aschwin Lippe was a research fellow and later curator in the Department of Far Eastern Art at the Metropolitan Museum of Art in New York City. The collection includes his early research and writings on East Asian art, particularly Chinese paintings. It has substantial material on his involvement in selecting the paintings and writing the catalog for the 1961 Chinese Art Treasures Exhibition. He later shifted his research focus to medieval Indian sculpture. The collection includes journals kept during several years of field research in India as well as his extensive photo-documentation of Indian temples and religious sculpture.
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- Creators:
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Lynch, Owen M., 1931-2013
- Dates:
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1945-2012
- Size:
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132 sound recordings
43 Linear feet (83 boxes.)
- Collection ID:
- NAA.2013-11
- Repository:
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National Anthropological Archives
The papers of Owen M. Lynch (1931-2013) contain his research and fieldwork on marginalized castes in India, and in particular highlight his work among the Dalits, or Untouchables, in Agra. The collection consists of field notes, surveys, interviews, maps, drawings, manuscript notes and drafts, language materials, subject files, day planners, correspondence, university papers, conference symposium and panel materials, photographs, sound recordings, video recordings, and electronic records.
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- Creators:
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Warshaw, Isadore, 1900-1969
- Dates:
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1794-1960
- Size:
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0.72 Cubic feet (consisting of 1.5 boxes, 1 folder, 1 oversize folder. )
- Collection ID:
- NMAH.AC.0060.S01.01.Charity
- Repository:
-
Archives Center, National Museum of American History
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Charity forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
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- Creators:
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Syntex
- Dates:
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1962-1978
- Size:
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13 Cubic feet (25 boxes)
- Collection ID:
- NMAH.AC.0821
- Repository:
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Archives Center, National Museum of American History
The collection consists of domestic and foreign advertisements--primarily tearsheets from medical journals--leaflets, and product literature from 1962 to 1978, maintained by Syntex to track its competitors' products.
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- Creators:
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Rothstein, Arthur, 1915-1985
- Dates:
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1936-1984
- Size:
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1.6 Linear feet
- Collection ID:
- AAA.rotharth
- Repository:
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Archives of American Art
Correspondence, notes and writings concerning photography, art work, printed material, subject files, and a slide set.
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- Creators:
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Kellogg, Remington, 1892-1969
- Dates:
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circa 1903-1969, with related papers to 1982
- Size:
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9.35 cu. ft. (7 record storage boxes) (1 half document box) (3 16x20 boxes) (1 oversize folder)
- Collection ID:
- Record Unit 7434
- Repository:
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Smithsonian Institution Archives
This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.