124 records — Page 1 of 13
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Creators:
Covarrubias, Miguel, 1904-1957
Dates:
circa 1940
Size:
2 Posters (approximately 25 x 37 inches)
Collection ID:
NAA.MS2009-18
Repository:
National Anthropological Archives

This collection consists of two posters, each measuring approximately 25 x 37 inches and illustrated by Miguel Covarrubias, circa 1940. The first poster, entitled Art Forms of the Pacific Area, is a full-color map of the Pacific Rim with illustrations depicting examples of indigneous art from various countries. A second poster, Peoples of the Pacif...

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Creators:
Halstead, Whitney (collector and photographer)
Dates:
undated
Size:
27 Negatives (acetate)
140 Prints (silver gelatin (including proof sheets of contact prints))
1 Print (albumen)
11 copy prints
Collection ID:
NAA.PhotoLot.89-43
Repository:
National Anthropological Archives

Photographs documenting pottery and pottery designs from historic Pueblo groups and archeological sites, including Nampeyo pottery and an image of Maria Martinez of San Ildefonso and examples of her pottery. There are also some photographs that depict a pueblo, Southwest landscapes, cliff dwellings, rock art, craftspeople, and dwellings, mostly re...

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Creators:
Carpenter, Edmund, 1922-2011
Dates:
circa 1938-2011
Size:
26.25 Linear feet
Collection ID:
NAA.2017-27
Repository:
National Anthropological Archives

Edmund Snow Carpenter (1922-2011) was an archaeologist and visual anthropologist who worked extensively with the indigenous peoples of the Canadian Arctic as well as Papua New Guinea. With his colleague and close collaborator Marshall McLuhan (1911-1980), he laid the groundwork for modern media theory. Carpenter is also known for his work as an ethnographic filmmaker and as a collector of Paleo-Eskimo art. The Papers of Edmund Carpenter, circa 1938-2011, document the research interests and projects undertaken by Carpenter in the fields of cultural anthropology, ethnographic filmmaking, media theory, archaeology, and indigenous art.

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Creators:
Mattil, Edward L.
Dates:
1973 - 1977
Size:
1 Linear foot
67 photocopies
22 color transparencies
316 slides (photographs)
1 Sound cassette
Collection ID:
NMAI.AC.381
Repository:
National Museum of the American Indian

This collection consists of 316 35mm color slides, 67 color photocopies, 12 exhibition labels, 2 catalog booklets, and 1 audio cassette representing the lives, culture, and arts of the Guna peoples of the Guna Yala Indigenous Territory (formerly San Blas), Panama. The photographs were taken by Edward L. Mattil during visits between 1973 and 1977, and depict Guna people in their daily lives, as well as a wide variety of mola textiles that they had made.

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Creators:
National Museum of the American Indian
Dates:
2011
Collection ID:
Accession 11-229
Repository:
Smithsonian Institution Archives

This accession consists of two websites maintained by the National Museum of the American Indian (NMAI) as they existed in May and June 2011. The main NMAI website, crawled May 4, 2011, includes visitor and programmatic information; exhibition information and online exhibitions; press releases; resources for museum professionals; collection i...

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Dates:
[circa 1950]
Size:
half tone (black & white, 8.5 x 6.5 cm. )
Collection ID:
EEPA.1997-016
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Half tone prints on cards published as a collectable set. Images are of Africans in indigenous dress in South Africa occupied with domestic activities.

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Creators:
Mendoza, Nora Chapa
Dates:
circa 1963-2013
Size:
4.1 Linear feet
1.78 Gigabytes
Collection ID:
AAA.mendnora
Repository:
Archives of American Art

The papers of painter and educator Nora Chapa Mendoza measure 4.1 linear feet and 1.78 gigabytes, and date from circa 1963-2013. Biographical material includes résumés and awards, as well as other miscellaneous biographical material. Correspondence is mostly professional in nature and reflects her relationships with artists galleries and other professional organizations throughout her career, incl. Personal business records document select exhibitions and relationships with galleries such as the Partners Gallery, and include artwork inventories, consignments, and pricelists. Project files document specific projects including commissions and educational initiatives, as well as key conferences related to international labor relations and indigenous civil rights. Writings include artist statements, lectures and notes and sketches. Printed material documents the career of Nora Chapa Mendoza as well as and the art and Hispanic cultural scenes in Detroit in the form of announcements, clippings, catalogs, magazines and books. Photographic material documents various exhibitions, workshops, conferences, and trips.

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Creators:
National Museum of the American Indian. Film and Video Center
Dates:
1977-2016
Size:
21.5 cu. ft. (21 record storage boxes) (1 document box)
Collection ID:
Accession 17-252
Repository:
Smithsonian Institution Archives

This accession consists of records that document the breadth and history of the programs and work of the FVC, including the NAFVF, film screenings, the Native Americans on Film and Video publications, and the Native Networks / Redes Indigenas website. Some materials date to when the before the National Museum of the American Indian as was...

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Creators:
Halseth, Odd S.
Dates:
1920-1925
Size:
158 negatives (photographic) (black and white)
4 Photographic prints (black and white)
Collection ID:
NMAI.AC.038
Repository:
National Museum of the American Indian

The collection consists of negatives and photographs made by Halseth from 1920 to 1925 in Arizona and New Mexico.

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Creators:
Houlberg, Marilyn
Dates:
1970s - circa 2012
Size:
267 color negatives (35mm)
8 Cassettes
19 videocassettes (video 8)
4,011 color slides (35mm)
3,012 Photographic prints (color, 12 x 16 inches or smaller)
27 sound disk cd-r
12 videodiscs (dvd)
1 Reel (Super8)
30 Notebooks (field notes)
0.5 Linear feet (mixed materials; lecture/research files and correspondence)
Collection ID:
EEPA.2015-016
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The Marilyn Houlberg Haiti Collection includes negatives, audio cassettes, video reels, prints, CDs, DVDs, field books, and manuscript materials, including lecture/research files and correspondence, which were created from the 1970s to circa 2012 by Houlberg and focus on the arts and culture of Haiti, especially those of the Afro-Caribbean religion of Voudou.

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124 records — Page 1 of 13